Making the most out of a 50 1.2?

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Our family finally entered the world of L primes for Christmas and I was wondering how we can make the most out of a 50mm 1.2?

I used it on my Dad's 1Ds3 yesterday and took a picture of the darkest part of our house and when we saw it, tears were shed at its awesomeness. ;)
 
It's a great lens on a great body like the 1Ds 3. If you want to take full advantage, do an AFMA adjustment and use it primarily between f/1.2 and f/2 or f/2.8. That's it's absolute sharpest range. If you go narrower, there are other sharper lenses. Good luck! Glad you got a great Xmas present!
 
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To really make it useful, forget about every bad thing you've heard and shoot like any other lens. Yes it is pretty soft if you use it closer than 1 meter from subject, but I don't care, because the look and feel of closeup portraits for example is simply fantastic. Enjoy and congrats!
 
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The more I use the 50L for portraits, the more I am appreciating its slightly more "human" rendering of sharpness. Most of us non-models without full make-up are shown in a more glowing and forgiving light IMO compared to other bitingly sharp lenses.
 
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LukieLauXD said:
Our family finally entered the world of L primes for Christmas and I was wondering how we can make the most out of a 50mm 1.2?

I used it on my Dad's 1Ds3 yesterday and took a picture of the darkest part of our house and when we saw it, tears were shed at its awesomeness. ;)

Use it at f/1.2, this is what you bought it for ;)
 
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AFMA is almost required for this lens. I tried 4 brand new copies from Crutchfield. All 4 copies have back focus issue. I ran all 4 copies through FoCal at f1.2. Out of 4, there is only one lens has sharpness above 800 with FoCal. Others 3 just around 760-780ish. I ended up keeping the sharpest lens and returned the remaining.

I also ran this lens @ f1.4, 1.8, 2, 2.8, 3.2 and f4. I wrote down the AFMA values on small a note and taped it to the lens hood. I'm not sure if I ever need to stop down to f4 on f1.2 lens, but the datas are there if I ever need it.

Below is my 1st shot after AFMA @ f1.2
 

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bdunbar79 said:
It's a great lens on a great body like the 1Ds 3. If you want to take full advantage, do an AFMA adjustment and use it primarily between f/1.2 and f/2 or f/2.8. That's it's absolute sharpest range. If you go narrower, there are other sharper lenses. Good luck! Glad you got a great Xmas present!

@ f2.8 the new 24-70 f2.8 II is sharper than 50L at 50mm. I'm based on my copies (24-70 II and 50L)
 
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bdunbar79 said:
Viggo said:
Yes, but how sharp 'p your 2470@ 1.2? ;D

And actually, the sharpest aperture of the 50 L is around 5.0-5.6.

If that's true, then that's really disappointing considering the cost.

Considering the cost (~ $1,300), it is a fabulous lens. It is plenty sharp around f/2 and draws very, very beautifully -- which is its main selling point. There is no need to stop it down, except for more depth of field. Canon could have included a floating element to address a slight focus shift when stopping down, but then people would freak out even more about the price.

If you want a better fast 50mm, you have to spend $4,000 for a Leica 50/1.4 or $11,000 for a Leica 50/0.95, and at least $5,450 for a camera body on which to mount it.
 
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LukieLauXD said:
Our family finally entered the world of L primes for Christmas and I was wondering how we can make the most out of a 50mm 1.2?

I used it on my Dad's 1Ds3 yesterday and took a picture of the darkest part of our house and when we saw it, tears were shed at its awesomeness. ;)

Iv'e used it on my 5D Mk II and love it. I do not know much about photography but I know that the pictures I take with it make my friends say "WOW". I love the lens but miss it as I have been lending it to a young teen of a friend, who is interested in photography. The pictures I've taken with it blow me away. I don't know crap about IS or CA but the pictures I take of my daughter with this lens, I LOVE!!!! Have fun with this lens. This lens and my EF 135 f2L are my go to lenses that I keep on my 5D MkIII now, 99% of the time. Go BIG or go home....in f stop anyway.
 

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Beautiful lens. I'm very happy with mine.

If I could be so bold as to quote neuro:

Excellent bokeh was a priority for Canon with the 50L. They stated, "With the increasing popularity of digital SLR cameras, calls for large aperture single-focal length lenses with excellent image quality and pleasing bokeh (blur effects) for portraits have increased," (Tech Report, 11/2006). Spherical aberration results in a loss of sharpness, but completely correcting for spherical aberration results in a harsh, jittery bokeh. In the 50L design, the spherical aberration was left deliberately undercorrected to produce the creamy bokeh for which the lens is known.

Also, this thread is quite interesting. http://www.canonrumors.com/forum/index.php?topic=10798.0
 
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