Dynamic Range vs the truth

bwud said:
Don Haines said:
Steve Dmark2 said:
Photograpers: People that take pictures or a certain scene or object like it is with minor to no postprocessing.

Artists: People which delevop a taken picture in post processing, so it does not reflect the captures scene/object but which reflects the creativity of the artist and his picture imagined.

Why can't it be both :)

The former sounds like an even more restrictive version of “record the scene as it really looked” mantra (which due to how the medium works often requires alterations after the fact).

You need technical ability.... selection and operation of the equipment.... but you also need an artistic vision. Just the simple process of pointing the camera and pressing the shutter is artistic vision.... you have selected a particular view at a particular time to capture and that is editing reality. How far you go in post processing is immaterial, you are already far down the path....

For example, the cat slept on my lap for two hours while I worked on the computer. I chose the time she yawned to take the picture, so that is the segment of reality presented. It was not typical of the vast bulk of the time. I have edited reality to present an exception as the norm....
 

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Steve Dmark2 said:
I guess what I wanted to say is:

Photograpers: People that take pictures or a certain scene or object like it is with minor to no postprocessing.

Artists: People which delevop a taken picture in post processing, so it does not reflect the captures scene/object but which reflects the creativity of the artist and his picture imagined.

Cheers,

Stefan

Not sure if you are being funny or sarcastic here - but if not...

As someone who IS an artist - and then got into photography, doing little or no post processing is not the defining factor with whether the resulting photo is considered art or artistic. If you have to post process to make a photo artistic, then - quite frankly - you have no idea what photography is all about. I would strongly suggest some classes in composition among other things.

As for DR - the idea that more DR is always better makes me laugh. Yes, it is better that cameras have that capability, but as DR continues to improve, photos have less contrast -and thus look flatter. In many (if not most) cases, this means more post processing to bring contrast levels back to a point where the photo is acceptable as art!

Just my opinion, of course. I realize that most here will not agree.
 
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Don Haines said:
bwud said:
Don Haines said:
Steve Dmark2 said:
Photograpers: People that take pictures or a certain scene or object like it is with minor to no postprocessing.

Artists: People which delevop a taken picture in post processing, so it does not reflect the captures scene/object but which reflects the creativity of the artist and his picture imagined.

Why can't it be both :)

The former sounds like an even more restrictive version of “record the scene as it really looked” mantra (which due to how the medium works often requires alterations after the fact).
Just the simple process of pointing the camera and pressing the shutter is artistic vision
I agree.

How far you go in post processing is immaterial, you are already far down the path....

I disagree. You can expose and edit a night scene to make it appear to be daylight (except for the lack of shadows), and you can expose/edit to make day look like night. Cropping, contrast, minor exposure adjustments, sharpening...all of these are edits that would not surprise a viewer of the image, and would not be interpreted as distortion. For me, the test is subjective but also fairly clear: imagine the viewer had an opportunity to compare the image to the live scene; if he/she would be surprised by the difference then you have distorted. Distortion is not inherently unacceptable but, IMHO, should be disclosed with the image.
 
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Orangutan said:
Don Haines said:
bwud said:
Don Haines said:
Steve Dmark2 said:
Photograpers: People that take pictures or a certain scene or object like it is with minor to no postprocessing.

Artists: People which delevop a taken picture in post processing, so it does not reflect the captures scene/object but which reflects the creativity of the artist and his picture imagined.

Why can't it be both :)

The former sounds like an even more restrictive version of “record the scene as it really looked” mantra (which due to how the medium works often requires alterations after the fact).
Just the simple process of pointing the camera and pressing the shutter is artistic vision
I agree.

How far you go in post processing is immaterial, you are already far down the path....

I disagree. You can expose and edit a night scene to make it appear to be daylight (except for the lack of shadows), and you can expose/edit to make day look like night. Cropping, contrast, minor exposure adjustments, sharpening...all of these are edits that would not surprise a viewer of the image, and would not be interpreted as distortion. For me, the test is subjective but also fairly clear: imagine the viewer had an opportunity to compare the image to the live scene; if he/she would be surprised by the difference then you have distorted. Distortion is not inherently unacceptable but, IMHO, should be disclosed with the image.

Yes, but I can play with depth of field to make the background disappear, or I can move in real close for a distorted perspective, or telephoto compression to make the moon look absurdly large, or time exposures to make the Milky Way pop out, or slow shutter speeds to get a silky flow on a waterfall..... you can greatly distort the scene before you ever get to post processing......

