Call me mad... but cameras are a tool and the eye is all important.
I make the most photographically via my landscape and fine art prints, and I also cover events and photojournalism.
Up till recently I used a 1Ds III and a 24 mm TS-E II for the first and a 1DX with a 70-200 mm and a 400 mm f/2.8 I IS L for the second. Although quite happy with the TS-E II and the 1DX, I am feeling quite a bit let down by the 1Ds III. Files simply are not up to scratch compared to a 1DX.
Now a crazy thought entered my mind... how about going dark, and selling part of the gear to reinvest in a D800E (!!) and the fabled 14-24 mm, since I do most of my work on the landscape side?
The 400 mm f/2.8 has already been sold, at a profit. The fisheye, 135 f/2, 100 mm macro, 50 mm 1.2 might consider selling, keeping the 70-200 mm and the tilt shift.
Does playing both systems make sense? Canon have no higher resolution sensor, and the Nikkor ultrawide is a renowned lens. Now Canon might be considering a higher MP body at some point, but it is still total vaporware.
I make the most photographically via my landscape and fine art prints, and I also cover events and photojournalism.
Up till recently I used a 1Ds III and a 24 mm TS-E II for the first and a 1DX with a 70-200 mm and a 400 mm f/2.8 I IS L for the second. Although quite happy with the TS-E II and the 1DX, I am feeling quite a bit let down by the 1Ds III. Files simply are not up to scratch compared to a 1DX.
Now a crazy thought entered my mind... how about going dark, and selling part of the gear to reinvest in a D800E (!!) and the fabled 14-24 mm, since I do most of my work on the landscape side?
The 400 mm f/2.8 has already been sold, at a profit. The fisheye, 135 f/2, 100 mm macro, 50 mm 1.2 might consider selling, keeping the 70-200 mm and the tilt shift.
Does playing both systems make sense? Canon have no higher resolution sensor, and the Nikkor ultrawide is a renowned lens. Now Canon might be considering a higher MP body at some point, but it is still total vaporware.