Hands on Field Test of the Canon EOS 6D Mark II

Mikehit said:
Graphic.Artifacts said:
Is this the best sensor available? What I see is noise that is little improved from the 5D2 I bought in 2008 and clearly lags behind pretty much every camera they've put out in the last few years in that regard.

Comments on other forums from people who are actually using the 6D2 suggests the sensor is pretty damned good with noise that is much more manageable.
It seems to me that Canonrumors is getting a reputation for being populated by very vocal DR freaks.

They feel it's good does not mean it is actually good. Are you saying that all those review and Lab test are making false statements? DR is not everything but it is still an important part of the image quality and that is why so many tests use it as an indicator. Even Canon itself admits that their sensor lags behind their competitors and needs to improve. The reason I bought 5D4 is that I see Canon is catching up and it is willing to address its weakness. If Canon still puts a slightly improved 5D3 sensor into 5D4, I will just stick to my 5DII.
 
Upvote 0
andyhewitt said:
They feel it's good does not mean it is actually good.
What???

andyhewitt said:
Are you saying that all those review and Lab test are making false statements?
No. But reviews are there to differentiate between different products and those differences are getting ever smaller and ever more irrelevant. You need to jack ISO up to 16,000 then underexpose by 5 stops and recover it? Seriously - who does that?
The most common comment I hear is 'if I screw up the image and the client wants that one, I can still give it to them'. Really....?

andyhewitt said:
DR is not everything but it is still an important part of the image quality and that is why so many tests use it as an indicator.
Yes and yes. But at what level is it making a difference to people? Serious landscapers will appreciate the wider dynamic range of the Sony/Nikon/whatever but they are not the mass market.
And the comments I have read on real-world use of the 6D2 is that the images are distinctly cleaner than the 6D and more easily edited even though on paper the DR is not much better.
I found the same with the 7D2 - the DR was probably between 0.5-1 stop better as shown in the lab tests. But the way the 7D2 rendered noise made it easier to manage and gave me an almost effective 1.5 stops better image. Now that is subjective but many people people have said the same thing.

But one great thing in Canon's favour (and is a point made by even some of the most vocal disappointed) is that they major on ergonomics and usability. And even Sony enthusiasts say that Sony have a long way to go on this one. I am one of those who get annoyed when something just doesn't work and to me the interface I use should be something that 'works' and what I read of the Sony, the interface wold drive me nuts. Heck, I have read blogs by several professionals explaining that is precisely why they went back to Canon/Nikon after the DR shine wore off.
Plus the fact that in Canon I have a complete system - something even Sony seems to be addressing now that they have pretty much topped out on their sensor and Canon are catching up.

So overall, yes I can understand why the real-world user who is not comparing cameras to the nth degree will have views that seem to go against what they lab results and spec-sheet warriors say.
 
Upvote 0
SecureGSM said:
nope, incorrect. I am an existing Canon customer with 2 x 6D bodies. I was contemplating to step up to 6D II but then decided to step up to 5D III and 5D IV bodies instead. I have traded in one of my 6D bodies already for a nice 5D III and now am on look out for a low shutter count, mint 5D IV to replace my second 6D.
The person that purchased my 6D is now looking for a couple brand new FF zoom lenses. More business for Canon.

Takingshots said:
I guess when Canon put out the 5D mkiv, the camera itself does not have great 4K coverage. So I guess putting 4K into 6dmkii would have an overall negative effect on 5D mk iv. Secondly not sure why they did not upgrade the DR... I would even be willing to pay a little more money for this 6D mkii upgrade.
Sure, there will be people who are willing to try this camera but also now it stands to lose more existing customers who want to upgrade. Also with the review, new customers (within this budget range) will probably shy away from buying it and consequently also not buying the L lenses. Sad ...

I also had two 6Ds. Just bought the 5D4 a few months ago. I use the cameras side-by-side, and the 6D still provides excellent results. However, I'm getting a bit more into video now, and really love the dual pixel AF in video on the 5D4! In addition to the A6500 which is my B-cam, I'm thinking of getting a 6DII as a replacement for my two 6Ds and as a C-cam for video. I'm holding off to see how the 6D2 fares in reviews of its 1080p video quality. I know it is a more compressed video codec, but will wait for some real-world video tests before deciding. I shoot weddings - both photo and video - so the low-light performance is a prime factor for me. If the 6D2 performs as well as expected in low light, it might be a real good option for me as a hybrid shooter.