The following picture was taken today in downtown Ottawa today. The background is the parliament buildings. By shooting with minimum depth of field, One makes them vanish.
 

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Don Haines said:
Yes, but I can play with depth of field to make the background disappear, or I can move in real close for a distorted perspective, or telephoto compression to make the moon look absurdly large, or time exposures to make the Milky Way pop out, or slow shutter speeds to get a silky flow on a waterfall..... you can greatly distort the scene before you ever get to post processing......

The following picture was taken today in downtown Ottawa today. The background is the parliament buildings. By shooting with minimum depth of field, One makes them vanish.

The question is simple: would someone who looks both at your photo and at the scene believe that your photo was distorted, or that it misrepresented what was actually there? I think the answer is clearly no. Humans are remarkably good at selective attention (inattentional blindness), and the blurred background does not change the "truth" of the photo.

But I think we're derailing the thread...
 
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Don Haines said:
Orangutan said:
Don Haines said:
bwud said:
Don Haines said:
Steve Dmark2 said:
Photograpers: People that take pictures or a certain scene or object like it is with minor to no postprocessing.

Artists: People which delevop a taken picture in post processing, so it does not reflect the captures scene/object but which reflects the creativity of the artist and his picture imagined.

Why can't it be both :)

The former sounds like an even more restrictive version of “record the scene as it really looked” mantra (which due to how the medium works often requires alterations after the fact).
Just the simple process of pointing the camera and pressing the shutter is artistic vision
I agree.

How far you go in post processing is immaterial, you are already far down the path....

I disagree. You can expose and edit a night scene to make it appear to be daylight (except for the lack of shadows), and you can expose/edit to make day look like night. Cropping, contrast, minor exposure adjustments, sharpening...all of these are edits that would not surprise a viewer of the image, and would not be interpreted as distortion. For me, the test is subjective but also fairly clear: imagine the viewer had an opportunity to compare the image to the live scene; if he/she would be surprised by the difference then you have distorted. Distortion is not inherently unacceptable but, IMHO, should be disclosed with the image.

Yes, but I can play with depth of field to make the background disappear, or I can move in real close for a distorted perspective, or telephoto compression to make the moon look absurdly large, or time exposures to make the Milky Way pop out, or slow shutter speeds to get a silky flow on a waterfall..... you can greatly distort the scene before you ever get to post processing......

The following picture was taken today in downtown Ottawa today. The background is the parliament buildings. By shooting with minimum depth of field, One makes them vanish.

+1, a thousand times.
Most good photos don’t look the way a similar instant looked to a human, whether the scene be black and white, or express a tiny depth of focus, or have milky smooth water, etc.
 
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Steve Dmark2 said:
Hey Guys,

there some great comments in here, which make me realize once more that other people have other goals and priorities ;)

I guess what I wanted to say is:

Photograpers: People that take pictures or a certain scene or object like it is with minor to no postprocessing.

Artists: People which delevop a taken picture in post processing, so it does not reflect the captures scene/object but which reflects the creativity of the artist and his picture imagined.

Cheers,

Stefan

P.S.
End of story: Get some kind of gear, learn it, enjoy using it and be satisfied with the results you get.

So is Ansel Adams a photographer or an artist. The amount of post processing he did is legendary - and yet many would say his images are realistic. Post-processing and 'realism' are not mutually exclusive.
 
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In the world of macro photography we use stacking to generate images to show an image with an unrealistic large depth of field of an object (something you cannot see with the naked eye or with any magnifying device).

Is this image more "real" than an image showing the limitations that the laws of optics force on us. I say yes.

Post-processing doesn't always make something less 'real'.
 
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9VIII said:
AlanF said:
Steve Dmark2 said:
Photograpers: People that take pictures or a certain scene or object like it is with minor to no postprocessing.
I sincerely hope we have no photograpers in CR.

Most of the time I hate anything people call “art”.

Cameras are recording devices no different than a microphone or a pen.

My reply was meant as a joke because of the typo photograpers without the h.
 
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AlanF said:
9VIII said:
AlanF said:
Steve Dmark2 said:
Photograpers: People that take pictures or a certain scene or object like it is with minor to no postprocessing.
I sincerely hope we have no photograpers in CR.

Most of the time I hate anything people call “art”.

Cameras are recording devices no different than a microphone or a pen.

My reply was meant as a joke because of the typo photograpers without the h.

Dyslexia gets the best of me again.

