Deep Sky Astrophotography

Thanks jrista! Maybe I'll go back and see if I can do some better processing on this data. I used Lightroom on the tif output from DSS. Do you see any limitations with Lightroom for this type of post processing? Would Photoshop be better? Do you know of any good tutorials for post processing in either Lightroom or Photoshop with the output tif from DSS? Thanks in advance.

I'd have to say, looking at the images you have produced is making me want to get into this a bit more. I'll have to work on convincing the wife about getting a tracker...
 
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Rodger Clark at clarkvision.com has some photoshop advise and alot of other astro related info, most above my paygrade but intresting. If you get serious or just have free funds the dedicated programs can really be worthwhile for getting every last drop from the data.
 
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cazza132 said:
Astronomy has been a interest of mine since I was 10 years old. Now, some 30 years later, an Astrotrac (tripod mounted star tracker (non-guided)), a DSLR and a few lenses have given me a chance of actually taking photos of the objects I saw in astronomy books, magazines, etc - and I am really stoked! Here's a few astro shots taken recently:

The Great Orion Nebula (M42 + M43 + Running Man)
Full spectrum modded 6D + 70-200 f2.8L II lens with x2 TC @ 400mm. Tracked using an Astrotrac.
4x120s, 8x60s, 4x20s, 4x8s and 4x3s at f5.6 on ISO3200. Dark frame subtraction on the 120s and 60s shots.
Aligned with PT Gui and processed with Fitswork.

Lagoon Nebula and the Trifid Nebula
Full spectrum modded 6D + 70-200 f2.8L II lens with x2 TC @ 400mm. Tracked using an Astrotrac.
4x120s, 4x30s, 4x8s at ISO800 + 10x120s at ISO3200. All at f5.6. Dark frame subtraction on the 120s shots.
Aligned with PT Gui and processed with Fitswork.

Eta Carina
Full spectrum modded Canon 6D, 200mm, ISO3200, 4x120s, 4x30s, 4x8s and 4x3s. AstroTrac. Hutech LPS-D1 lens mounted filter

Eta Carina - Wide field
Full spectrum modded Canon 6D, 200mm, ISO3200, 4x120s, 4x30s, 4x8s and 4x3s. AstroTrac. Astronomic CLS-CCD XL-Clip filter

Comet Lovejoy (C/2014 Q2)
Canon 6D
70-200 f2.8L II + 2x TC @ 400mm, f5.6
20x120s exposures at ISO3200
Astrotrac used for tracking the stars

Heart of the Milky Way Widefield
Mosaic using a Sigma 35mm @ f2.2 on a full spectrum Canon 6D. An Astronomic 'L' clip in filter was used. Astrotrac used for tracking.

Hope you enjoy.

great images, jrista recommended that mount so that is what i am thinking of getting. they make what's called the "travel system" it seems to be everything i would need to get started except for a dovetail adaptor.

judging from your images i would expect you also recommend it.

would you suggest getting the whole "travel system" or just specific components?
 
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candc said:
East Wind Photography said:
I prefer this tracking system for travel use.

http://www.bhphotovideo.com/c/product/1092106-REG/sky_watcher_s20510_star_adventurer_motorized_mount.html

thanks, seems like a good value.

Holds a lot of weight too. I can get my 600 F4L with my gripped 5D3 on it but need extra counter balance. But it works. With my 300mm F2.8L it's a perfect balance with only one counterweight. You would likely need the wedge and a couple of other things so if that seems like a good value, make sure you get everything you need.
 
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Schmave said:
Thanks jrista! Maybe I'll go back and see if I can do some better processing on this data. I used Lightroom on the tif output from DSS. Do you see any limitations with Lightroom for this type of post processing? Would Photoshop be better? Do you know of any good tutorials for post processing in either Lightroom or Photoshop with the output tif from DSS? Thanks in advance.

I'd have to say, looking at the images you have produced is making me want to get into this a bit more. I'll have to work on convincing the wife about getting a tracker...


I wouldn't use Lightroom for processing. Photoshop is significantly better, and there are a number of actions packages out there that can make things easier (Look for Carboni's Astro Actions).


