Film is still hard to beat

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leGreve said:
You assume that digital is striving to be like film? Why would you assume that?

The feel is nothing but nostalgia, and is as such useful for anything else than recreating a certain feeling.

Digital is its own... Otherwise you might take the step further and say that a Kodak film anno 2012 is not quite achieving what the old camera obscuras could achieve.

If you want the film look by all means go ahead, but film is not hard to beat... it's been beat years ago. Both in pixel count terms and qualitywise.
Besides digital is far more efficient to one's workflow and you have photoshop to help you make what ever look you want. Don't try to make digital into film or compare it to eachother... there's absolutely no point.

I think this sums up my experience. The only reason I have shot film recently is for nostalgic reasons. Workflow is a PITA, and resolution has been beaten. You have to do an A/D conversion somewhere with film, unless you have a full darkroom, which I don't - that is assuming you only want to print, but these days almost every photo needs to be converted into a digital format at some stage.

I will concede that for large format film may still be your best bet. ;-)

Oh, and for anyone whining about the AF on the 5DmkII, try an 85mm f/1.2L II on an EOS 650! Focusing becomes a special kind of masochism!
 
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Film and digital do compete with each other. Every time someone decides to take a photo, they've made a conscious decision to use a digital or film camera....and digital has won (mainly for the reasons listed above - easier workflow, quality files and image manipulation opportunities).

But it is interesting that the people still using film (even if it is only for a small percentage of their photos) include a high number of very good / acclaimed photographers. And while they would be succesful with either medium, they still choose to use film for some critical work. Why would this be the case? Surely not just for nostalgic reasons? Personally, I like the "look" of film and I think a lot of others do too. Plus, I've got a darkroom set up in my garage, and its fun to make prints. And it really doesn't cost much if you're developing your own film. (Although, local E6 processing costs have shot through the roof and I'll probably just stick with B & W at some point in the near future).

To say that digital has beaten film is probably just comparing 35mm film?
 
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My most used camera before I totally switched over to an all digital capture workflow was the Fuji GX680. Wonderful cam and lenses. It was a big tripod-bound brute though, but, run some Velvia, or even Provia, throught it and...shaazzam. Do a good 16-bit 4K scan and you've got an amazing image to work with.

I've shot with, and unfortunately owned (too much money!), just about every type of digital capture cam, from big Phase One backs, to full frame, to APS-C, to snapshot cams. No digital capture quite looks, or reacts to PP, quite like film. This doesn't mean it's better or worse, just different. Those who dismiss film images out of hand as inferior to digital probably haven't worked with really good film images very much. Autofocus 35mm derived color negatives are OK for making good 11 x14 chemical prints, or even larger, but terrible for scanning, and if that is your comparison to digital, then a lot of digital is is better.

But, now look at some Fuji 6x8 transparencies, or 4x5's, or 8x10's (yes, I used to shoot this stuff all the time), and your 'full frame" digital camera, even a Nikon D800, is left far far behind. There is a combination of real physical and observable differences that, when combined, give film derived images something quite different from digital captures, and sometimes it comes down to just a superior looking image. Then again, sometimes not. But, different just the same.

While there is no question about the great cost benefits, efficiency, speed and startlingly quicker learning curve for beginners associated with digital capture, all the characteristics which make it now almost impossible for film to compete as either a commercial tool for competitive professionals or a medium fit for those with minimal skill sets, there is still a place for film in the hands of those already schooled in its proper use and for those who just love the "look" it can give. This smaller market will continue to slowly wither, but probably not die in the next 30 years or so. There will always be those, like analog sound enthusiast who brought back vinyl LP's and belt-drive turntables, who can hear the difference.

This is no contest of "film vs. digital" techno nerds; that pissing contest was always a foolish pursuit of a chimera at its most hotly debated. This is about the fact that good film shots will always look better than average digital ones and vice versa, no matter how good digital capture ever becomes, and that film and digital will probably always look just a little different. Furthermore, if digital ever comes so close to being able to mimic the film look perfectly, who will care? Digital enthusiasts aren't really looking for it, and film lovers already have it. Go figure.
 
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"If you want the film look by all means go ahead, but film is not hard to beat... it's been beat years ago. Both in pixel count terms and qualitywise."

LMAO

LMMFAO

If you believe this I have some land to sell you, excellent ocean view ... straight above

Seriously, anyone who believes this try enlarging that shot to 16 x 20 (or crop an 8 x 10 from that enlargement) --- what? You can't? all you get is dots (pixels)?

