Are These The EOS 7D Mark II Specifications?

Lee Jay said:
dilbert said:
Jackson_Bill said:
Very disappointing specs after so long a wait. IMO, minor evolutionary improvements.

That is how Canon operates. Look at their product development over the last 11 years and you'll see the same minor increments from one model to the next. If you're looking for revolutionary development then you've bought into the wrong camera system/brand.

Or, you can do what I have done - skip a bunch of generations.

I'm looking to buy the 7D replacement. Do you think I'll see an evolutionary or revolutionary improvement compared to the camera I'm replacing, the 20D?

Me too! Would be a replacement for the 40D in my case - if IQ is much better.

To Jackson_Bill : I think the specs look really impressive ... for sports and other action related photographers! For me, remote operability with wifi is missing to make that camera perfect including that I think that there will no high DR sensor / readout available.

So it might be possible that I skip this model again and go for a 6D or ... let's see.
 
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Maiaibing said:
dilbert said:
That is how Canon operates. Look at their product development over the last 11 years and you'll see the same minor increments from one model to the next. If you're looking for revolutionary development then you've bought into the wrong camera system/brand.

???

Except that 5DII was a sensational camera - touted and hailed for months before its release - and the best selling DSLR so far...

Before that the original 5D was the first ever affordable FF camera. With a class leading sensor.
Wouldn't the 5DII be the best selling FF DSLR? The T3I outsells it like crazy :)
 
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I have to say that I had expected a bit more, but the real proof is in the product, not in the specs. I don't expect this camera to be an 800/810. I want an action APS-C. It would seem that 10 fps, f/8 center point, and advanced AF system would be all that I could want. Buffer size for RAWs? That is important to me as well. Non-matching cards - annoying - I would think that it would be just as fast and would certainly be more convenient to use two fast cards of the same type. New battery - annoying, unless it has slightly higher voltage than the current LP-E6. I use the LP-E6 in my current two Canons, the 60D and 6D, and I get up to 1,000 shots per charge. I consider that to be darn good, and why putz with "darn good" unless there is something significantly improved about the new model.

Bottom line: this seems like a good action camera spec list. That's what I want out of this camera. I am getting good landscape images out of the 6D, and I don't think that at this time I need anything more than the 6D.

The question for those who feel like switching from the 7D to the Nikon equivalent, whatever it will be called, is: which of the new action APS-C cameras, Canon 7D2 or Nikon, has the best operability overall for action photography - that includes ergonomics, AF quality for the situations that the user will be shooting, burst speed, buffer size and speed to empty buffer, lenses available (and for what price), lenses the prospective buyer may already have on board - sensor is not the only issue, and in fact the sensor needs only to avoid the banding seen in the 7D - sensor doesn't have to equal the performance of an equivalent FF, ain't gonna happen.

Right now I am heavily invested in Canon system, and not minded to make a change. If I made a change, it would be to the 810, which is a landscape camera. For the time being, I would like to improve my skills before I worry about a new landscape camera. I think that a new 7D2 will be the cheapest single way to improve my bird photography keeper rate, given that a new camera to replace a 4 year old one is not unreasonable, and I get more mileage from my existing 400mm f/5.6L with an APS-C camera than with FF camera. The other option would be to buy a longer lens AND a camera with fast burst rate. Hmm....$2k vs $12k+. Not a hard decision here.
 
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It seems the fad today is to look at sensor performance in a vacuum. Everyone has their quirks, Nikon does seem to be fixing some of those, but they still have them.
Even if Canon never changed their sensors again, Nikon would still have to try and compete with the 20 year old 400f5.6. Funny that they haven't bothered yet.
I'm quite comfortable with the system I have.
 
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Lee Jay said:
dilbert said:
Jackson_Bill said:
Very disappointing specs after so long a wait. IMO, minor evolutionary improvements.
That is how Canon operates. Look at their product development over the last 11 years and you'll see the same minor increments from one model to the next. If you're looking for revolutionary development then you've bought into the wrong camera system/brand.
Or, you can do what I have done - skip a bunch of generations.
I'm looking to buy the 7D replacement. Do you think I'll see an evolutionary or revolutionary improvement compared to the camera I'm replacing, the 20D?
Those people who want to see great improvements in picture quality, must exchange your camera after 3 or 4 cycles of image sensor technology.
He will see a revolutionary difference?

