Indeed ... if they were too many than it'd be too much awesomeness for us to take. ;Dmrsfotografie said:Rienzphotoz said:You guys are all jealous of Ken's awesomeness... people like him are one in a billion ;D
...fortunately ;D
It kinda makes you want that lens, doesn´t it ... Maybe I should have spent $4k on this one instead of the Otus (which I haven´t received yet) ... Maybe one of the expected 2014 lenses from Canon is a version II ...zlatko said:Jessica Claire has a blog post with some good photos made with this lens:
http://www.jessicaclaire.net/index.cfm/postID/263/Wedding-with-DJ-Brittany-Rod
candc said:he gets under my skin sometimes but he can write a good article, his piece on the "leica man" is a great read. the world would be a duller place without KR
http://www.kenrockwell.com/leica/leica-man.htm
te1973 said:KEN ROCKWELL - I have never seen any at least acceptable photo from this guy.
Who is giving anything for his advice?
sdsr said:If that were the criterion we would ignore Roger Cicala too - I don't recall seeing any appealing images on his blog either.
neuroanatomist said:sdsr said:If that were the criterion we would ignore Roger Cicala too - I don't recall seeing any appealing images on his blog either.
What photographer wouldn't find this appealing?!?
![]()
Pi said:noisejammer said:Other's have commented (and my tests have confirmed) that my 1D4 and 5D2 cannot actually see light from a cone that's faster than f/1.6.
This is incorrect. There is a loss of light due to the sensor but there is a definitively different blur with f/1.2 vs f/1.4 and f/1.6.
Of course they do. You can see it. Compare a photo taken at f/1 with a photo taken at f/1.4. The one at f/1 has less depth of field.noisejammer said:Nevertheless, you have a persistent belief that apertures wider than about f/1.4 decrease the depth of field even though very little additional light reaches the photodiode.
noisejammer said:Pi - Ok I'll bite.
We seem to agree that many digital cameras are insensitive to light arriving from large apertures. I know this to be a fact with my 5D2 and 1D4 and all the f/1.2 and f/1.4 lenses I've tested. I invite you to test this if you disagree.
Nevertheless, you have a persistent belief that apertures wider than about f/1.4 decrease the depth of field even though very little additional light reaches the photodiode.
I would like to understand how a camera's photodiode can simultaneously detect and not detect light. It is a very clever trick.![]()
They are about the same weight, but the Zeiss Otus is about 2 inches longer. Despite the price similarity, these lenses are rather different overall. The Canon lens is long discontinued, while the Zeiss is just coming on the market. This means that repair of the Canon lens may not be easily available. The Zeiss will have class-leading superlative sharpness, while the Canon was not known as a very sharp lens (known more for its dreamy quality). The Canon has autofocus (albeit slow), while the Zeiss is manual focus. The Zeiss is 55mm and f/1.4, while the Canon is 50mm and f/1.0. The Canon lens was $2,500 for many years when new and has gone up in price because of rarity, while the Zeiss is coming on the market at $4,000.MLfan3 said:is this lens smaller than the Zeiss Otus?
if so I may consider it but if the size is about identical , then I'd get the Otus.
there is no lens even comes close to the Zeiss.
noisejammer said:...many digital cameras are insensitive to light arriving from large apertures.
BL said:.... creates a great buzz for his site to generate traffic and revenue
it's why he can afford to not work, stay at home all day and take his kids to lego land every weekend
jason_wen said:I WOULD NOT RECOMMEND ANYONE BUY THIS LENS FOR ANY PRICE, NO MATTER HOW TEMPTING.
In my opinion, this lens's price is way over inflated, due to it's fragile internal electronics.
I have this lens. I bought it used some years ago, still in great shape. Now, it's nothing more than a really expensive curiosity stuffed at the back of my drawer. As it's been said, it focuses electronically at a glacial speed, even in manual mode. The USM gave up without warning on me after 2 years owning it and an authorized canon repair center could do nothing for me, even after contacting Canon Europe, as spare parts are unavailable. They also said Japan wouldn't have parts for the lens. I even contacted Canon US to no avail. The motor is not compatible with any other lens like the 1.2 50 or 85. So, now I have a useless, non-working lens. If I could at least manually focus the lens, I wouldn't have minded nearly so much. I've since bought a 1.2 50 which is far better.
Jessica Claire has a blog post with some good photos made with this lens:http://www.jessicaclaire.net/index.cfm/postID/263/Wedding-with-DJ-Brittany-Rod