NO digital does not come near the resolution (by a factor of thousands) of film; but that isn't the point -- Digital is more CONVENIENT to use, you view the images instantly, rdit them ion your computer and print them yourself (albeit at the very low resolution of 300 dpi) and many find they can't tell the difference

this comment is just so incredibly beyond reality I am ROTFLMMFAO
 
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For those who think they need a "scientist" to tell them whether they should like a picture, poet Walt Whitman had some advice:


When I Heard the Learn’d Astronomer

When I heard the learn’d astronomer,
When the proofs, the figures, were ranged in columns before
me,
When I was shown the charts and diagrams, to add, divide, and
measure them,
When I sitting heard the astronomer where he lectured with
much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander’d off by myself,
In the mystical moist night-air, and from time to time,
Look’d up in perfect silence at the stars.
 
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distant.star said:
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For those who think they need a "scientist" to tell them whether they should like a picture, poet Walt Whitman had some advice:


When I Heard the Learn’d Astronomer

When I heard the learn’d astronomer,
When the proofs, the figures, were ranged in columns before
me,
When I was shown the charts and diagrams, to add, divide, and
measure them,
When I sitting heard the astronomer where he lectured with
much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander’d off by myself,
In the mystical moist night-air, and from time to time,
Look’d up in perfect silence at the stars.

I'm just genuinely curious about the scientific difference. I'm not tyring to figure out which is better from a Whitmanesque "mystical" point of view. It should go without saying that amazing beautiful pics can be taken with BOTH. That isn't really the core question, imo.
 
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The real question is how many stops of DR can the human eye resolve. For film the DR behaves like a continuous function, for digital it is discrete. If digital can capture more DR then the human eye can resolve, then the debate may change.

The point is moot unless you are printing your pictures in the dark room. I develop my own B&W, but then scan the negatives just out of convenience.

It's only a matter of time until digital can totally beat film in every aspect, but I still don't think that this would totally kill off film.
 
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dafrank said:
This is about the fact that good film shots will always look better than average digital ones and vice versa, no matter how good digital capture ever becomes, and that film and digital will probably always look just a little different. Furthermore, if digital ever comes so close to being able to mimic the film look perfectly, who will care? Digital enthusiasts aren't really looking for it, and film lovers already have it. Go figure.

+1

I'll just continue using both.
 
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mws said:
The real question is how many stops of DR can the human eye resolve. For film the DR behaves like a continuous function, for digital it is discrete.

Doesn't it depend on the level of analysis? Photons are discrete, right? Cells are discrete, right? Analog photography is also discrete, but it relies on a process (more hardware, less chemical) to transfer the data from one level of discretion to another.
 
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dirtcastle said:
I'm just genuinely curious about the scientific difference. I'm not tyring to figure out which is better from a Whitmanesque "mystical" point of view. It should go without saying that amazing beautiful pics can be taken with BOTH. That isn't really the core question, imo.

Why would you care about the scientific difference? Isn't the point entirely how it looks? How do you even measure that scientifically? Color gamut? Acutance? Resolution? At how many lp/mm? Zeiss lenses were designed for good micro contrast but worse resolution...is that better or worse and in what contexts? Is grain good or bad? What colors (if any) do you like? How do you feel about false detail (aliasing), is it nice and sharp and crunchy or disgusting to you? Is a lack of DR good or bad? (This is a tricky question--printed images only have four or five stops of contrast at best so a capture with more DR than that looks flat when printed, but one without enough loses detail--the answer is of course subjective and it's based on the subject and light and how the image is developed.)

As a scientific instrument, digital is way better. Astronomers (appropriately enough) switched from film to CCDs in the 1970s and have not looked back. The simple answer here is that digital is WAY better in general.

In terms of signal/noise ratio, digital is just way better. Way, way better. No argument from anyone. But some people like film grain because it looks more random and smooth. The 5D Mark III I have found has pretty ugly noise, imo, while some digital cameras have amazing beautiful noise with a great texture--so that's a whole other subjective discussion.