Ultimately, Photoshop isn't even the most ideal tool for astro processing. It's great for beginners as many beginners already have it, but if you end up serious about the hobby, I highly recommend looking into PixInsight. It's a program designed specifically for astro image processing, including integration (the stuff DSS does, only PI is WAY better at it.)


niteclicks said:
Rodger Clark at clarkvision.com has some photoshop advise and alot of other astro related info, most above my paygrade but intresting. If you get serious or just have free funds the dedicated programs can really be worthwhile for getting every last drop from the data.


Roger Clark has some good baseline information, and some good basic tips. Clark does most of his imaging with pure DSLR equipment, and a lot of his recommendations, while aiming for simplicity, only work with pure Canon-branded DSLR equipment. He effectively bypasses image calibration by using camera features like LENR and lens calibration and very high ISOs to get decent images, without any real work. If that's in line with your own goals, Roger's method is great.


That said, Roger's image processing is not top notch. His astro images often have artifacts, color balance issues, and other things, probably because of his "light touch." If you want to get better results, I recommend joining Cloudy Nights forums, find the Beginner and Intermediate Imaging forum, and start reading. That is probably the most helpful forum on the net for beginner astrophotographers, it's where I hang out myself (I'd call myself intermediate now, far expert or advanced...but I have enough knowledge to help true beginners get rolling.)


Once on the CN BII forum, you can start asking questions, and you'll quickly be directed to the best resources on the net for beginners, from making the hardware choices, to learning acquisition, to guiding, to processing.
 
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East Wind Photography said:
candc said:
East Wind Photography said:

thanks, seems like a good value.

Holds a lot of weight too. I can get my 600 F4L with my gripped 5D3 on it but need extra counter balance. But it works. With my 300mm F2.8L it's a perfect balance with only one counterweight. You would likely need the wedge and a couple of other things so if that seems like a good value, make sure you get everything you need.


While you can barely fit a 600/4L and 5D III on the Star Adventurer, it is not recommended. The rule of thumb for imaging is to use only half the rated capacity. More than that, and your tracking accuracy will suffer, which will affect your stars. You shouldn't put more than 5-6 lb on the Star Adventurer for best results. You might get away with 7-8lb, but with longer lenses your star profiles will suffer (you'll have bloated stars, and you'll lose the benefits of the increased resolution of a large lens like the 600mm f/4).


I use an Orion Atlas, a $1500 mount with a 40lb capacity, and at barely 20lb I am still not able to get ideal stars. I've reached the point in my imaging where instead of obsessing over things like just getting tracking working reliably at all, I am now obsessing over maximizing my mount's performance to get the tightest stars. I've come the the simple conclusion that a $1500 mount with 40lb capacity is simply not capable of giving me sub-arcsecond performance, even when guided, with a mere 20lb load.


There are two levels of alternatives. There are the $5000 mounts, like the CGE Pro, the Orion HDX110, the Losmandy Titan. These can perform well, and have higher capacities, but they aren't engineered much better than the entry level mounts that run for $1500-$3000. They can get to 1-2" guided performance, but still can't get to the holy grail of true sub-arcsecond performance (where the worst case performance is still less than an arcsecond peak-to-peak (P2P) periodic error (PE).) Only the high end mounts, which start at $8000 for 45lb worth of imaging capacity, can give you tracking performance that averages >1" PE and 0.1" or better guided performance (which is necessary when you start imaging at a scale of 1"/px or larger...in my case, I am trying to image at 0.73"/px and simply can't do it with my mount.)


The 600/4 and 5D III is 2"/px image scale, and to get the best stars, you really want to keep your guided tracking at around 1-1.25" RMS. The 11lb capacity of the Star Adventurer is not going to give you that kind of performance, not even at half load, let alone full load. You might be able to get away with a 5D III and 300mm f/2.8 on that mount, but I think it would be difficult to get good performance out of it. The 5D III and 400mm f/5.6 would probably do much better.


For beginners, the best recommendation is to get the biggest mount you can possibly afford, and get a small, short, fast refracting telescope (or lens) as your first telescope. That maximizes the mount capacity (i.e. an Orion Sirius or Atlas), and minimizes load, thus maximizing your potential to get the most out of the equipment without a lot of hassle. Focal lengths ranging from 300mm to 600mm are generally recommended for beginners. Once your up over 800mm through 1200mm, your image scales drop to the point where mounts like the Sirius or Atlas are barely going to deliver what you need without extra work (i.e. most Atlas users who are imaging at 1200mm or longer have hypertuned and possibly belt modded their mounts...or, they skipped the Atlas and went strait to the Atlas Pro, which is basically hypertuned and belt modded right out of the box, for another $500 tacked onto the price.)


