mkln said:
it's funny to read a lot of people having an elitist view of L glass and FF bodies.
"if you can afford FF, buy L"
"EF-S is no good for FF"
"no reason to use EF-S on FF"
I actually think it would make perfect sense to "ease" into the transition from APS-C to FF.
Many people might not switch exactly because as someone stated, they are expected to sell all their EF-S lenses.
and by the way, EF-S lenses are still optimal for APS-C:
- wanna use 24-70 or 24-105 ? yeah right, a "normal zoom" starting from 35mm. the 17-55 has IS, 2.8, starts from 17, is great. why not use that?
- how about wide angle? oops, need to buy EF-S or other brand.
so yeah there's plenty of reasons for canon to give some sort of compatibility for FF and EF-S lenses.
and who said we need the mirror to actually move? just force liveview and keep the mirror up until the lens has been taken off. not that hard really.
I believe this would be greatly appreciated by those who shoot video (do they need a mirror?) but also to those who just bought a FF body and are going through the process of buying new gear.
when I switched to FF I had to sell all my APSC stuff just to buy a 5d2, but that doesnt mean that somebody shouldnt be able to use, say, a 10-22 in live view crop mode 8mpix in a 5d2, while saving for a 17-40.
this is just another feature that canon doesn't include and that others (*cough* nikon *cough*) have. and no it's not because it's not possible at all, because it is, even if not perfect.
canon needs to lose this attitude.
You know, if the EF-S line was more robust (more lenses in all focal lengths + primes, with UD elements and weather sealing, constant aperture...) I could see your point. But, even at the ultra wide end, all you have specifically for EF-S is the 10-22. I own it, it's a decent lens. If the light is just right, results are very good, comparable to L series lenses (which i own 2 of). But, take it out of that just right light and you see its flaws - 3.5-4.5 means that in low light, your pretty restricted. unless you want a ton of distortion (fully wide at 10mm, your talking higher ISO/slower shutter speeds). To me, its the no brainer super wide for a crop sensor camera, but, if on FF, its not a lens I'd want to use because the flaws would be exaggerated even more. 10-22 on crop is essentially 16-35 FF, the IQ, built quality, and constant aperture in the L series super wide is far superior. That's not elitism, the 16-35 is just a more versatile lens (especially so FF bodies).
Back to the point, do a search on B&H, lenses, you can use the APS-C/FF sensor filter - you see that there are 28 EF-s lenses and 108 EF ones. And if you click on EF-s, you find that with the exception of a few, most are in the $100-400 range, and really geared to rebel users/xxD users. And I can truly see why canon would not want those lenses on pro level bodies ------
why? every shooter is essentially a piece of the canon marketing team. When you shoot, and post the photos, others see the results. IF you were able to mount your $125 EF-S 18-55mm f/3.5-5.6 on a 5d, the resulting image would give observers no reason to shell out $2+ on a 5d (sensor is only as good as the glass)....
Either way the EF-S filter on B&H isn't even accurate. If you click and scroll down, a few EF lenses are there - 3 in fact, so that brings the total down to 25 available. I would be on board with this idea of cross comparability, if there were 50+ EF-S lenses, but there isn't. I could also see it if there were EF-S lenses that were good enough that FF users WANTED. But as far as i can tell, there aren't many (the only clamor I hear is from APS-C users.)