This is indeed stunning.
---
Um, mackguyver, thread title is "first attempts.... (beginners only)".
Upvote
0
mackguyver said:Not my favorite technique as I don't have the tools (proper focus rails), software (I use PS, Helicon and others made me crazy), or patience, but here's one of my more successful attempts that was necessary - it's a Maypop flower - really odd to me, but apparently an extremely common flower/weed 180mm macro @f/8, 1/800s, ISO 800:
Thanks! The comments I'm getting here make me think I need to try more macro stackingK-amps said:Amazing pop!
mackguyver said:Not my favorite technique as I don't have the tools (proper focus rails), software (I use PS, Helicon and others made me crazy), or patience, but here's one of my more successful attempts that was necessary - it's a Maypop flower - really odd to me, but apparently an extremely common flower/weed 180mm macro @f/8, 1/800s, ISO 800:
lion rock said:I built a focus rail and shot about 20 frames but the result that came out processed with PS CS5 was incorrect. PS chose all the OOF frames and thus what I got was a 100% blurry photo.
My question to the experts here, when you use a rail to select a focus plane, will the image in front of the selected plane be slightly larger because the camera/lens is closer and the image behind the selected plane be smaller, so as you change positions during the process, what would happen to the stacked end product photo?
Conversely, if the camera/lens is held stationary, and the focus is selected by adjusting the lens focusing mechanism, what will be the result?
My setup: 5D3 with remote flash mounted on hot shoe, 100 mm_f/2.8 with Kenko extension ring, and the camera is controlled with CamRanger all mounted with a screw operated rail.
Thanks for the advice.
-r
Menace said:Personally, when focus stacking, I never change the frame i.e. camera never moves
gnl.weirdness said:3-8 shots at varying focus + adobe automatic align and blend ... Would love thoughts/comments. No flash was used, just natural light.
lion rock said:.......
My question to the experts here......
Conversely, if the camera/lens is held stationary, and the focus is selected by adjusting the lens focusing mechanism, what will be the result?.....
Menace said:lion rock said:I built a focus rail and shot about 20 frames but the result that came out processed with PS CS5 was incorrect. PS chose all the OOF frames and thus what I got was a 100% blurry photo.
My question to the experts here, when you use a rail to select a focus plane, will the image in front of the selected plane be slightly larger because the camera/lens is closer and the image behind the selected plane be smaller, so as you change positions during the process, what would happen to the stacked end product photo?
Conversely, if the camera/lens is held stationary, and the focus is selected by adjusting the lens focusing mechanism, what will be the result?
My setup: 5D3 with remote flash mounted on hot shoe, 100 mm_f/2.8 with Kenko extension ring, and the camera is controlled with CamRanger all mounted with a screw operated rail.
Thanks for the advice.
-r
Personally, when focus stacking, I never change the frame i.e. camera never moves. Here is my very basic MO
1. Fix camera on tripod
2. Frame your subject - use live view.
3. Manually focus and shoot a bunch of images - each focusing on a different plane of your subject. Use remote etc.
4. Process in PS.
Hope this helps
Menace
Hesbehindyou said:These two were swinging about next to the TV so I grabbed a few shots (hand held with external flash) and combined 3 in Zerene Stacker. Woodlouse was already very dead but the spider was nice enough to stay still. I've never worked out how to shoot these spiders from a flattering angle - anyone managed it?
Jura said:I know one photographer who puts his insects in the fridge just long enough for their metabolism to slow down to a point where they are almost asleep - and then shoots them.
[/quote
Then you should kick them squarely in the nuts and give their macro lens to a charity shop. It is extremely poor practice to harm your subject in this way. it amounts to nothing more than animal cruelty.
Jura said:Then you should kick them squarely in the nuts and give their macro lens to a charity shop. It is extremely poor practice to harm your subject in this way. it amounts to nothing more than animal cruelty.
Jura said:I know one photographer who puts his insects in the fridge just long enough for their metabolism to slow down to a point where they are almost asleep - and then shoots them.
Then you should kick them squarely in the nuts and give their macro lens to a charity shop. It is extremely poor practice to harm your subject in this way. it amounts to nothing more than animal cruelty.
Famateur said:Hard to believe one's respect for life is genuine when it stops short of humans. ???
unfocused said:Jura said:I know one photographer who puts his insects in the fridge just long enough for their metabolism to slow down to a point where they are almost asleep - and then shoots them.
Then you should kick them squarely in the nuts and give their macro lens to a charity shop. It is extremely poor practice to harm your subject in this way. it amounts to nothing more than animal cruelty.
Famateur said:Hard to believe one's respect for life is genuine when it stops short of humans. ???
Am I missing something here? Does putting an insect in the refrigerator to slow its metabolism slightly do some harm to the insect or are we just anthropomorphizing here? Because I've frequently heard about this technique and understood it to be quite common.