If your looking at something like the Astro Trac or Sky adventurer, you should be thinking much more wide field. Anything from ultra wide (14mm through 80mm), maybe 100-200mm. To give you guys and idea of how big these fields are (assuming a FF camera like the 5D III or 6D). The ultra wide focal lengths like 14-80mm are either "whole sky", "constellation", or "asterism" in terms of the field coverage. After that, up to 200mm or so, then you can start zeroing in on the really large regions of nebula, like the greater Cygnus region, or the entire Orion Belt+Sword complex, or both Heart and Soul nebulas in Cass, etc. At 600mm your down to just Orion's Sword or the end of his belt where Horsehead is, or just Heart or Soul nebula, or just California and Pelican nebulas in Cygnus, Andromeda Galaxy, etc. At 1000mm, your down to portions of nebula, small nebula (Wizard, Elephant Trunk, Crescent, Tulip, etc.), medium sized galaxies like Triangulum, and beyond that your into bulk (small) galaxy ultra high resolution nebula imaging. Much beyond 1200mm, and you have to start explicitly looking for scopes that have truly massive apertures, and much larger sensors with gargantuan pixels, just to get a reasonable image scale. It's not uncommon to find FF sized CCD sensors with 9 micron pixels being used at 1600-3000mm. A lot of the larger scopes support 65-70mm image circles, which cover 37x37mm and 49x37mm "large format" sensors that have 9, 12, and even 24 micron pixels.


So, as beginners, you should be thinking what is the shortest telephoto lens you can use, and what is the biggest mount you can possibly afford. Shortest Scope + Biggest Mount = Least Hassle, Most Fun. With an AstroTrac or Star Adventurer, I'd say 400mm f/5.6 or around there should be the limit. If you are willing to deal with some frustrations, you might be able to work a 300mm f/2.8 on a Star Adventurer, but just prepare yourself for dealing with tracking issues and other problems about half the time.
 
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Hi Jon,
Thanks for the advice. I am trying to look at something that is easy to setup and learn with, but would still be useful to hang onto even if you move up to bigger and more precise gear. From what I have seen and read the astrotrac looks good. It has a larger capacity than the comparable ones. I think I will get the wedge and tt320-ag. Use it on a rrs tvc-43 tripod. That should be good for doing wide field stuff for a beginner and more if you figure a little bit about what you are doing. I checked out some of the forum posts at cloudy nights, even the "beginner" section seems confusing. Its like starting to learn another language.
 
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Hi Guys, I bought myself the star adventurer a few months ago, but have hardly had a clear night since, plus I am in the southern hemisphere and it's not getting truly dark till about 10 pm, past my bed time .. ha.. well add a few hours of trying to get a few shots and it is.
I mostly wanted it for wide field shots. So I didn't have to push the iso up to like 3200 at F2.8 and about 25 to 30 sec exposures.
I was hoping it would allow me to drop the iso and stop down a little but and just extend the exposure time to still get the milky way come up nice and bright.
I recently bought a Phase One with the P45+ back that's a CCD sensor and high iso is not it's forte.
So yeah looking forward to winter here soon and longer nights.
BIG issue this side of the world is finding polar alignment, we don't have such a bright pole star as you guys, so I really need dark skies to even get close .. so far no luck in finding true polar south yet even ....
I do have the new 100-400 with a 1D4 so will give that a go also, but finding polar south is my first hurdle. It seems a bit fiddly and hard to view through that's all.
I hope I am on the right track anyway and can pull out some nice medium format milky way shots, I also want to include ground scenery in the shots, I know I'll get some horizon movement issues merging the two shots together, but hope it's not too much.
 