Nonetheless I get irritated every time people talk about photography being all about "story" or "emotion".
Not that those things are bad, but the majority of photographs taken are very practical, even wedding photography is mostly a matter of record keeping, as it was in the early days when people didn't even smile for a picture (or maybe everyone back then really was just that upset all the time), today they're just really fancy records.
 
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9VIII said:
...as it was in the early days when people didn't even smile for a picture (or maybe everyone back then really was just that upset all the time),

I don't think you's smile very much if you had a rod stuck your jacksie to keep you still while the photographer took a 2-minute exposure! :eek:
 
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Hi Mike.
Very eloquently put, I was thinking you might not smile with a mouth full of rotten teeth. ;D

Cheers, Graham.

Mikehit said:
9VIII said:
...as it was in the early days when people didn't even smile for a picture (or maybe everyone back then really was just that upset all the time),

I don't think you's smile very much if you had a rod stuck your jacksie to keep you still while the photographer took a 2-minute exposure! :eek:
 
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Valvebounce said:
Hi Mike.
Very eloquently put, I was thinking you might not smile with a mouth full of rotten teeth. ;D

Cheers, Graham.

Mikehit said:
9VIII said:
...as it was in the early days when people didn't even smile for a picture (or maybe everyone back then really was just that upset all the time),


I don't think you's smile very much if you had a rod stuck your jacksie to keep you still while the photographer took a 2-minute exposure! :eek:

Oh, did I walk right into the middle of an 'English teeth' thing?
 
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9VIII said:
AlanF said:
Steve Dmark2 said:
Photograpers: People that take pictures or a certain scene or object like it is with minor to no postprocessing.
I sincerely hope we have no photograpers in CR.

Most of the time I hate anything people call “art”.

Cameras are recording devices no different than a microphone or a pen.

Art has no tangible function other than narrative...therefore a photograph can very easily be classified as art.
Where as an amazingly snazzy object like a really posh watch has a function so that has to be classified as "Craft".

If a camera is just a recording device...what is your view of a pain brush? Both serve the same function in giving a visual recording of light, contrast and dark. Photographic...."Photo" and "Graphia"...literally painting with light.

In my opinion, if you degrade your photographs to just a recording then you are under appreciating the object or moment that you are recording. If you photos have no aspiration or emotional content then maybe your camera is just a recording device.
 
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GMCPhotographics said:
9VIII said:
AlanF said:
Steve Dmark2 said:
Photograpers: People that take pictures or a certain scene or object like it is with minor to no postprocessing.
I sincerely hope we have no photograpers in CR.

Most of the time I hate anything people call “art”.

Cameras are recording devices no different than a microphone or a pen.

Art has no tangible function other than narrative...therefore a photograph can very easily be classified as art.
Where as an amazingly snazzy object like a really posh watch has a function so that has to be classified as "Craft".

If a camera is just a recording device...what is your view of a pain brush? Both serve the same function in giving a visual recording of light, contrast and dark. Photographic...."Photo" and "Graphia"...literally painting with light.

In my opinion, if you degrade your photographs to just a recording then you are under appreciating the object or moment that you are recording. If you photos have no aspiration or emotional content then maybe your camera is just a recording device.

I’m pretty sure that’s a Klingon invention.

This thread just keeps on giving.

Any image created from the Paintbrush is wholly a product of human imagination. Fundamentally everything we see is a mental construct, it could be argued that it’s impossible for a human being to accurately record an image by hand. Theoretically you’d be just as well off writing poetry.
In practice I’m sure people can do very well, but it’s an inescapable fact that everything we see is heavily filtered through the imagination.
“Painting” is inherently an act of human imagination.

Half the problem is the common conflation of an act of human imagination with works that copy information.
Photography is productive, but not an act of human imagination.

To be true to the original Latin, “photo-graphy” would be translated as writing with light. https://en.wikipedia.org/wiki/-graphy
Like a pen writing words, the shapes and sequence of characters making up the words have no artistry, they are the function of communication.
At its most basic level your photograph is a string of characters written by a computer. It is a written record of values of light, the camera is simply a mechanical scribe of incredible speed.
As soon as you edit your photo, you’ve become a painter, but your photograph is a written record.
It’s a strict recording of what is occupying the space in front of the camera, you can manipulate what sits in the optical path, but your manipulation doesn’t change what the photograph fundamentally is.
 
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9VIII said:
As soon as you edit your photo, you’ve become a painter, but your photograph is a written record.
It’s a strict recording of what is occupying the space in front of the camera, you can manipulate what sits in the optical path, but your manipulation doesn’t change what the photograph fundamentally is.

No post-processing other than standard conversion from RAW. What is this?

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