Hi, Ripley,
The sharpness and color rendition of the 135mm is, in my opinion, even better than the 85mm--but, as our "studio space" is so confined, the 135mm is an outdoor and larger venue lens for us. Since the 135mm focuses so extremely fast and has such a wide aperture, it is a great combination of super-flattering portrait lens and action stopper.
But for working intimately with subjects for a portrait that reflects mood and character, and for which the subject is posing, the 85mm somehow brings a contemporary and timeless feel that cannot be surpassed. The ability to go to a truly workable 1.2, and when at minimum focus distance get just the plane of a single eye perfectly in focus, while all else dissolves into a dreamy softness, was just too much for this photographer to resist.
I believe that you can't go wrong with either, provided you find the scenarios better suited to each.
The sharpness and color rendition of the 135mm is, in my opinion, even better than the 85mm--but, as our "studio space" is so confined, the 135mm is an outdoor and larger venue lens for us. Since the 135mm focuses so extremely fast and has such a wide aperture, it is a great combination of super-flattering portrait lens and action stopper.
But for working intimately with subjects for a portrait that reflects mood and character, and for which the subject is posing, the 85mm somehow brings a contemporary and timeless feel that cannot be surpassed. The ability to go to a truly workable 1.2, and when at minimum focus distance get just the plane of a single eye perfectly in focus, while all else dissolves into a dreamy softness, was just too much for this photographer to resist.
I believe that you can't go wrong with either, provided you find the scenarios better suited to each.
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