neuroanatomist said:From dictionary.com (http://www.dictionary.com/browse/relevance)
relevance. [rel-uh-vuh ns]. noun
1. the condition of being relevant, or connected with the matter at hand:
Some traditional institutions of the media lack relevance in this digital age.
Interesting that their chosen example is directly relevant to the topic at hand, quite the counterpoint to the irrelevance of film in modern photography.
Sadly, some people just can't handle the truth, and become rude and defensive when presented with it.
Alternatively, some people fail to grasp the concept of relevance. A ride in a horse-drawn carriage can be romantic, can be enjoyable, can be nostalgic...but it's not relevant as a mode of modern transportation. Film is like that – impractical and irrelevant, and the fact that it provides personal enjoyment for some people doesn't change that essential truth.
slclick said:neuroanatomist said:From dictionary.com (http://www.dictionary.com/browse/relevance)
relevance. [rel-uh-vuh ns]. noun
1. the condition of being relevant, or connected with the matter at hand:
Some traditional institutions of the media lack relevance in this digital age.
Interesting that their chosen example is directly relevant to the topic at hand, quite the counterpoint to the irrelevance of film in modern photography.
Sadly, some people just can't handle the truth, and become rude and defensive when presented with it.
Alternatively, some people fail to grasp the concept of relevance. A ride in a horse-drawn carriage can be romantic, can be enjoyable, can be nostalgic...but it's not relevant as a mode of modern transportation. Film is like that – impractical and irrelevant, and the fact that it provides personal enjoyment for some people doesn't change that essential truth.
I accept the irrelevance of film. It changes nothing of the enjoyment factor.
YuengLinger said:Ok, which is more racist, sexist, and making climate change worse? Film or digital?
I'm proud to see that there isn't a single humanitarian photographer among the bunch of us, which is why I love CR!
Hillsilly said:Has anyone in Australia used "Hillvale" for processing? (hillvale.com.au)
Now that B&H have stopped shipping C41 chemicals to Australia, the cost of buying chemicals locally is making lab prices look attractive.![]()
Eldar said:Have a look at Nick Brandt and Morten Krogvold. Both do nothing but film and they outperform everyone I can think of ...
Thanks! Not sure if a pro lab is what I'm after, though. I might be misinterpreting the price guide, but it seems to be $9.90 to process a roll and then another $55 to scan it at Vision. I'm a little price conscious. At Hillvale it is only $20 in total.Destin said:If you're after a Pro Lab, check out Vision Image Lab in Redfern. They do all my E6 processing (sent from Bris), I assume they do C41 as well.
Yeah, that was humor. I've seen the film just once, and the cinematography didn't jump out at me as either good or bad. Mostly, I was happy the film didn't suck.dilbert said:Orangutan said:dilbert said:For anyone that thinks film is dead, at the end of "The Force Awakens" titles, you can see the Kodak logo saying "This film was shot using Kodak film."
The 1% that wasn't CGI?![]()
There was a lot of "The Force Awakens" that was not CGI.
They actually made a full size Millenium Falcon out of wood.
dilbert said:Orangutan said:dilbert said:For anyone that thinks film is dead, at the end of "The Force Awakens" titles, you can see the Kodak logo saying "This film was shot using Kodak film."
The 1% that wasn't CGI?![]()
There was a lot of "The Force Awakens" that was not CGI.
They actually made a full size Millenium Falcon out of wood.
Yes, they are both exceptional photographers and artists. They have both tried to convert to digital, but both have concluded that they are unable to produce the same artistic expression that way and are back to film. Instead of ruling this thread as hilarious, maybe you should go and have a look at what a master print from film can be. It is jaw dropping ...pwp said:Eldar said:Have a look at Nick Brandt and Morten Krogvold. Both do nothing but film and they outperform everyone I can think of ...
Really? Try thinking a bit more broadly. They're good, but it isn't film that makes them good. They're simply good photographers.
This thread is absolutely hilarious!
-pw
Eldar said:Yes, they are both exceptional photographers and artists.pwp said:Eldar said:Have a look at Nick Brandt and Morten Krogvold. Both do nothing but film and they outperform everyone I can think of ...
Really? Try thinking a bit more broadly. They're good, but it isn't film that makes them good. They're simply good photographers.
This thread is absolutely hilarious!
-pw
It's entirely legitimate for each to choose their own medium, so if they prefer film I have no problem with that. On the other hand, the fact that they were unable to produce what they wanted with digital does not mean that someone else could not do so: it could be a simple matter of someone who is not comfortable with computers, but is very comfortable in the darkroom.both tried to convert to digital, but both have concluded that they are unable to produce the same artistic expression
You should and and then I am sure you would.Orangutan said:Maybe if I saw them as full-sized prints I would get a different feeling from them.
neuroanatomist said:The best thing about film is those little plastic canisters it comes in, which are useful for storing a variety of small items from screws to quarters. The stuff that originally comes inside those handy little canisters has lost relevance.
Pookie said:neuroanatomist said:The best thing about film is those little plastic canisters it comes in, which are useful for storing a variety of small items from screws to quarters. The stuff that originally comes inside those handy little canisters has lost relevance.
Exceptionally narrow minded comment there and probably why you find it irrelevant... only 35 came in those nifty little plastic containers you're so fond of. Some people still shoot film and 35mm is the farthest from their mind when talking about film.