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I've been looking up at the sky for 50+ years and pointing a camera at it, with and without telescopes, for most of those years. Never had extremely deep pockets, so I've learned to make do with what I can. I do most of my imaging with a CG5-ASGT mount to which I attach any one of several scopes / cameras. Due to light pollution in my area, I'm limited to subs of 30 – 90 seconds unless I travel to a dark site. Living at sea level, I also have frequent issues with seeing – deconvolution is a must when processing with PixInsight. I have no problem getting seeing-limited stars with a 2000mm telescope, although I often bring it down to ~1250mm with a focal reducer or use a 1000mm scope. An EQ6 class mount would be better, but it costs more than I'm willing to spend right now and wouldn't do anything for seeing. This image of Thor's Helmet is cropped from a stack taken with a 6D on an 8 inch f/5 Newtonian. My field computer was OOC that night, so these were 30 second subs, unguided.

http://www.pbase.com/emagowan/image/159120626

For carrying a camera with a wide to medium telephoto lens, I adapted my old C8 drive base to hold a tripod head. Even that old spur gear drive is good for 30 second exposures. These old C8 scopes, with wedge and tripod, are often available for a great price on Astromart. If you can find one of these, a little bit of wood and a few hours work will get you a tracking camera mount that works quite well.

http://www.pbase.com/emagowan/image/146520833

And an image of Orion with a modified 40D and an EF50/1.8, taken with that mount. That lens is somewhat atrocious unless stopped down to at least f/3.5. I have a old Takumar 50/2.0 and a Dandelion adapter, I've used it for day shots but now I'm curious to try it for astro.

http://www.pbase.com/emagowan/image/159209082

NGC2467, taken with the 6D on the C8 with focal reducer, guided. A good but not great night, I was driving through fog on the way home.

http://www.pbase.com/emagowan/image/159276557
 
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Omni Images said:
Hi Guys, I bought myself the star adventurer a few months ago, but have hardly had a clear night since, plus I am in the southern hemisphere and it's not getting truly dark till about 10 pm, past my bed time .. ha.. well add a few hours of trying to get a few shots and it is.
I mostly wanted it for wide field shots. So I didn't have to push the iso up to like 3200 at F2.8 and about 25 to 30 sec exposures.
I was hoping it would allow me to drop the iso and stop down a little but and just extend the exposure time to still get the milky way come up nice and bright.
I recently bought a Phase One with the P45+ back that's a CCD sensor and high iso is not it's forte.
So yeah looking forward to winter here soon and longer nights.
BIG issue this side of the world is finding polar alignment, we don't have such a bright pole star as you guys, so I really need dark skies to even get close .. so far no luck in finding true polar south yet even ....
I do have the new 100-400 with a 1D4 so will give that a go also, but finding polar south is my first hurdle. It seems a bit fiddly and hard to view through that's all.
I hope I am on the right track anyway and can pull out some nice medium format milky way shots, I also want to include ground scenery in the shots, I know I'll get some horizon movement issues merging the two shots together, but hope it's not too much.

The star adventurer polar scope has the southern hemisphere polar star field built into the reticle. Provided you can see the polar stars you should be good to go. I think it would be much easier than northern polar alignment which requires us to have an app or a slide rule to figure it out.

You would just overlay the pattern in the polar scope and you are done.
 
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jrista said:
East Wind Photography said:
candc said:
East Wind Photography said:

thanks, seems like a good value.

Holds a lot of weight too. I can get my 600 F4L with my gripped 5D3 on it but need extra counter balance. But it works. With my 300mm F2.8L it's a perfect balance with only one counterweight. You would likely need the wedge and a couple of other things so if that seems like a good value, make sure you get everything you need.


While you can barely fit a 600/4L and 5D III on the Star Adventurer, it is not recommended. The rule of thumb for imaging is to use only half the rated capacity. More than that, and your tracking accuracy will suffer, which will affect your stars. You shouldn't put more than 5-6 lb on the Star Adventurer for best results. You might get away with 7-8lb, but with longer lenses your star profiles will suffer (you'll have bloated stars, and you'll lose the benefits of the increased resolution of a large lens like the 600mm f/4).


I use an Orion Atlas, a $1500 mount with a 40lb capacity, and at barely 20lb I am still not able to get ideal stars. I've reached the point in my imaging where instead of obsessing over things like just getting tracking working reliably at all, I am now obsessing over maximizing my mount's performance to get the tightest stars. I've come the the simple conclusion that a $1500 mount with 40lb capacity is simply not capable of giving me sub-arcsecond performance, even when guided, with a mere 20lb load.