Oh, and re. the Camera Store review... just one item of note: The joystick on the 5D bodies is NOT superior to the 6D's rocker for moving AF points. The rocker is faster in my experience! I'm sure this will be a minority opinion, but I've never been a huge fan of the joysticks (I used to have a 7DII with the joystick).
 
Upvote 0
Mikehit said:
I mean, their feeling is subjective and a lab measurement is more convincing.

Mikehit said:
No. But reviews are there to differentiate between different products and those differences are getting ever smaller and ever more irrelevant. You need to jack ISO up to 16,000 then underexpose by 5 stops and recover it? Seriously - who does that?
The most common comment I hear is 'if I screw up the image and the client wants that one, I can still give it to them'. Really....?
Base on the test, N/S is not slightly better in DR, it is several times even more better. You will notice that even if you lift up 1 or 2 stop. But as you said, the need for that thing only consist of a few people and you can sometimes use bracketing to compensate it.


Mikehit said:
But one great thing in Canon's favour (and is a point made by even some of the most vocal disappointed) is that they major on ergonomics and usability. And even Sony enthusiasts say that Sony have a long way to go on this one. I am one of those who get annoyed when something just doesn't work and to me the interface I use should be something that 'works' and what I read of the Sony, the interface wold drive me nuts. Heck, I have read blogs by several professionals explaining that is precisely why they went back to Canon/Nikon after the DR shine wore off.

Yes, same thing here, I have to agree Sony is a little tricky to use and the buffer time is just unbearable. For far less DR, in mirrorless system, I prefer to use a Fuji and this may just justify your point that DR is not everything :P. I also have a complete system in Canon and won't switch to any other brand in the foreseeable future. Sometimes I just wish they push a little harder I guess.
 
Upvote 0
andyhewitt said:
Mikehit said:
I mean, their feeling is subjective and a lab measurement is more convincing.

The whole of photography is based on subjective assessments. In the says of film, you can measure the shape and size of the grain but that does not tell you how acceptable that grain is when it turns up on a print.

If someone finds the files of the 6D2 easier to work with (than the 6D) that is for me important information because it tells me that the picture has qualities that are not easily measured. If several people say the same thing it becomes more convincing and in the case of the 7D2 the 'only a half stop greater noise handling' from the tech reviews started to ring to me quite hollow in the face of people who were actually using it. And the 6D2 is sounding more interesting the more I read.
 
Upvote 0
Jerryrigged said:
Oh, and re. the Camera Store review... just one item of note: The joystick on the 5D bodies is NOT superior to the 6D's rocker for moving AF points. The rocker is faster in my experience! I'm sure this will be a minority opinion, but I've never been a huge fan of the joysticks (I used to have a 7DII with the joystick).

Yeah, me too. I'm not a joystick fan at all, and I'm glad they didn't put one in 6DII. Also, I disagree with the review about the (lack of) pop-up flash. For 99% of the people who would use them because they just have a bunch of money and want to enter photography with FF, pop-up flash is a great way of turning a $2000 camera into a 10 year old rebel.
 
Upvote 0
scyrene said:
stevelee said:
[M]y FT-QL film camera that served me well from 1969 to the early part of this century, when I used it to make pictures of the moon and Jupiter through an old telescope.

That's commitment! I'd genuinely love to see what sort of shots were possible back then, if you have digital versions?

Yes, I did some scans and posted them linked from http://www.stevelee.name/astro/index.html. Today I would just put the pictures on the same web page and not mess with the buttons, but back then there were folks still using dialup.

Don't take these as an indication of what was possible in those days. People were doing much better stuff even then. I didn't know what I was doing, and just trying it out for fun. The clock drive wasn't very accurate, and I'm sure I didn't have the polar alignment just right or anything, so Jupiter is much fuzzier in the pictures than it looked to the eye through the telescope. It was too dark for me to see to focus, anyway. I had just focused on something distant during the day, and hoped that the temperature change at night didn't alter the focus too much. I could see the moon through the camera eyepiece, I think, since it was so much brighter and I was using less optics. I guess the moon shots are overexposed. Maybe the film's lack of DR was preparing me for my future 6DII purchase.

