Mark III metering

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Feb 22, 2011
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Please someone explain why is the metering under exposing 2/3 or more. Is this a design issue? To get the histogram away from the left corner I need to go +2/3'or more on almost all shots. Not that it disturbs me much but I just wonder. The 40D did not have that.
BTW has someone noticed that when looking into that huge VF you can see the mirror straight under the frame view? There is a lot of camera to be seen through this VF, no wonder the light fall off on the VF would influence the exposure ;D

Thanks for your comments.
 
I agree with you, that's why I am not troubled a lot, but if you observe the histograms there is plenty of space to the right at 0 ev, I.e. much more detail in shadows can be captured than the standard meter allows. I am asking why is this happening?
 
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I shot my kids at a summer camp preview day yesterday and noticed everything was underexposed by +/- 1 EV. I also noticed that I was shooting in evaluative metering mode. I usually shoot center-weighted so I will change back and see if it makes a difference.
Anyone else having this issue using evaluative metering?
 
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I believe there's some issue with evaluative metering...exposures aren't correct for most parts...in fact, i'm a little different..i find my shot overexposed more often than underexposed..i almost never get spot on exposure under evaluative...Maybe i should switch back to center-weighted..but i just feel a camera of this price should have a darn good evaluative metering system..maybe it's just not so?
 
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te4o said:
I agree with you, that's why I am not troubled a lot, but if you observe the histograms there is plenty of space to the right at 0 ev, I.e. much more detail in shadows can be captured than the standard meter allows. I am asking why is this happening?
Well, why this is happening could be because the new exposure is correct and the old one is wrong :) That's why I'm asking :)

It may be, for example, that you like to ETTR and previous cameras have done so to meet the demands of the market and hide poor shadow noise, but Canon have decided that ETTR produces very bright and unattractive images so they've changed the metering system to darken images.

I know one of the things I see a lot from less experienced photographers (and I don't mean that in a negative sense) is overexposed images that have not been reduce in post, so which have really poor tones.

I don't know - I'm speculating I guess...

Here's a thought: take a shot with the 5d3 on 0ev and your old camera on 0ev and see which produces the *more attractive* photo. If it's the 5d3, it may be that the old system was "wrong" and the new system is "right". Post them up here if you want views from people.

Problem is that there is no right and wrong with exposure - only what the photographer wants. Much more important to auto systems like AV is that it produces *consistent* results. If it always runs at 2/3rds less than you want, leave it on 2/3 :)
 
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In my 5D (original) i had to underexpose by a stop manually to get bright colors and not saturate on the red channel as easily.
With the 5D Mark III, looks like the exposure is much more normal and keeps the details.

While i did not do an apples to apples comparison, this is what my subjective shooting experience has been.
 
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te4o said:
I don't mind the comment about the inexperienced
Just so you know, that wasn't directed at you ;) it was more about the idea that Canon might be trying to produce a more attractive file for people who don't PP or for whom in camera JPEGs are their work format.
 
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nvsravank said:
In my 5D (original) i had to underexpose by a stop manually to get bright colors and not saturate on the red channel as easily.
With the 5D Mark III, looks like the exposure is much more normal and keeps the details.

While i did not do an apples to apples comparison, this is what my subjective shooting experience has been.
The new metering system takes colours into account and does a better job of understanding how bright colours are relative to others, so it will, in theory, do a better job of metering colour scenes :)
 
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The only images that appear underexposed when I check the histogram in Lightroom (one on the camera is for jpegs), are indoor images with no flash and where there is lower contrast. They appear to be underexposed because there are no bright highlights, but outdoor images are perfect.
 
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As a final point for all ... what metering mode do you want to be using? For those using evaluative, is that really the best option?

From Canon http://cpn.canon-europe.com/content/education/infobank/exposure_settings/exposure_compensation.do

"Evaluative metering, the default setting for EOS cameras, takes measurements from different parts of the scene. Based on these, the camera can often compensate for backlit or off-centre subjects, but it has no idea of what the subject is, or the conditions under which you are shooting. You might be photographing a light-toned subject in poor light, or a dark-toned subject in bright light – it is all much the same to your camera.