There are two levels of alternatives. There are the $5000 mounts, like the CGE Pro, the Orion HDX110, the Losmandy Titan. These can perform well, and have higher capacities, but they aren't engineered much better than the entry level mounts that run for $1500-$3000. They can get to 1-2" guided performance, but still can't get to the holy grail of true sub-arcsecond performance (where the worst case performance is still less than an arcsecond peak-to-peak (P2P) periodic error (PE).) Only the high end mounts, which start at $8000 for 45lb worth of imaging capacity, can give you tracking performance that averages >1" PE and 0.1" or better guided performance (which is necessary when you start imaging at a scale of 1"/px or larger...in my case, I am trying to image at 0.73"/px and simply can't do it with my mount.)


The 600/4 and 5D III is 2"/px image scale, and to get the best stars, you really want to keep your guided tracking at around 1-1.25" RMS. The 11lb capacity of the Star Adventurer is not going to give you that kind of performance, not even at half load, let alone full load. You might be able to get away with a 5D III and 300mm f/2.8 on that mount, but I think it would be difficult to get good performance out of it. The 5D III and 400mm f/5.6 would probably do much better.


For beginners, the best recommendation is to get the biggest mount you can possibly afford, and get a small, short, fast refracting telescope (or lens) as your first telescope. That maximizes the mount capacity (i.e. an Orion Sirius or Atlas), and minimizes load, thus maximizing your potential to get the most out of the equipment without a lot of hassle. Focal lengths ranging from 300mm to 600mm are generally recommended for beginners. Once your up over 800mm through 1200mm, your image scales drop to the point where mounts like the Sirius or Atlas are barely going to deliver what you need without extra work (i.e. most Atlas users who are imaging at 1200mm or longer have hypertuned and possibly belt modded their mounts...or, they skipped the Atlas and went strait to the Atlas Pro, which is basically hypertuned and belt modded right out of the box, for another $500 tacked onto the price.)


If your looking at something like the Astro Trac or Sky adventurer, you should be thinking much more wide field. Anything from ultra wide (14mm through 80mm), maybe 100-200mm. To give you guys and idea of how big these fields are (assuming a FF camera like the 5D III or 6D). The ultra wide focal lengths like 14-80mm are either "whole sky", "constellation", or "asterism" in terms of the field coverage. After that, up to 200mm or so, then you can start zeroing in on the really large regions of nebula, like the greater Cygnus region, or the entire Orion Belt+Sword complex, or both Heart and Soul nebulas in Cass, etc. At 600mm your down to just Orion's Sword or the end of his belt where Horsehead is, or just Heart or Soul nebula, or just California and Pelican nebulas in Cygnus, Andromeda Galaxy, etc. At 1000mm, your down to portions of nebula, small nebula (Wizard, Elephant Trunk, Crescent, Tulip, etc.), medium sized galaxies like Triangulum, and beyond that your into bulk (small) galaxy ultra high resolution nebula imaging. Much beyond 1200mm, and you have to start explicitly looking for scopes that have truly massive apertures, and much larger sensors with gargantuan pixels, just to get a reasonable image scale. It's not uncommon to find FF sized CCD sensors with 9 micron pixels being used at 1600-3000mm. A lot of the larger scopes support 65-70mm image circles, which cover 37x37mm and 49x37mm "large format" sensors that have 9, 12, and even 24 micron pixels.


So, as beginners, you should be thinking what is the shortest telephoto lens you can use, and what is the biggest mount you can possibly afford. Shortest Scope + Biggest Mount = Least Hassle, Most Fun. With an AstroTrac or Star Adventurer, I'd say 400mm f/5.6 or around there should be the limit. If you are willing to deal with some frustrations, you might be able to work a 300mm f/2.8 on a Star Adventurer, but just prepare yourself for dealing with tracking issues and other problems about half the time.

I agree that bigger is always better but the point is what are you going to travel with? Often times we have to make due with less. So while a 600mm on a star adventurer is not ideal, you can make due but have to shoot a lot of subs and weed out the bad ones. I could not see traveling with anything larger than the sky watcher astro package.
 
