verysimplejason said:
Northstar said:
Funny that some people get upset that KR makes money doing this....if he didn't, someone else would. There's obviously a market for it and he's not harming anybody/thing. (I know someone is thinking right now that he's harming his viewers photos...beat you to the joke)
It's called capitalism and freedom.
Go somewhere else if you don't like his site...simple.
+1. KR site is heavily opinionated but what I like from him is that he's not afraid to point out what's important in photography which is the art behind it. Most of the time, CR people tend to focus on the technical side and not on the art. Yes, his photos most of the time isn't impressive (at least in my opinion) but at least he's
trying to take good photos.
I think your observation is spot-on, and the content of this thread is a particularly good proof of that: what started as a (very short) discussion on KR's opinion on lens sharpness vs image value, quickly turned into a name-calling and mud throwing contest... I have seen too few valid arguments (if any) for or against the real added value and importance of lens sharpness on the artistic quality/value of pictures, which was the initial subject by the way (set by KR's article).
Nowadays, photographic equipment manufacturers have gotten so good at designing their lenses that the differences in optical quality (sharpness, but not only) across their current products portfolio has become so small that one has to do some serious pixel peeping in order to see differences between two lens models. Is that the
main factor which really prevents someone from properly projecting his/her vision onto a photograph? ...not really, unless you always work with 100% crops and print billboard-sized posters. A good proof? Check what some people can achieve with a Holga... and I’m not even talking about what kind of crap equipment Photographic Masters of the past used for their work.
So, on this subject I believe that KR has a point. I also agree that Ken is a bit too black-and-white in his analyses, he has strong opinions and often spend his time beating dead horses, but in my opinion he definitely has some interesting points of view (use the "take only what's good for you and leave the rest" phylosophy, that'll prevent you from developing a stomach ulcer). If the content of his web site surely has less added value than a good Scott Kelby book, his descriptions certainly raises some useful questions in the head of the (curious) reader, and this is what is needed for any serious photographer (not the tech junky of the lens geek) to improve his/her photographic skills - the ones related to artistic vision that is (remember that he approaches the subject of photography from the point of view of art and vision projection; that is certainly what confuses tech experts and gear perfectionists so much)