<snip>

If, for example, the central zones are darker than the outer zones, it is likely that the main subject is backlit. If the central zones are much brighter than the outer zones, the main subject might be in a spotlight. In both cases, the camera will bias the exposure to the central zones, giving correct exposure to the subject.

In effect, the evaluative metering is implementing its own exposure compensation. An overall reading from either scene would not give good exposure, but exposure based on the central area will improve the results.

The trouble when using exposure compensation with evaluative metering is that you don’t know if the metering has already compensated for the conditions. If it has, and you dial in even more exposure compensation, then the exposure will be wrong. Equally, if you assume that the camera has got it right, but it hasn’t, then you will also have a badly exposed picture.

The solution, as with so many things photographic, is experience. After a while you will learn to recognise the types of scene which evaluative metering handles well, and those that it does not.

When you change to a different camera, you will have to learn all over again, as the number of metering zones can change the results."

I see evaluative as the most random of all of the metering modes. The camera really doesn't know what the hell is in front of it, so it takes a pure guess. You then have to guess what it's done and compensate for that. Now, from one camera to the next the algorithm could change significantly (especially with the new colour metering the 5d3 which will have a lot more information). So, maybe it's doing a much better job? Or worse? Or...?

However, the major point from me would be that it's very hard for a system like this to provide any particularly useful results because it's so dependent on the scene.
 
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spinworkxroy said:
I believe there's some issue with evaluative metering...exposures aren't correct for most parts...in fact, i'm a little different..i find my shot overexposed more often than underexposed..i almost never get spot on exposure under evaluative...Maybe i should switch back to center-weighted..but i just feel a camera of this price should have a darn good evaluative metering system..maybe it's just not so?
Are you using exposure compensation?
 
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For the stuff I shoot, compared to my 5DC, the 5DIII tends to underexpose by about a 1 stop in evaluative mode. Centerweight, partial, and spot metering give much better results for my usage. My theory is the 5DIII's new metering system is more sensitive to highlights, but that's purely a guess. The 5DIII's evaluative mode actually performs similarly to my old 1DII. I don't see this as a problem, just something that requires a slight adjustment in technique.
 
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Stephen Melvin said:
One thing to keep in mind is that the metering takes into account the active autofocus point. I did a test and demonstrated this fact to my satisfaction.

I noticed this as well. I fired off some test shots of a black seat against a white wall in my house. Moving the AF point from the wall to the seat changed exposure about 1/2 to 1 stop in all four metering modes. As no surprise, spot metering was the most prone to exposure change when moving the AF point. Even though the 5DIII's metering is not tied in to the exact AF point you're selecting like the 1D-series, the location of the AF point in the frame certainly affects the exposure.
 
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te4o said:
Metering is tied to the active AF point only on evaluative mode AND AE lock.
With my MF lenses metering happens only at the centre point. No way it will choose the active AF point.

I'm not claiming that the 5DIII's metering is tied into the exact AF point you select, but moving the AF point around the frame definitely affects the exposure. Based on my tests, this happens in evaluative, partial, center weighted, and spot metering. Maybe moving the AF point merely changes how the metering zones are biased in the overall scene, instead of being directly tied into the AF point like the 1-series, but moving the AF point definitely changes the exposure in all four metering modes. Your results my vary. Even in the extreme example listed above (black subject on white background), the metering doesn't change that much. It's usually only half a stop.
 
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On my 5DMKII I generally shot EC -1/3 sometimes -2/3(speaking of outdoor day time shooting). With my MKIII, If I'm shooting Manual w/Auto ISO, exposure seems pretty dead-on in evaluative. Shooting in Shutter Priority, it looks like it's been mostly -1/3 EC. So for me, I would call the metering at least as good, if not better than my MKII, so far.
 
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