My five generations of Canon bodies.

My Canon history:
1979 TX (stolen)
1980 A1 w/motor drive (in a drawer, needs an overhaul)
1982 FTb (working)
1994 F1 w/winder (late version original, working)
2006 30D (given to one of my daughters
2014 50D (given to another one of my daughters)
2015 5D m3 (current primary body)
 
Upvote 0
Only 4 generations of Canon bodies for me, but here's the entire list:

1966 Polaroid (gift from father, disposition unknown ... I was a kid)
1975 Kodak 110-format (gift from father, used for about 4 years, then abandoned the hobby for a while)
1990 Nikon 35mm P&S (purchased for my wife's college graduation ceremony; used until digital, then donated)
1999 Kodak DC240 (given to a friend upon upgrading to the DC4800)
2001 Kodak DC4800 (given to a family member upon switching to the Canon EOS system)
2003 Canon 10D (sold upon upgrading to the Canon 20D)
2005 Canon 20D (still have; use with non-L primes in precarious environments)
2007 Canon 5D (still have; use as backup for 5D III at paid gigs)
2012 Canon 5D III (current primary body; thinking about buying a 2nd one at closeout)

P.S. I've never had a need or desire to take photographs of my cameras.
 
Upvote 0
Canon FT (my Dads)
Canon EOS 1000fn (my sisters)
Canon EOS 300
Canon EOS 3 First SLR of my very own.
Canon EOS 50e
Canon EOS 300x
Canon EOS 400D first DSLR.
Canon EOS 7D bought for video, cf card slot was very unreliable before early FW. Never entirely trusted. SOLD
Canon EOS 550D bought for video, traded towards a 600D
Canon EOS 600D bought for video traded towards a 60D
Canon EOS 600D bought for video, SOLD
Canon EOS 600D bought for £60 sold for £200
Canon EOS M & 18-55 (SOLD)
Canon EOS M & 22(bought for video, runs ML)
Canon EOS 60D (bought for video, flip out screen, still have)
Canon EOS 10D (bought for £30 in absolute mint condition, too nice to use for timelapse, given to wife)
Canon EOS 20D (£40 not too nice for timelapse)
Canon EOS 400D (£25 not too nice for timelapse)
 
Upvote 0
Yashica FX/D: given to someone. moved to olly
variety of OM bodies (OM1, 2n, 3, 4T, 4Ti): sold 'em all, moved to Contax
Nikon F3HP (for underwater, sold quickly again)
Pentax LX with 45 deg viewfinder in Hugy underwater housing: gathering dust
Contax RTS III (2x): sold, moved to Canon
5D2: first dSLR
5DsR
 
Upvote 0
I bought an AE-1 in the mid 70's. After many rolls of film I used rolls and rolls of slide film. I kept using the camera after I got glasses thanks to the rubber eyecup that came with it. I still have the camera. I bought my wife an Olympus 7070 wide zoom. I bought myself a 40D and used it till it said error 99 after every shot. I bought my 7D which I am still using. If it breaks I will have to see what Canon has to offer. I have too much invested in lenses and flashes to switch brands. I like some people think about full frame. I might stick to APSC for the reach. The 80D is a nice camera with 2 Custom spots on the mode dial. It's something I could be happy owning. I'm wanting 3 custom spots and an articulating touch screen with WiFi. GPS would be a nice feature if we did a lot of travelling. As many people state, Better Dynamic Range!
 
Upvote 0
My first SLR was a Canon AV1, an aperture Priority camera with a very basic swing needle meter. But I cut my portrait and landscape with this camera. I chose Canon so that I could borrow some of my father's lenses, who was also Canon and a few FD mount lenses.

Later when I had some money, I could take photography a lot more seriously. I bought a Canon A1 and my father's AE-1 Program. This served me a long time and I still have these cameras in storage. I don't use them due to their failing shutters and I don't do film any more.

From there, auto focus came in and my next camera was the big format changer...the EF mount. The EOS 650 was an amazing camera with a lot of features over an above the amazing landmark AF system. The amazing thing about this system (although it was a little slow to market compareed with Minolta and Nikon) was that canon got so much right first time. All the other camera marques took several goes to get it right, Canon...right straight out of the door.

My next camera was the EOS 33 with eye control. A very nice a well featured camera. I still use this if I need film...which I haven't for many years. Digital SLR was demi-god expensive and most digital cameras were digicams and really lacked the features and depth of field that the 35mm couls offer.

My first DSLR was the Canon 300D. It served me a year and cost a lot for what it was. I loved the ability to instantly review my photos and adjust iso between shots...but soon discovered that photo archive, storage and post production were serious time and cost liabilities. I bought this with a Sigma 12-24mm! The only crazy wide available for a crop at the time.

Next up was what I considered to be another game changer camera, the Canon 20D. 5fps, lots of AF points and a big jump in MP. The camera was very nice handling too. But I found the crop good in some situations, but I really missed the depth of field of what was ow termed "full frame". I bought my 20D literally the day it was launched and PX'd my 300D for it.