In Canon land, 70d will crush the old 20D at ISO1600 but do not see a big difference in ISO200. ;)

In Nikon land, D7100 will crush the old D70 at any ISO setting. ::)

My conclusion is that the images produced by Nikon DSLR evolved more because in 2004 were more outdated.
 
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i'm pretty confident the 7D successor will deliver in AF and sport department, i just really hope it will also deliver some improvements in ISO department. Digic6 should bring something to the table, hoping for 2/3 - 1 stop ISO improvement over 70D.
 
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Firstly, let me say that I do not have an engineering background or understanding that half of you folks do but I'm a little amused at the amount of damnation for a camera that nobody has even seen yet.

I know exactly what I want in the 7Dii but I guess it'll be different to every other Canon user's personal want list and as Canon are not in the business of Build-Ur-Own-Camera, they will release the best camera possible to us that they can.

On the DR issue; sure, I'd love Canon to have the upper hand over Nikon but right now they just don't. I've been in this position before though, I was a Sega fan during their 16bit war with Nintendo. 64 colours vs 256, mode 7. Street Fighter II was better on the SNES and yet, I still played games rabidly, day in, day out and loved every minute of it.

So once again, I'm not an engineer, heck, I'm only a very average photographer but I will use every moment I can to take photos because I friggin' love it!
 
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Sabaki said:
Firstly, let me say that I do not have an engineering background or understanding that half of you folks do but I'm a little amused at the amount of damnation for a camera that nobody has even seen yet.

I know exactly what I want in the 7Dii but I guess it'll be different to every other Canon user's personal want list and as Canon are not in the business of Build-Ur-Own-Camera, they will release the best camera possible to us that they can.

On the DR issue; sure, I'd love Canon to have the upper hand over Nikon but right now they just don't. I've been in this position before though, I was a Sega fan during their 16bit war with Nintendo. 64 colours vs 256, mode 7. Street Fighter II was better on the SNES and yet, I still played games rabidly, day in, day out and loved every minute of it.

So once again, I'm not an engineer, heck, I'm only a very average photographer but I will use every moment I can to take photos because I friggin' love it!

It does seem to happen a lot. Remember all the people poo-pooing the 6D when its specs were released? Many of those here advocated for the 5DII over the 6D, but you don't see many of those in favor of the 5DII anymore. If Canon did its homework, the 7DII should sell well.
 
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Hi all
I m mainly wildlife photographer.
www.500px.com/Vgramatikov

I have one different opinion about sport crop sensor cameras.
It is indeed very strange a sports FF camera to have 16 and 18 mp but crop sensors to have 20/24mp.
Sounds quite misunderstanding...

For most wildlife and sport users shooting sport and widlife with 20/24mp sensor crop camera means simply a lot of post processing. Nothing more...yeah it is great for landscapes and so one. But for natural light sport fast moving or wildlife needs this is totally no sense. We all need not more than 16mp here with bigger buffer and better ISO/DR performance. Cause when we shoot at 1600-3200 iso it is huge post to get good 10-12 final image. But this is impossible nowadays.

So... most important is frame rate and AF. So 7d2 will give us both. Bigger buffer ! I`m sure with dial 6 processors it will be done! Better body than 70d and similar to 5d3 done! So there is one thing missing. The sensor. Nobody wants to create a brand new sensor for specific users base on crop sensor camera. They have to be cheap after all... So current 20mp in 70d witch i have now (My 7d dead and i buy 70d) is enough. May be better 1600-3200 iso is required! Because with 5.6 lens like mine 400 5.6 it is very hard to make good IQ image winter time. We shoot constantly at 800-1600 iso at the edge of the shutter speeds required. So it make sense to say...ok if you want more go for 5d3 and 500/4IS :)))

So sensor is the main market level separation here. Sony sensors is not better buy much after 800-1600 iso. They are better at 100-800 iso in DR case. After 800-1600 is equal to the canon 20mp sensor. So our market do not offer better sensors for high iso shooting with crop sensors. Just we may want at least little better performance at 1600-3200 range. May be usable 3200 shots and good 1600 iso. I have a lot of great images at 1600 and 2000 iso with my 7d and my 70d. When the image is right and post is good 1600 iso is not big problem. 3200 iso depends from the scene and light source.

So think twice before you want something... :)))

Sorry for the bad english !
 
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I shoot with a 1DX and a 5D3 and I have shot many many weddings under all kinds of lighting conditions. I can think of only a few times where I wished I had more DR in blown out highlights of a wedding veil in direct sunlight. 99% of the time, if I expose correctly then it isn't a problem for me. So DR isn't my concern.