I was given the telescope by a friend who said it could gather dust in my garage just as well as it did in his. It really is more trouble than it is worth to use, but fun to play with when I lived in a darker environment. A modern 'scope would have much more sophisticated tracking, and maybe I'd use it more. But my not having the old one out of its trunk in over 10 years suggests to me that I would just have more expensive stuff gathering dust if I bought a new one.

My one more recent astronomical foray was right after I got the Canon S120. It has star trail and time-lapse movie modes. So I tried out the latter just setting up a tripod on my deck and pointing the camera above the trees behind the house. Even though I was facing away from the lights of Charlotte, I maybe could see one star with my naked eyes. But this is what I got: http://www.stevelee.name/startrails/MVI_0012.MP4

You can see Cassiopeia as a sideways W that moves up. Right at the end of the video, the Pleiades pop up in the lower-right corner.
 
Upvote 0
I am extremely interested in upgrading to an entry level FF camera, but I honestly can't see what makes this camera better than the Pentax K-1 (which is a little cheaper). I'm definitely not a Canon hater, I just demand good value. Can anyone with more expertise explain this to me?
 
Upvote 0
ShootTheStars12 said:
I am extremely interested in upgrading to an entry level FF camera, but I honestly can't see what makes this camera better than the Pentax K-1 (which is a little cheaper). I'm definitely not a Canon hater, I just demand good value. Can anyone with more expertise explain this to me?

Depending on how you intend to glass up the K-1 it could be considerably more expensive. The prime lenses are old designs and very expensive. Also there isn't the option to stock up on glass from the used market. Same with flash etc.
 
Upvote 0
Sporgon said:
ShootTheStars12 said:
I am extremely interested in upgrading to an entry level FF camera, but I honestly can't see what makes this camera better than the Pentax K-1 (which is a little cheaper). I'm definitely not a Canon hater, I just demand good value. Can anyone with more expertise explain this to me?

Depending on how you intend to glass up the K-1 it could be considerably more expensive. The prime lenses are old designs and very expensive. Also there isn't the option to stock up on glass from the used market. Same with flash etc.

I most likely would just get 3 lenses to cover the 16-200mm range, and then a rokinon wide angle (maybe 24mm) for astrophotography
 
Upvote 0
Mikehit said:
andyhewitt said:
They feel it's good does not mean it is actually good.
What???

andyhewitt said:
Are you saying that all those review and Lab test are making false statements?
No. But reviews are there to differentiate between different products and those differences are getting ever smaller and ever more irrelevant. You need to jack ISO up to 16,000 then underexpose by 5 stops and recover it? Seriously - who does that?
The most common comment I hear is 'if I screw up the image and the client wants that one, I can still give it to them'. Really....?

andyhewitt said:
DR is not everything but it is still an important part of the image quality and that is why so many tests use it as an indicator.
Yes and yes. But at what level is it making a difference to people? Serious landscapers will appreciate the wider dynamic range of the Sony/Nikon/whatever but they are not the mass market.
And the comments I have read on real-world use of the 6D2 is that the images are distinctly cleaner than the 6D and more easily edited even though on paper the DR is not much better.
I found the same with the 7D2 - the DR was probably between 0.5-1 stop better as shown in the lab tests. But the way the 7D2 rendered noise made it easier to manage and gave me an almost effective 1.5 stops better image. Now that is subjective but many people people have said the same thing.

But one great thing in Canon's favour (and is a point made by even some of the most vocal disappointed) is that they major on ergonomics and usability. And even Sony enthusiasts say that Sony have a long way to go on this one. I am one of those who get annoyed when something just doesn't work and to me the interface I use should be something that 'works' and what I read of the Sony, the interface wold drive me nuts. Heck, I have read blogs by several professionals explaining that is precisely why they went back to Canon/Nikon after the DR shine wore off.
Plus the fact that in Canon I have a complete system - something even Sony seems to be addressing now that they have pretty much topped out on their sensor and Canon are catching up.