In terms of resolution it's complicated. Velvia (a very sharp color film) has mtf curves that resolve without aliasing to about 60 or 80 cycles/mm (at like 30% mtf). The D800 has about 200 pixels per mm or 100 cycles/mm. As per the nyquist sampling theorem that means 50 cycles/mm without aliasing and that's not even taking into account bayer interpolation. So it sounds like digital is much worse here, but it's not! Velvia drops off from >100% mtf to <100mtf around 20 cycles/mm but bayer sensors resolve to about 100% mtf until almost 70% of their stated resolution. I think. Without an antialiasing filter, the D800E might resolve 100% mtf (>100% mtf once sharpened) until 70 or 80 cycles/mm. Of course there might be aliasing, which is a problem....except that aliasing looks subjectively like detail, so you might get the appearance of >100% mtf until or extinction with the D800E. The best measure of subjective sharpness is the area under the mtf curve, which in that case would be dramatically larger for the D800E than for a slide of Velvia. Even though, in theory, the Velvia can resolve to a higher resolution without aliasing. Of course you need to scan film and even a drum scanner will knock off quite a bit of mtf from the system.

Imo, the combination of reduced noise/grain and increased mtf puts state of the art digital at twice the linear resolution of film. Digital printing's vast superiority to darkroom color printing tips the tables even way further. APS-C looks like 645 to me. Full frame looks like 6x7. But I prefer how 6x7 Velvia looks to how the images from my 5D III look by a pretty enormous margin. Even though I can't explain why and even though others don't.

In terms of DR, it depends on which film (black and white negative can have easily way in excess of 10 stops, all of which are usable if you dodge and burn; Velvia has five stops maybe) and how you measure it (how much noise/grain is too much and if a soft highlight rolloff that doesn't contain recoverable detail but still looks nice counts as real DR).

In terms of color gamut, digital is more accurate but film can have a wider gamut in theory. Once scanner...doesn't matter as much, the gamut is squished. And some films have more vivid colors because the spectral sensitivity curves reject more colors than the weak bayer filters on digital SLRs.

But yeah, digital wins for a given sensor size by far. Large format film (Velvia 50, specifically) is by far my favorite in terms of aesthetics, but the price is high and you need to be very careful about light due to the limited DR and how easy it is to blow an exposure.
 
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dirtcastle said:
mws said:
The real question is how many stops of DR can the human eye resolve. For film the DR behaves like a continuous function, for digital it is discrete.

Doesn't it depend on the level of analysis? Photons are discrete, right? Cells are discrete, right? Analog photography is also discrete, but it relies on a process (more hardware, less chemical) to transfer the data from one level of discretion to another.

True, I guess I didnt think that through. In general I guess I would say that right now film has more DR then digital.
 
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Policar said:
dirtcastle said:
I'm just genuinely curious about the scientific difference. I'm not tyring to figure out which is better from a Whitmanesque "mystical" point of view. It should go without saying that amazing beautiful pics can be taken with BOTH. That isn't really the core question, imo.

Why would you care about the scientific difference? Isn't the point entirely how it looks? How do you even measure that scientifically?

You're surprised to find tech geeks on a photography forum? ;)

Thanks for the in-depth breakdown... really appreciate that!
 
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dirtcastle said:
You're surprised to find tech geeks on a camera forum?

I guess I shouldn't be, but it seems so simple to look at the results from two cameras and decide which is better and so complicated to try and interpret the science of human perception and the science of image recording (neither of which any of us here really understand to a significant extent) and then apply that.

But in the sciences everything has switched to digital...and so for scientific purposes...yeah, it's by far the best. And FX digital probably trounces 135 in general.
 
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Policar said:
dirtcastle said:
You're surprised to find tech geeks on a camera forum?

I guess I shouldn't be, but it seems so simple to look at the results from two cameras and decide which is better and so complicated to try and interpret the science of human perception and the science of image recording (neither of which any of us here really understand to a significant extent) and then apply that.

I was always turned off by film photography because I didn't find it user-friendly. As soon as digital cameras started competing with film... I was all over it. Even if I could get the same outcome with a film camera... I find the digital process allows me to focus more on -- and get more control over -- the final product. Sorry for the pun.
 
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Modern SLRs (even the F4, which I briefly owned and quite liked) behave a lot like dSLRs except the ISO isn't adjustable on a per-shot basis, of course.

In terms of user interface, I prefer manual focus SLRs (135 and 6x7) to dSLRs and even to modern SLRs because the interface is so much simpler and you don't need to replace batteries. Set your stop, meter your scene externally (spot or incident as appropriate) and decide on an exposure, set your shutter speed appropriately, focus, take a photo. There are only three variables: focus, f-stop, and shutter speed. With a dSLR it's like using a computer, so complicated and there are so many modes for everything. I still have no idea how to change focus setting appropriately with my 5D III and no idea what P mode does.

Large format is difficult enough to shoot that it's materially more painful than shooting digital, but 135 (either on a modern SLR or an older one) is nothing to be afraid of except that there's no longer any real reason to shoot it except nostalgia or fun.
 
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