However, I used to own a 7D and I absolutely hated the color. It was nowhere near the color I was getting with my full frame. I sold it and stuck with my 5D2. I haven't shot with a crop sensor since so I am not sure it things have changed recently. I love the idea of having a 7D2 at weddings because of the extra zoom it will provide me in those big catholic churches were I am stuck in the balcony. I would by this camera the day it comes out if I knew that it would have good/natural colors. ISO I am sure is good enough @ 6400 and that is the highest I shoot. I would also love the sensitivity of the center focal point to be as sensitive as the center point of the 6D. That is a truly amazing thing. I wish the 5D3 or 1DX had the same sensitivity in theirs.
 
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dilbert said:
jrista said:
....
This has NOTHING to do with DXO here, BTW. Just to be very clear. This has everything to do with WHAT PHOTOGRAPHERS ARE ACHIEVING IN REAL LIFEa with the D800. I posted actual real world, artistic photographic examples, not some lab test of a step wedge or a bunch of numbers on paper (things you guys are often ragging on me about) and you guys are STILL denying it. Well...I guess what they say is true. Denial is the most predictable of human behaviors...

I've been harping on about this for ages except that I use DxO as the measuring stick and you're using photos posted by people online. In both cases they amount to the same thing: Canon's sensor is a major issue.

And why are people still denying it? Because you and neuro have been long arguing that DxO's measurements are bad and so any discrepancy between the Nikon and Canon cameras is also flawed. But now you've stumbled across more pictures from real life photographers that show that whilst DxO numbers may leave something to desire, the difference they describe between the two brands is accurate.

You've made your bed in arguing that I (and anyone else) is an idiot for not thinking Canon's sensors are good enough. Use HDR, use better technique, real world doesn't need that many stops because of screen/print issues. Blah blah blah. On and on the two of you have argued about how Nikon's advantage isn't real.

And now you've woken up and discovered that the song you sang has put all of those around you to sleep and they don't want to wake up. Why should anyone feel sorry for you about facing denial from others posting here?

Maybe you'd like to print those words out on paper - or write them down - and post a video of you eating that paper :-D

Oh, don't get me wrong. I've never denied the editing latitude advantage of the D800. I've repeatedly calculated it on these forums. Also don't get me wrong here, I still have no trust of the majority of DXO's numbers. My desire for more editing latitude does NOT, and NEVER WILL, mean I ever have a change of heart about DXO. I have no problem with someone saying there is a 4x shadow tonality advantage for the D800. I do have a problem with someone saying there is an 8x shadow tonality advantage for the D800. That's 8x vs. 4x, a factor of two difference. Or a 100% margin of error. That is a LOT! DXO says the latter, which is only possible in one very specific circumstance using a very specific algorithm that does not reflect the reality of things. DXO lives in a dreamland, and I still choose to ignore their results.

You and I, Dilbert, have always butted heads over DXO. We probably always will. As for Exmor...well, I've been trying to shoot Sunflowers at sunset for a while...never quite succeeding with GNDs and barely succeeding with HDR...and after having seen dozens of real-world D800 photos shot strait into the sun. I'm just sick and tired of waiting for Canon to do something about their noise problem. If the D800 can do it, fine, I'll get a D800. Enough wrestling with ISO 100 noise (which, as I've said, is surprisingly bad on the 5D III, now that I've actually been using it for a few months...a lot worse than I expected, given how NOT so bad it is on the 7D, and how significantly better it is on the 6D...the 5D III is just....bleh....)
 
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Vgramatikov said:
Sorry for the bad english !

English may not be perfect, but your logic is pretty good and your pictures are fantastic.

I see it a little bit differently. If the rumor is true, I think Canon is offering a compromise that sacrifices a little resolution (20 mp vs. 24 mp) and will likely perform slightly better at moderately high ISO (800-3200).

This is actually consistent with what Canon did with the 1DX, 5DIII and 6. After years of "winning" the megapixel war, they decided to concentrate on improved high ISO performance without continually bumping up the megapixel count.

I actually commend them for having the courage to do this. It would have been very easy to offer a 24 mp sensor and just expect people to sacrifice higher ISOs with their APS-C camera and force customers to move to full frame for low light sensitivity. But, it seems very possible now that the 7DII will have decent performance at moderately high ISOs (of course it won't match a full frame).
 
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Random Orbits said:
Sabaki said:
Firstly, let me say that I do not have an engineering background or understanding that half of you folks do but I'm a little amused at the amount of damnation for a camera that nobody has even seen yet.

