benperrin said:
LetTheRightLensIn said:
No.
(and for the record some of us anonymous bashers have, in the past, pushed tons of Canon sales, but unlike some, we call it as it is and don't get all fanboy and bend over backwards to defend anything and everything Canon has become; also for the record I don't think any of us say that Canon can't do anything right, I've still be praising lots of their lenses, UI for stills, etc. as have most others, heck I even defended the initial 24-70 II price)
But that's the problem. Lots of the people claiming that they are 'calling it as it is' are basically implying that Canon cameras are useless. Don't get me wrong I believe that Nikon has an advantage in shadow noise and dynamic range but these arguments have been exaggerated to the point where they try to make the Canon cameras sound awful. That is what is annoying. There are even people on this forum who don't even shoot Canon who just come here to troll us and tell us how bad Canon are in comparison to Sony/Nikon.
Nobody has ever said the Canon bodies are basically all but useless.
And Canon is so resistant to bother, it takes some over the top talk if they are to ever bother to improve.
Canon has a great stills UI, awesome lenses so it would be nice if they bothered trying more for sensors and bodies again. I mean what Canon user would not want that? But they keep applauding whatever they do. Oh low ISO DR doesn't really ever matter so who cares? The 5Ds is meant for slow work so what do you expect for buffer, speed, video, don't be crazy! COme on ability to focus manually while shooting, zebras? THat's $20,000 stuff!!!! Come on 4k???? slog formats? hfps video? clean hdmi out? LOL!
But look, it's not crazy. D810 gives a cropped RAW so it gets AWESOME buffer performance with decent fps in one mode and then FF and tons of MP in another mode, you get both in one. The D810 and Sony and other stuff use sensors made on modern fabs so they can make use of patents to give better DR at low ISO. The new Sony A7R II is like 42MP AND will deliver 4k video with internal 100Mbps recording! and not just jaggy 4k video but in Super35 mode it will deliver not only zero line-skipping but oversampled 4k and slog2 and 120fps 720P and 60fps HD and clean HDMI output....
With Canon it's just "We [our MBAs not our engineers, most likely] see impossible."
If you want Canon to do well and stay on top why applaud when they act like fat cats sitting on top of the hill and not bothering with this and crippling that?
I'd way rather get a Canon than an A7R II, but at this point it seems I'm likely stuck going the A7R II route (or maybe Nikon D820?? maybe it gets the 4k and 42MP and some cropped mode RAW?). Get a top 42MP landscape camera with amazing DR and potentially great 4k video and can still use my Canon lenses.
Sure the Canon stuff is not terrible by any means and many will get it, but you can't but see how they are so into internal segment protection and ultra-conservative milking. It hasn't directly hurt them much for stills yet (although I'd bet they'd have almost wiped the others out now and in that sense it's maybe hurt them from not having doing crazy, crazy well already), but it's already hit them in DSLR video fairly hard.
Anyway whatever. It's not as big a deal this day as the Sony's can take adapters so even if you love the Canon glass you still have ways to get better video and landscape cameras and still use Canon glass (even if the SOny stuff is kinda drag and not so all around compared to a Canon body). (And Nikon is always there too if you can deal with the UI and lack of Canon glass.) So it's really pretty amazing times for video and photo people!
One could hope maybe, just maybe all the video features on the new stuff will finally scare Canon into having to deliver and maybe the Exmor might finally make them go to new sensors for 5D4? (but then why is the 5Ds still and older type sensor in some ways). Whatever, we'll see, at least there are some relative cost effective options to go elsewhere and even still use Canon glass now (even if yes, the Sony stuff is very compromised as a general camera in many other ways so you may still need to hold onto the old Canon body too and decide on your particular compromise for each shoot, but in many cases the compromise should not be too bad now).