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East Wind Photography said:
I agree that bigger is always better but the point is what are you going to travel with? Often times we have to make due with less. So while a 600mm on a star adventurer is not ideal, you can make due but have to shoot a lot of subs and weed out the bad ones. I could not see traveling with anything larger than the sky watcher astro package.


I've traveled with my Atlas to dark sites about a dozen or so times now. It isn't as portable as an AstroTrac or StarAdventurer, but it is still quite portable. I usually get it physically set up in about 10-15 minutes, including all connections to batteries and the laptop.


The mount I am looking at now is the Astro-Physics Mach 1 GTO. It is a high end mount, $8000 new (less used, maybe by a grand or so), but it is actually even more portable than the Atlas, and has a true 45lb imaging capacity. The Mach1 breaks down into several parts, the base, the two axes, and the CW shaft (which is very thick for stability). I think the heaviest part of the Mach1 is 16lb, which is quite a bit less than my Atlas (which doesn't break down outside of the mount coming off the tripod).


You can get good portability with higher end mounts and higher capacities. I use the Atlas in a certain way. I have marked up everything, the mount, the dovetails, the scope rings, even my lens itself (tape on the body) so that I can just put everything together, rotate parts as necessary to get everything aligned identically every time, and setup is very quick and easy.


The Sirius is a smaller version of the Atlas, basically, with a smaller capacity (30lb), lighter mount, and cheaper cost. If you want the most reliable and portable mount for the lowest cost, I would say look for a used Orion Sirius. It'll handle a 600mm lens and 5D III (and guide scope and camera and all the cables hanging off them), and you can usually find one for about $700 used. That isn't even $200 more than an AstroTrac, and it's more portable than the Atlas. For those who want to spend a little money as possible, but want some room to grow, I would offer that the Sirius is probably the best option. Intermediate imagers have used that mount (which is also upgradable with a belt mod) up to 20lb capacity with good results, so if you ever wanted to eventually move up to a larger OTA like an AT8RC or a small 6" newtonian, you could.
 
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jrista said:
I wouldn't use Lightroom for processing. Photoshop is significantly better, and there are a number of actions packages out there that can make things easier (Look for Carboni's Astro Actions).


Ultimately, Photoshop isn't even the most ideal tool for astro processing. It's great for beginners as many beginners already have it, but if you end up serious about the hobby, I highly recommend looking into PixInsight. It's a program designed specifically for astro image processing, including integration (the stuff DSS does, only PI is WAY better at it.)

Roger Clark has some good baseline information, and some good basic tips. Clark does most of his imaging with pure DSLR equipment, and a lot of his recommendations, while aiming for simplicity, only work with pure Canon-branded DSLR equipment. He effectively bypasses image calibration by using camera features like LENR and lens calibration and very high ISOs to get decent images, without any real work. If that's in line with your own goals, Roger's method is great.


That said, Roger's image processing is not top notch. His astro images often have artifacts, color balance issues, and other things, probably because of his "light touch." If you want to get better results, I recommend joining Cloudy Nights forums, find the Beginner and Intermediate Imaging forum, and start reading. That is probably the most helpful forum on the net for beginner astrophotographers, it's where I hang out myself (I'd call myself intermediate now, far expert or advanced...but I have enough knowledge to help true beginners get rolling.)


Once on the CN BII forum, you can start asking questions, and you'll quickly be directed to the best resources on the net for beginners, from making the hardware choices, to learning acquisition, to guiding, to processing.

Thanks for the tips. I'll check out cloudy nights forums and see what they have to say.
 
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IR sensitive sensor at daytime?

Hi there, I have a quick question to all people using cameras like the 60Da or the like, which have no IR blocking.

How would the images look like at daytime as it is not recommended to take photos at that time with such cameras...? If they look a lot weaker than they would taken with a normal camera, could it be a possibility to convert them into Black&White to still get good images at daytime? How much difference is there

thx in advance
 
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The 60Da is explicitly designed as a dual-mode camera. It can work for regular "terrestrial" photography, or astrophotography. As such, it's increased sensitivity to H-alpha is not that much improved over a stock Canon DSLR, and significantly lower than a full astro-modded Canon DSLR (which has the IR filter removed entirely and usually replaced with a square IR/UV cutoff filter.)