I know exactly what I want in the 7Dii but I guess it'll be different to every other Canon user's personal want list and as Canon are not in the business of Build-Ur-Own-Camera, they will release the best camera possible to us that they can.

On the DR issue; sure, I'd love Canon to have the upper hand over Nikon but right now they just don't. I've been in this position before though, I was a Sega fan during their 16bit war with Nintendo. 64 colours vs 256, mode 7. Street Fighter II was better on the SNES and yet, I still played games rabidly, day in, day out and loved every minute of it.

So once again, I'm not an engineer, heck, I'm only a very average photographer but I will use every moment I can to take photos because I friggin' love it!

It does seem to happen a lot. Remember all the people poo-pooing the 6D when its specs were released? Many of those here advocated for the 5DII over the 6D, but you don't see many of those in favor of the 5DII anymore. If Canon did its homework, the 7DII should sell well.

Hehehe! I do remember how it was slated as a piece of crap. In fact, the very guy who told me he'll never exchange his 5D2 for a 6D, now has a 6D and sold the 5D2...

There are some mighty minds on these forums but against the collective of the Canon brains trust, those minds will only ever come a distant second. Who thought the Canon EF 16-35 f/4.0 L would be such an incredible lens because hey! Canon can't make a decent WA.
 
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unfocused said:
I actually commend them for having the courage to do this. It would have been very easy to offer a 24 mp sensor and just expect people to sacrifice higher ISOs with their APS-C camera and force customers to move to full frame for low light sensitivity. But, it seems very possible now that the 7DII will have decent performance at moderately high ISOs (of course it won't match a full frame).

For the billionth time, more pixels does NOT mean poorer performance at higher ISO.

In fact, the opposite is usually true.
 
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Stu_bert said:
dilbert said:
jrista said:
....
This has NOTHING to do with DXO here, BTW. Just to be very clear. This has everything to do with WHAT PHOTOGRAPHERS ARE ACHIEVING IN REAL LIFEa with the D800. I posted actual real world, artistic photographic examples, not some lab test of a step wedge or a bunch of numbers on paper (things you guys are often ragging on me about) and you guys are STILL denying it. Well...I guess what they say is true. Denial is the most predictable of human behaviors...

I've been harping on about this for ages except that I use DxO as the measuring stick and you're using photos posted by people online. In both cases they amount to the same thing: Canon's sensor is a major issue.

And why are people still denying it? Because you and neuro have been long arguing that DxO's measurements are bad and so any discrepancy between the Nikon and Canon cameras is also flawed. But now you've stumbled across more pictures from real life photographers that show that whilst DxO numbers may leave something to desire, the difference they describe between the two brands is accurate.

You've made your bed in arguing that I (and anyone else) is an idiot for not thinking Canon's sensors are good enough. Use HDR, use better technique, real world doesn't need that many stops because of screen/print issues. Blah blah blah. On and on the two of you have argued about how Nikon's advantage isn't real.

And now you've woken up and discovered that the song you sang has put all of those around you to sleep and they don't want to wake up. Why should anyone feel sorry for you about facing denial from others posting here?

Maybe you'd like to print those words out on paper - or write them down - and post a video of you eating that paper :-D

I'm not sure everyone is denying it. I think it needs to be put in perspective that it is not necessarily a major issue, it does not mean Canon is a dinosaur ready for extinction, and that those people who use Canon are not 2nd class citizens.

I do not dispute that Nikon bodies have more DR and edit latitude. I completely understand Jon's frustration and agree with those that state post processing is more effort inside when you should be outside. I, like many others have experienced the read noise issue, and as I said above you try to work around it. But, I personally take a lot of landscapes in the so called blue hour or twilight. I prefer the look. I also have sunset / sunrise shots but not every shot I take I want to show the complete tonal range. Sometimes I want to direct the viewer to a specific part. DR is a tool that I use in my shots. I often darken areas in a shot with less DR than a Canon sensor can handle exactly because I don't want the full range.

As I said, we need to keep it in perspective.... No dispute Nikon / Sony has the lead. No issue that there are people here who have either both, or have jumped completely to Nikon (curious as to why they are still here, but hey it's free ;) ). People are free to chose, free to move, free to discuss. If we could leave the hyperbole's behind no matter which camp you are in :D

First, I've never once said Canon users are second class citizens. ;P Guys like DILBERT and friends HAVE said that in the past, but I'm still a Canon user. Canon still kicks ass at high ISO, not just their cameras but the whole entire ecosystem.