So overall, yes I can understand why the real-world user who is not comparing cameras to the nth degree will have views that seem to go against what they lab results and spec-sheet warriors say.

So you 'rant' about the user experience of the Sony system, still you shake your head about those 'ranting' about the DR.
Imagine a Canon camera with an up to date Sony sensor. One may dream on :).
 
Upvote 0
Graphic.Artifacts said:
The 6D2 appears to be a nice little camera with excellent features and most of the things that I'd like in a travel body. I'd like to buy one. But, I've shot hundreds of thousands of images with 5D2/5D3/7D2's and the shadow noise is terrible. Don't know how else to say it.

And I've shot hundreds of thousands of images on the 5D, 5DII and 6D with no shadow noise at all. If you don't want noise in raised shadows on these cameras you have to shoot accordingly.

However I can understand those who were looking forward to the 6DII now feeling cheated.
 
Upvote 0
Yasko said:
So you 'rant' about the user experience of the Sony system, still you shake your head about those 'ranting' about the DR.
Imagine a Canon camera with an up to date Sony sensor. One may dream on :).

Rant? You seem to have a low discursive threshold.
How many times do I (and others) need to say this: I have no problem with people with people saying they want a camera with more DR (or 4K). Fine, it is their preference. But when they extend that personal wish to then draw the conclusion that Canon are incompetent, do knot know what the market wants, and (the more extreme) Canon are doomed that is when it gets ridiculous.
My more recent comments with andyhewitt were simply that the response from people actually using the camera are that it is better than the spec warriors are saying. And my point was that that there are parts of the performance that are very difficult to measure and often take time to fully appreciate, and time is what reviewers rarely have because they have so many other products to review.

As for Sony, yes, I do find it amazing that after all these years they still get an interface that is so clumsy and that, plus the lenses, are the main reasons I have not bought into it. They are things that genuinely affect my photography. I have the Olympus and Panasonic MFTs for on spec travel. I like them both and they both produce wonderful images - I prefer the haptics and the image quality of the Panasonic and I prefer the DSLR-feel of the E-M5. They are great for lightweight travel but I prefer the handling and greater responsiveness of the Canons. But just because I do not like what I read about the Sony I did not predict their downfall, I did not claim that my needs were the needs of everyone else.
But you do have to ask, if the Sony has been superior to Canon for the last 5 years (at least!) in what some see as a key metric, how come that across their whole market portfolio Sony is barely a blip against Canon's success? Surely 'usability' is a part of that and we can argue forever as to whether Sony have put the cart before the horse.

And I totally agree with you, a Canon camera that has a sensor of the capability of the Exmoor would be great. But would it change the way I take photographs? Probably not. I would file that under 'nice to have' not 'essential'.
 
Upvote 0
BeenThere said:
Seems more like a FF Rebel than anything else.

That is all the 6D series was ever meant to be - an entry level camera that just happens to be full-frame. When you look at the original 6D when it came out, it was behind the curve in almost every operational area compared to anything higher than a Rebel and even the latest contemporaneous Rebel had it beat in a number of areas (rear dial and center AF point excepted). The sensor was considered great, but really was that due to anything that separated it from other FF cameras, or was it because it was a "typical" FF sensor offered in an relatively affordable, but competent, body?

The new model brings the operational capabilities up to par with the current models, and keeps a decent, if not cutting edge sensor. Fringes, such as HDR and 4K (even video in general) aren't optimized for.

I can't help thinking what this would sound like if we were talking about cars:
The new Escape is a great all around car, and more capable than 99 percent of folks really need. But sorry - I won't recommend it because it doesn't have the cargo capacity of the Chevy Suburban, or even Ford's own Expedition, and the off-roading just doesn't hold a candle to the Cherokee or LandRover Discovery.
 
Upvote 0
In the UK Canon are really suffering with the new 6D MKII as you have to wait now until the third week of August to get one as they are on back-order. Complete failure as all the launch stock is sold.

As for second-hand they are such bad cameras none are available.
 
Upvote 0
Different pricing tiers should be differentiated based on features that actually cost money to implement, not software or even stuff that costs next to nothing like a headphone jack or UHS2.

