Pi said:Shoot mRAW or sRAW, problem solved.
neuroanatomist said:With dual Digic 6+, it might even hit 3 fps...![]()
Marsu42 said:Canon would probably like it but they cannot expect all people to buy two camera bodies, one high-res, one high-fps.
neuroanatomist said:Why not?Marsu42 said:Canon would probably like it but they cannot expect all people to buy two camera bodies, one high-res, one high-fps.
The Eye said:75+ megapixels. What's the point?
dilbert said:Well it is highly unlikely that there will be two 1D named products again.
Why?
Product disamibiguation.
xps said:Guess: 12000€ body only
neuroanatomist said:Maybe it escaped your notice - there are two 1D named products right now: the 1D X and the 1D C.
photonius said:Don't forget the 70D. This may be a 37.5 Mp camera with dual pixels. Use different exposures on each half-site, and you get expanded DR 14bit or 16 (like the ML trick).
Canon could also bin the pixels normally, but for tele, if cropping is desired, the unbined version could be selected (sort of like the Nokia purview).
Another alternative is lens correction. Due to the high sampling, distortion, CA, etc. can be corrected first with little loss before downsampling for storage.
Lots of things that can be done.
Ellen Schmidtee said:Pi said:Shoot mRAW or sRAW, problem solved.
DxO will not process mRAW & sRAW files. According to their support, it's because those formats miss some information the software requires.
RGomezPhotos said:Don Haines said:actually......art_d said:If you can care less, then why don't you ?RGomezPhotos said:Very interesting. I just hope that one of the big MP cameras we keep hearing about comes with 16-bit DR. I can care less about any camera with more than 40MP and doesn't have 16-bit DR...
As far as 16-bits....now that is something I could not care less about. Because 16 bits will not give you more DR. Just bigger files with the extra bits quantizing noise.
14 bits will do just fine.
A pixel produces an analog signal that is relative to the amount of light it has been exposed to. That analog signal is sampled by a D/A converter and becomes a digital number. The number of bits of resolution of the D/A converter is the upper limit of the DR of the camera. If you have a 12 bit D/A, the best dynamic range possible under ideal conditions is 12 stops. If you want 16 stops, you need 16 bit D/A and that means 16 bit RAW files.
Pi said:Ellen Schmidtee said:Pi said:Shoot mRAW or sRAW, problem solved.
DxO will not process mRAW & sRAW files. According to their support, it's because those formats miss some information the software requires.
Do not use DXO then.
BTW, if they want to survive, they would have to support mRAW and sRAW.