100 said:
emko said:
neuroanatomist said:
gsealy said:
The Sony A7II release is going to have a major impact on the 5DIV specs that are in the final product. Sony just changed the game and in this particular case Canon has to capitulate.
Boston College just filled their whole baseball roster with left-handed hitters. That changes the game, and in this particular case the New York Yankees will have to capitulate and fill their bullpen with left-handed pitchers.
(In case the sports analogy is lost on you, the point is a Sony MILC isn't in the same league as a Canon dSLR.)
" Sony MILC isn't in the same league as a Canon dSLR." really come on now you are saying Canon is that much better? for real? do you own stock in Canon or something i don't get you.
A7rII beats the 5Ds already and if it has close to 5D4 ISO performance the 5D4 at low MP will be a joke other then the FPS
Sony made one camera that Canon needs to make 2 because they don't have the tech to release a camera like the A7rII.
maybe by the time 5D5 comes out Canon will have woken up and stop ripping people of.
2 camera’s you haven’t even touched yet and one camera (5DIV) that is nothing more than a rumor at the moment and you already know which one is best… Doesn’t exactly do wonders for one’s credibility, I think.
The best payed professionals are in what I would call the top league or highest level. Look at the systems those people are using and tell me where Sony systems are the clear winners? The top in landscape and fashion are using medium format digital or large format film. The top in sports and nature are using DSLR’s made by Canon and Nikon. Journalism, wedding, event..? Please show me where Sony is regarded the best option by the top level pro’s.
This doesn’t make Sony camera’s bad camera’s. They outperform Canon on sensors, but that alone isn’t enough to win over a substantial amount of top level pro’s to really compete in the same league.
Maybe the A7rII will make a change and MILC will rule the world but people said the same thing 5 years ago…
Don’t get me wrong, I like what Sony is doing and I really want Canon to take bigger steps, but so far Sony hasn’t pushed hard enough to really hurt Canon/Nikon. I hope they will though, we (the consumer) will benefit from it.
The A7R II could well take over the stills camera video market (beyond the low end) and I"d imagine it might do quite well for the serious landscape market. I could see many Canon users maybe hanging onto a 5D3/7D2 for sports/action/macros/stuff in general when the quick UI and AF are key and then add the A7R II to get the landscape sensor they've been crying for and the seemingly excellent 4k video (the only possible niggle for the video is whether the apparent 8bit and some other processing are going to hurt the video DR on it, otherwise it's already proven to have super detail with a reasonable natural look which is pretty impressive).
Of course if Canon had just made the 5Ds with a sensor and video and video usability features like the A7R II and 6fps FF and a RAW crop mode, I don't think a single Canon user would even look at the A7R II or remotely think of switching to Nikon. I am getting a little worried that they may have fallen hopelessly behind the ability to produce modern sensors. All the stacked fast read out, on chip ADC, etc. etc. can't really be done on their equipment AFAIK. If they want high DR, ultra fast readout without overheating and getting around rolling shutter/jello and so on I wonder if they might not be stuck. Maybe they can still manage the dual ISO read out at moderate MP counts, but can they pull that off at very high MP counts and can do they do all that stuff and get ultra fast read out to get around for the next next round? Hopefully, but I don't know. They haven't even done it yet at any level (beyond the C300 II to some extent).
But, on the plus side, ideal as it is not, at least there are Sony mirrorless now to hook your EF lenses into so you always have a way to get video and landscape stills with the new tech out of your Canon lenses even the Sony bodies are as yet still too compromised to be the one and only all-around body for those who also do serious action and stuff where you just need the weather sealing and AF and so on to work and you can't mess around, etc.
I think the problem with the 5Ds is that while in some ways it is much better in that it is a DSLR, great UI, I'd imagine great AF, without a fast RAW crop mode it's too slow to quite get away with doubling as any sort of an action camera on the side (sports of wildlife) and the RAW buffer is supposedly very poor, which if true, makes it even yet worse for all that sports and wildlife action stuff. And the lack of a crop mode sure means a lot of wasted space when using it as a reach camera to shoot say distant birds (granted the Sony has some issues with this too, AFAIK no crop modes, although it's files are a little smaller) And it doesn't bring anything new to video, in fact I'd dare say it's a lot worse than the current 5D3 since the 5Ds doesn't take ML yet and there is no guarantee it ever will, much less expand video in new ways.
So for those who do some action it will have to be an added not a replacement camera and then for those who do video too they might need to make an additional purchase of either some BM Ursa or maybe an A7R II, but at the point they need ot get the A7RII perhaps anyway....
And then for landscapes, it brings the MP and probably top color fidelity and non-compressed RAWs which are all awesome, but then the low ISO DR is rather out of date for this day and age so it's not like it really quite hits it as a specialist high MP uber landscape camera either.
If you care not a whit about video and don't shoot any DR limited situations much then it's certain pretty fine, and despite being what I'd have to say is overpriced, still reasonably cost effective (especially if you don't do any action either and can sell your old bodies to help fund this one) and surely a nicer experience than a Sony mirrorless and more all-around. If you care about video and action then it's expensive since you need your current body plus the 5Ds plus another thing for video (and if you care about DR at low ISO for stills, you still don't have that).
But I could really see adding (or even replacing their current Canon body, for those who simply don't do action/sports/must rely on it type shooting/willing to live with UI compromises at all times) an A7R II exciting a lot more people since you get the high MP PLUS the high DR and you also get your aliasing/moire-free with very crisp detail (not waxy or mushy) 4k video with basic video usability features too.
It would help a bit if Sony was able to get out a firmware to give it a non-lossy, true RAW option though.