Here is the thing. I've been blindsided by how bad the 5D III low ISO performance is. My 7D was better, it simply lacked the frame size for good landscapes (which I hated, I was never able to get the compositions I wanted). The 7D had vertical banding, but other than that, it's noise was actually quite cooperative. The 6D also has FAR less color noise, and hardly any banding as far as I can tell (although I think, given my experience with the 5D III, I would need to use it first hand more to know for sure). The 5D III? It has banding (random crosshatch basically) AND the nastiest color noise I've seen since the 5D II. It's a lot of work to clean it up, so much so that I'm finding it is not worth the effort. The alternative is to use HDR for everything, however HDR has it's limitations as well. You have to deal with ghosting, and sometimes the inverse...you cannot remove ghosts as it causes posterization, so your stuck with one or the other. The solution to that it to take a hell of a lot more frames, but with clouds and/or water, that causes more problems with ghosting. It's a conundrum.

Now, if the rumored 7D II specs indicated Canon was releasing it with a 24mp APS-C sensor with improved DR...even by one stop? I'd have never said anything. I'd have kept defending Canon against the DXO hordes (well, I still will, no reason to stop combating bad science! :P), and I'd have waited for the 5D IV. Because Canon would have been demonstrating they are making progress. However...the best rumors at the moment indicate Canon, once again, has not done a damnable thing about their low ISO DR. Not only that, it looks like they aren't even going to introduce a new sensor in a very hotly anticipated camera, one which many (I know it's not just myself) were hoping would get a competitive 24mp sensor, they are instead repurposing the sensor from the 70D. That just crushed my confidence in Canon as a company that is interested in photographic IQ, across the board. The fact that DPAF is the only sensor technology they seem to be messing with on a commercial stale reinforces my opinion that they are currently overly infatuated with video. That could change, but who the heck knows when. Without any confidence, I can't sit around and wait. We've all known for years now that Exmor has more DR. I've gone into extensive essay-style posts on WHY Exmor has better DR, how it's specific design, use of CP-ADC, digital CDS, and remotely located clock/PLL are the fundamental reason why it has better DR, it's not like I did not know. I'm just now at the point where I'm no longer going to wait for Canon to catch up (or, as I suspect is the case, they have already caught up, but have not actually employed the technology they have invented that would solve their IQ problems), and the only real alternative out there with good lenses (and the 14-24, as we all know, is excellent) is the D800/D810/D600.

So, why the heck should I keep waiting, when a D810 is right there, it already has everything I need, and is for sale on the market today? I don't like Nikon ergonomics, but I could solve my landscape photography problem today if I wanted to. I'd prefer to have a high DR Canon camera, but one simply does not exist, and no one has the first bleeding clue as to when it might potentially exist. So, I'm done waiting. I think everyone else who has been waiting and really wants more DR should stop waiting as well. :P
 
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neuroanatomist said:
psolberg said:
As it turns out, most people's fears are just fears not based on the reality of what they actually shoot, and moire wasn't as much of a problem due for most.

Still, I don't see substantial differences between D800 and D800E paired images after proper sharpening is applied.

Personally, I see moiré in bird feathers often enough despite the AA filter on my 1D X, not having an AA filter would be highly detrimental for me.

Yeah, lack of an AA filter is one reason to get a D800 instead of a D810. I guess you could always ever so slightly misfocus and force the lens to AA...but that's just a royal PITA, and it could make the image softer than if the darn thing just had an AA filter...

Heh, another reason to hope Canon extracts their head from their ass at some point and makes a high DR, high MP camera WITH an AA filter...it seems no one else is going to.
 
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jrista said:
So, why the heck should I keep waiting, when a D810 is right there, it already has everything I need, and is for sale on the market today?

Because you might only have to wait two weeks or so to see what Canon has been up to lately. At least that might give a clue as to future directions.
 
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dilbert said:
Lee Jay said:
jrista said:
So, why the heck should I keep waiting, when a D810 is right there, it already has everything I need, and is for sale on the market today?

Because you might only have to wait two weeks or so to see what Canon has been up to lately. At least that might give a clue as to future directions.

If you exclude the "OMG, 1080p in the 5DII" and look at the very slow evolution of Canon's DSLRs then it is pretty easy to accurately guess where Canon will go next...

i.e. not very far.

Past results are no guarantee of future performance.

Won't take long to add another data point.
 
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