It's very difficult to reason with Canon apologists or fan-boys.
It is very simple...you must ask simple questions.
What should a consumer expect from a $2,000 body?
To determine that, one should review the various offerings across the industry at that price point.
The best specs in this price range is currently Nikon with the D750. Thus, it is very fair to say that whatever specs it has, Canon should be able to implement 2 years later...
Yet, here we are - a month before announcement, hoping that Canon sells us a $2,000 body that we know with a lot of certainty will not have specs to match a 2 year old Nikon for $1,500.
But for some strange reason, people defend Canon for offering substantially less. All kinds of excuses are made such as "Canon makes a bajillion dollars, they don't have to" hmm whose side you on? Your own as a consumer or Canon's? "Canon users don't want those features" ..oh yeah sure I bet. I'm sure everyone would riot and throw their 6D cameras back at Canon if it had a 51 pt AF system... "If you want those features, get a 5D series" umm...the whole discussion is about the $2K price point, thanks for conceding that Canon is a lower value in bodies.
It goes on and on.
Why all the defensiveness? Easy answer. People are trapped in the Canon system. Trapped might be wrong word, they are "invested" in lots of glass. Same is true of Nikon users. Because of this, they just accept whatever the manufacturer offers and because these consumers lack MOBILITY in terms of being able to switch systems, they are captive consumers of sorts.
Thus, you have two companies - Canon and Nikon, with mostly captive consumers. The logical question then becomes -
why does Nikon offer more in their bodies to their users? And Canon, against all market trends and specs and standards - offers up CRIPPLED $2,000 body?
Hard to say. Apologists again will use the "Canon makes a bazillion dollars" argument to establish what is right. Maybe the glass-half-empty version of that is that Canon users are suckers? Maybe. Have to be fair here.
I think the answer is that Nikon builds their bodies outside of Japan and can save money doing so and passes that savings to you (except the glass, which pro glass is made in Japan). Canon builds them in Japan, but they also have a philosophy of trying to force up-selling. As even with Japanese manufacturing costs, some of their decisions do not make any kind of economy-of-scale sense in favor of omitting features. It is intentional crippling. Just admit it.
To be fair, Nikon users have their gripes too. They are very happy with their bodies, but they do know that Canon has better glass on average in the professional realm and often for less money. See the price of the new 70-200 2.8? It's nearly $1,000 more than the Canon, and it was just released to finally match what Canon has had out since 2010. But to compare to introduction price, it's $400ish more - ouch!
Which is better to have updates on? Glass or bodies? Most keep screaming glass, glass, glass. I would argue the opposite.
The fact is, Nikon pro glass is fantastic and offers more resolution than you can practically use for anything short of massive, gallery wall sized prints of landscapes. And even then, it's still OK. In other words, there's nothing about Nikon glass that hinders anyone.
Can the same be said of Canon bodies? Yes. But in the world of bodies, technical advancements lead to direct and significant improvements in IQ.
One generation better glass does not lead to as big of an improvement in IQ as a generational leap in bodies. Can anyone argue that the 5D4 blows the 5D3 away in IQ? I'm not talking about a well lit studio shot. Anyone who has owned that generation of Canon knows shadow lifting was atrocious in the 5D3. It was pretty much garbage. Even a minor lift avoiding serious noise issues still led to extremely dull tones. Can anyone argue that the AF system from the 5D2 to the 5D3 wasn't revolutionary? I don't think they can.
These specs and advancements absolutely do lead to a better ability to capture critical moments, nail focus, or improve the image captured. These things far outweight the relatively SMALL advantage in glass that Canon has. Contrary to the internet preaching glass, glass, glass. Yes, glass is more important versus a single body when deciding where to put your cash once brand is decided. But it does not become more important when comparing bodies of different brands both of whom have outstanding glass.
Anyway, once you remove the brand-loyalty and also separate out being trapped in a system and make it a simple question about specs and value - then yes, Canon shamefully cripples some cameras. It really is a middle finger to their buyers. Unfortunately they won't stop - not with hordes of fanboys taking the slap to the face, and then asking for more. Not only do they ask for more, but they defend it like zealots.
I should make a Canon fan-boy quick start manual for online defense:
Undecided consumer: Canon should have ________ specs on the 6D
Fan Boy Response: Get a 5D4 if you want that.
Undecided consumer: But $3,300 is too much for that spec
Fan Boy Response: You want everything for free - you want a 1DX2 for the price of a Rebel. Some nerve.
Undecided consumer: Wow, um no - I didn't say I wanted anything unrealistic like that. Other brands offer this spec at a lower price
Fan Boy Response: Canon is market leader, so their decisions are the best and right - you can't argue with that.
Undecided consumer: Their decisions might be good for themselves and their shareholders, but maybe not for me the consumer...
Fan Boy Response: Nikon is trash. Canon glass rulez. Good luck over there.
Undecided consumer: Ooookaay.
Fan Boy Response: I wish Canon would give us a full-frame Rebel...
