Zv said:
Exactly. Dunno what all this hoo ha is about dual slots on the 6D. It's a low end FF for hobbyists and enthusiasts. If you're a pro who relies on paid work then you really ought to have a 5D MkIII. Otherwise you're clearly just being a cheap-o and then complaining about lack of features. Buy the right gear for the job.
Hello Zv:
My name is Scott, and I thought I’d begin my participation in this forum by replying to your comments here.
I recently started a head shot and portrait business, though mostly on paper at the moment. Still need to do some things before I put my name out there for people to see. One of the things I did as I prepare to do business was select a camera. As a Canon shooter, I own a 60D and a 70D, neither of which I consider suitable for what I want to do. I bought a 6D … not because I’m cheap but because it’s what my budget allowed, and it works with the equipment I already own. My choices were the 7D2 or the 6D. 6D won because it’s full-frame.
I don’t look at the 6D as a hobbyist or enthusiast camera. It can very well serve professional needs. I come by this opinion by way of my experience as a news and portrait photographer in the past. I’ve used DSLRs of professional caliber, and I can say that the 6D is at least as good as, if not better, than any DSLR I used in the studio or on location. Granted, my last professional experience was in 2004, where I used the Fuji Finepix S2 Pro in the studio. That camera produced excellent results, but in some important respects it’s way behind what the 6D is today.
While the 6D may seem an unlikely choice for a pro, it offers everything I need to shoot portraits and head shots. It has great low-light capability, excellent image quality, the ergonomics I’ve come to appreciate in Canon cameras, and it’s affordable. The Sigma 24-105 Art lens I primarily use seems to work well with the 6D, and I have no problems using studio flashes with my Phottix trigger installed. My whole set up, which includes, among other things, Alien Bees flashes and PLM umbrellas, seems a nice fit with the 6D.
All in all, my early assessment of this camera is that it’s a fine camera for how I intend to use it. Because I’m an experienced photographer, I know what I
need in a camera, and the 6D delivers. I’m not concerned about dual card slots, lack of an articulating touch screen, anything to do with video, and most of the other bells and whistles people complain about that the 6D doesn’t have. As DSLRs go, the 6D is a basic camera that allows me to shoot the way I’m accustomed to shooting, and it seems to be accurate and reliable. What more do I really need? That’s an important question, as my budget is very tight and will be for at least 12 to 18 months.
Even if I could afford the 5DIII, I probably wouldn’t buy one; I’d rather wait for the 5D4. The 5DS is interesting, but I’ll wait for the field and DXO reviews to come in before I decide whether I want one. If the rumored specs for the 6D2 are accurate, and if it doesn’t lose any important (for me) features that the 6D now has, I may well jump in line for one of those, rather than a 5Dxxx. I’d rather save money on a good body that does what I need it to do and have more money for lenses or other necessary equipment. That’s the advice I gave my photography students a decade ago, and it’s still good advice today.
Cheers
Scott