Magnesium bodies, weather sealing, more modern ICs, better LCDs, more robust shutter mechs - thats what costs more to put in a camera.

In the case of the 5D4 and 6D2, they are being held back by software/firmware. Magic Lantern proves that the hardware is more than capable. It's Canon's decision to not port firmware features into those cameras to force buyers up to more expensive models. Users can see through this and it's not cool at all. Car analogies don't apply here, it's all software.

As for the sensor, it would have been completely acceptable to keep the same 20MP resolution but with an on-board ADC or whatever it is that gives it the 5D4 and the 80D extra DR. Instead they opted to twist peoples' arms into spending more knowing they have an investment in the glass. You want 4K? we could add 10 lines of code to the firmware....... But no, you need to could fork out for a C200.

Arguing the opposite is just apologetic bias for Canon's shady practice as of late. This is not the same Canon from the 5D2 days.
 
Upvote 0
derekmccoy said:
Different pricing tiers should be differentiated based on features that actually cost money to implement, not software or even stuff that costs next to nothing like a headphone jack or UHS2.

Magnesium bodies, weather sealing, more modern ICs, better LCDs, more robust shutter mechs - thats what costs more to put in a camera.

In the case of the 5D4 and 6D2, they are being held back by software/firmware. Magic Lantern proves that the hardware is more than capable. It's Canon's decision to not port firmware features into those cameras to force buyers up to more expensive models. Users can see through this and it's not cool at all. Car analogies don't apply here, it's all software.

As for the sensor, it would have been completely acceptable to keep the same 20MP resolution but with an on-board ADC or whatever it is that gives it the 5D4 and the 80D extra DR. Instead they opted to twist peoples' arms into spending more knowing they have an investment in the glass. You want 4K? we could add 10 lines of code to the firmware....... But no, you need to could fork out for a C200.

Arguing the opposite is just apologetic bias for Canon's shady practice as of late. This is not the same Canon from the 5D2 days.

As someone who has worked in both manufacturing and in software development, I could not disagree more.

No successful company that manufactures devices bases its pricing formula on cost of materials + markup. Every company that wants to succeed needs to consider the cost of running the entire company, including research, marketing, storage, unsold inventories and markdowns, cost of capital, unprofitable products, executive pay, technology licensing and a thousand other factors that may be fixed or variable costs.

For example, Sensor X costs $30 million and 8 years to design. The cost of manufacture is $30 per sensor. But the pricing of Sensor X is not based on the $30; it's based on the number of units of Sensor X that can be sold in its lifetime, and making enough money to pay for Sensor Y. Plus, paying for Sensor Z, which failed 3 years ago.

The reality and practicality of it is that every manufacturer will sell mass-produced goods for less, and goods for incrementally smaller target markets for exponentially more. The reality of it is that professionals will pay much more than enthusiasts, who will pay much ore than those who are looking for baseline functionality, and why shouldn't a company capitalize on that?

The mission of a company is not to give you stuff for what it costs to make plus some small profit. It's to maximize its returns to its stakeholders -- which is a worthy mission, because it's the only way that the company will be incentivized to make new stuff for you. Competition balances that against what you get and are asked to pay, and therefore, even if you are a Nikon or Sony fan, you should be happy that Canon is there building cameras -- or vice versa.

There are other goods like prescription drugs which dramatically illustrate this whole principle. The cost of manufacturing most drugs is very low. Yet, the cost of research is high, and the goal of drug companies is to make profit -- which is not bad, because if drug companies don't profit, they won't develop new drugs. Some very new treatments can cost thousands of dollars every month, while other life-saving drugs that cost the same to produce can cost pennies a pill.

On the software end, obviously, cost of materials are nearly zero, and certainly identical for nearly all products. The argument that everything should be sold for about what it costs to make -- well, that just doesn't make any sense at all.

Keep in mind, I certain don't have a problem with the notion that the 6D2 just doesn't have the features you want, at the price you want, or that Nikon or Fuji or Sony or whomever has a product has a product that fits you better. I think that's a healthy part of the competitive process. It's just the whole notion that product X should is priced too high because its materials are not much more than those in product Y just doesn't hold any water with me, because that just isn't how the world works.
 
Upvote 0