You should get better Ha exposure depth with a 60Da than an unmodded camera, but the changes in that camera's design by no means make it unusable for daytime photography.


The new Nikon D810a, on the other hand, was explicitly designed as an astrophotography camera. It is not recommended for use as a daytime photography camera. It's price is so prohibitive that it's not even recommended as an astro camera, as for hardly any more (and in some cases possibly even less) you can get a proper cooled mono astro CCD camera with filter wheel, and get significantly better exposures than any DSLR.
 
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jrista said:
The 60Da is explicitly designed as a dual-mode camera. It can work for regular "terrestrial" photography, or astrophotography. As such, it's increased sensitivity to H-alpha is not that much improved over a stock Canon DSLR, and significantly lower than a full astro-modded Canon DSLR (which has the IR filter removed entirely and usually replaced with a square IR/UV cutoff filter.)


You should get better Ha exposure depth with a 60Da than an unmodded camera, but the changes in that camera's design by no means make it unusable for daytime photography.


The new Nikon D810a, on the other hand, was explicitly designed as an astrophotography camera. It is not recommended for use as a daytime photography camera. It's price is so prohibitive that it's not even recommended as an astro camera, as for hardly any more (and in some cases possibly even less) you can get a proper cooled mono astro CCD camera with filter wheel, and get significantly better exposures than any DSLR.
A few years back, when my previous employer bought a high-end FLIR camera I was sent on a Infrared-Thermography course. We were taught that most IR light does not pass through glass, only near-IR. Based on that, would I be mistaken in thinking that it is a bit of a waste using specialized IR cameras with conventional lenses? Wouldn't the glass likely absorb a huge proportion of the incoming IR thereby nullifying the gains on the sensor side? Would these dedicated astro camera sensors be more suited to mirror-type telescopes?
 
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StudentOfLight said:
jrista said:
The 60Da is explicitly designed as a dual-mode camera. It can work for regular "terrestrial" photography, or astrophotography. As such, it's increased sensitivity to H-alpha is not that much improved over a stock Canon DSLR, and significantly lower than a full astro-modded Canon DSLR (which has the IR filter removed entirely and usually replaced with a square IR/UV cutoff filter.)


You should get better Ha exposure depth with a 60Da than an unmodded camera, but the changes in that camera's design by no means make it unusable for daytime photography.


The new Nikon D810a, on the other hand, was explicitly designed as an astrophotography camera. It is not recommended for use as a daytime photography camera. It's price is so prohibitive that it's not even recommended as an astro camera, as for hardly any more (and in some cases possibly even less) you can get a proper cooled mono astro CCD camera with filter wheel, and get significantly better exposures than any DSLR.
A few years back, when my previous employer bought a high-end FLIR camera I was sent on a Infrared-Thermography course. We were taught that most IR light does not pass through glass, only near-IR. Based on that, would I be mistaken in thinking that it is a bit of a waste using specialized IR cameras with conventional lenses? Wouldn't the glass likely absorb a huge proportion of the incoming IR thereby nullifying the gains on the sensor side? Would these dedicated astro camera sensors be more suited to mirror-type telescopes?


The visible spectrum stretches from about 380nm to about 750nm. Standard glass will usually pass light from about 400nm to 900-950nm or so. Depending on the materials, various kinds of optical glass will pass more or less IR. Near Infrared stretches to around 1400nm. Most IR photography works in the MUCH nearer IR range, 750-900nm (not even as deeply as 900nm even), so I don't see why using standard lenses would be a problem. If you want to work deeper into the near IR spectrum, then you might need higher quality or different kinds of lenses.


Also remember that there are reflecting telescopes. With mirrors, any part of the electromagnetic spectrum that the mirror material is not transparent to will be reflected. Near IR imaging (which is sometimes done in astrophotography) is usually done with some kind of pure reflecting telescope, newtonians or RCs.
 
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I wrapped up the first draft of the design for my astrophotography site, Nascent in Nebulosity:



Honestly not sure when I'll have time to turn it into an actual web site, but overall, I'm happy with the progress on the design. Here is the landing screen and transition to site animations:

http://i.imgur.com/JqLAfVU.gif

The initial screen:

isa7UL0.jpg
 
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