So, I tried the RF 45mm f/1.2 today, a production copy of the lens.
I tried it with my R6. This is a low end lens, so I don't think it's fair putting it in a R5. Plus, the R6 is what I work with.
The overall package is lovely. Size, weight, build quality (as good as the RF 35mm f/1.8).
Yes, the AF is slow, I'd say it's just slightly faster than the 85mm f/2. It's really slow, and it's not the smartest, I think the RF 35mm 1.8 is better at subject detection.
Yes, it's soft wide open, but not that awful on a low MP camera. Wide open, I think it's a little softer than the RF 50mm f/1.8 at 1.8, but without the hazy corners. Overall I'd say the 50 1.8 is always sharper.
Now, I'm thinking some reviewers may not have received what became the final version of the lens. Some of them show the lens performing quite decently (soft wide open, but no CA), while others show a real purple festival.
I can't see any CA at all, corner to corner, even on contrasting edges. I'm viewing RAW files on Lightroom, without corrections, and checking at pixel level with the white balance tool.
I didn't test extreme contrast, like the sun (overcast day), but I took photographs at people inside a building, with a large window behind them, and more light on the outside. I see nothing weird. Sometimes there are subtle traces of purple fringing, not enough to create a like, but most of the time there's nothing.
EDIT: looking deeper at the files now, I can see some purple fringing over some surfaces, but nothing major. I'd probably need to test the lens outside, on a sunny day. Most of it it's not visible on jpegs with DLO on standard.
So, I received my 45 today.
I find it's always better to handle gear in the quietness of my home, at least for first impressions.
Build quality is similar to that of the RF 35mm f/1.8, but this lens feels more robust due to its larger size, it fills the hand nicely - I suppose it's the same build quality.
Yes, I'd prefer a faster autofocus, BUT this is the smoothest gear type STM I've ever seen. It's quiet, smooth, not abrupt, honestly this may be the most enjoyable STM I've ever seen! (I'm yet to try the 28-70 and 16-28 STM zooms). It feels very nice in operation, it's just not that fast.
The "internal" autofocus allows us to put a filter in the front and keep it nice and tight.
Image quality (RAW) wide open seems passable at 20MP on my R6, but I can tell it degrades a little at 26MP on my RP, specially off-centre.
Chromatic aberrations show up on contrasty compositions, wide open, specially in the periphery; by f/2 they're almost gone.
The lens sharpens-up progressively and I think resolution is pretty good by f/1.8, with the exception of extreme corners (at 26MP).
I'm yet to try the lens on a sunny day, where I believe CA will be more present but, considering I may have to stop it down due to the limitation of shutter speed, it may or may not be an issue.
Focal length is very similar to that of the RF 50mm f/1.8, just a hair wider. Considering how much focus breathing both lenses have, I'd say their fields of view may meet at certain focusing distances, they're very close.
I'm not sure I keep my affirmation of the 50mm f/1.8 always being sharper. 45 1.2 vs 50 1.8, yes, the 50 is sharper, but the 45 sharpens-up nicely and progressively as you stop-down.
Now, for the elephant in the room...
I looked a bit for the infamous focus shift. I couldn't see it walking around the house, photographing the pets and the kids, so I put the camera on a tripod, and took a few test shots between f/1.2 and f/5.6.
I'd say the focus plane does move slightly backwards, because I do not see it increasing in the foreground of the subject in the proportion of 1/3, as it should, but the thing is: the subject never seems to be thrown out of focus. Of course, YMMV, and I don't know if this could be dependant on copy-variation, but I think this shift will hardly be an issue with my cameras. Those with higher resolution sensors, being able to magnify further on their subjects when viewing their photographs at 100%, may be able to see it more clearly which, once again, supports the idea of pairing higher end cameras with higher end glass.
It should be reminded that the minimum focus distance of this lens is nothing special, at 45cm, meaning its magnification is not impressive either, at just 0.13x. This lens wouldn't be my first choice for close-up shots, where I think the shift is more likely to be noticeable, if the user stops-down.
YMMV, but I'm not seeing much of a reason to worry, so far. I’m guessing this generally won’t be an issue for handheld photography, and I doubt Canon would put an unusable lens in the market.