Hi Edward,
If anyone can speak with such authority it would be you!
I first saw Garry Samples and then your work after discovering CR and you guys provide unbelievable motivation and I have to say a hearty thank you!! Actually to many others too.
I guess in part it's the relentless competitive nature of humans as we see how green the grass is on the other side of the fence. For me it's also a perfectionist characteristic that I can blame on my mother.
I bought the 6D as the least expensive stop gap camera that would introduce me to FF, thinking that flipping it wouldn't be the least expensive mistake. In the mean time it's a fantastic learning tool and I have lots to learn before I can truly say I must have something like the 1Dx. Yes I've missed lots of shots (more my inexperience than the camera) but I've gotten many that blow me away, so I'm very happy. The 300 2.8 II was the critical move I made - no regrets.
As I was advised so I advise - spend on glass first and foremost.
Jack
If anyone can speak with such authority it would be you!
I first saw Garry Samples and then your work after discovering CR and you guys provide unbelievable motivation and I have to say a hearty thank you!! Actually to many others too.
I guess in part it's the relentless competitive nature of humans as we see how green the grass is on the other side of the fence. For me it's also a perfectionist characteristic that I can blame on my mother.
I bought the 6D as the least expensive stop gap camera that would introduce me to FF, thinking that flipping it wouldn't be the least expensive mistake. In the mean time it's a fantastic learning tool and I have lots to learn before I can truly say I must have something like the 1Dx. Yes I've missed lots of shots (more my inexperience than the camera) but I've gotten many that blow me away, so I'm very happy. The 300 2.8 II was the critical move I made - no regrets.
As I was advised so I advise - spend on glass first and foremost.
Jack
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