Then came a long the Canon 5D...another game changer camera and I was one of the first in my region to stump up the eye watering cash for one. Finally, a full frame DSLR that I could just about afford. An amazing sensor wrapped in a very mediocre camera. But that forced me to really think my photography and work hard with it's AF, meter and lack of features. Although it wasn't that far behind the 20D in some areas, which I sold in PX. This was about the time I started semi-professional photography. Weddings, portrait and landscapes mostly, I wasn't active in marketing at the time...I was drawn into the field and found myself being asked to cover events.

Next up, I strangely missed the crop sensor for long shots and bought a 40D to supplement. The two cameras worked my line up and I used them both at weddings, the 5D did DOF and wide work and my 40D covered the long end (worked great with a 200mm lens) and most of my lens line up was primes except for the wide end.
I loved Live view and could see that it was another game changer for landscape work...I just needed a 5D series with it.

Which eventually came along in the very slow to market 5DII. It felt like empires had come and gone in the time it took for Canon to replace the 5D. I wasn't interested in the movie functions but as a camera...it was a huge step in image quality and iso ability. I didn't need the extra MP but it was nice to have. The extra 1 fps was a boon too. It was a vastly better camera and I traded my 40D for a 5DII and a year later I traded my 5D for a 2nd mkII. By them my wedding work was really taking off, I even got a wedding in St Paul's Cathedral!

I picked up a 7D, which had a stunning AF (for it's day) and I started to dabble with birds and other wild life photography. It was an amazing camera wrapped around a very mediocre sensor. The iso noise at 400iso wasn't that great compared to the 5DII's at the time. But the handling, ergonomics, AF, metering and fps were streets ahead of the 5DII. But I sold this along with a lot of lenses and other kit I'd accrewed to fund a mint SH ef 400mm f2.8 LIS.

Then the most versatile camera that Canon have ever produced came out, the legendary 5DIII. It was more of a camera that I could ever have wished for. It's AF was co-developed with the 1Dx, it's design was more like a 7D than a 5D and it had more FPS than before. Sure the MP count was practically the same as the 5DII, but for my wedding work, the last thing I needed was massive files. An initial 2000 images at 22mp was quite enough for each wedding thank you. What a camera! I loved it so much I bought two copies and I still run them today along with a 5DII which I use for rough conditions or coastal work. I've taken it on numerous bird workshops and it's performed exceptionally well. In my opinion, getting the shot is more important than how many MP it has. As long as it's well composed, well timed, well metered and well executed...22mp is more than ample.

So it's been a long and fantastic journey. I'm looking forwards to looking at the 5D4. So I'll see what that's got to offer when it's here. But at the moment, my pair of 5DIII's are still knocking it out of the park.
 
Upvote 0
GMCPhotographics said:
I've taken it on numerous bird workshops and it's performed exceptionally well. In my opinion, getting the shot is more important than how many MP it has. As long as it's well composed, well timed, well metered and well executed...22mp is more than ample.

That's along the same lines as saying about a 400mm vs 600mm lens: "As long as it's well composed, well timed, well metered and well executed...400mm is more than ample."
 
Upvote 0
AlanF said:
GMCPhotographics said:
I've taken it on numerous bird workshops and it's performed exceptionally well. In my opinion, getting the shot is more important than how many MP it has. As long as it's well composed, well timed, well metered and well executed...22mp is more than ample.

That's along the same lines as saying about a 400mm vs 600mm lens: "As long as it's well composed, well timed, well metered and well executed...400mm is more than ample."
you forgot the big one: 'close enough' ;)
 
Upvote 0
I've had "many" bodies, but most of them are from the same generation. I have sold a body only once.

My first DSLR was a Canon 300D, bought used in 2011
40D - bought in 2011, fell to the ground, mirror box damaged but still works in live view
1D Mark III - bought on 2013, stolen on 2014
SL1 - bought on a very good sale on 2015, sold for a profit after a couple of months
1Ds Mark III - main body, bought in 2015

So, as you can see, I have been stuck with cameras from 2007 for a long time, though I've been getting better ones.
 
Upvote 0
j-nord said:
AlanF said:
GMCPhotographics said:
I've taken it on numerous bird workshops and it's performed exceptionally well. In my opinion, getting the shot is more important than how many MP it has. As long as it's well composed, well timed, well metered and well executed...22mp is more than ample.

That's along the same lines as saying about a 400mm vs 600mm lens: "As long as it's well composed, well timed, well metered and well executed...400mm is more than ample."
you forgot the big one: 'close enough' ;)

That is the key point. If you are close enough, all equipment is more than ample.
 
Upvote 0
Talking about (D)SLR and not compact point & shoot;

A1 - 1980 in time for a holiday in Canada where I spent most of my holiday money buying more lenses for it
T90 - 1986 favourite camera of all time. Loved it and expanded its capabilities with many FD lenses & accessories
10D - 2004 first affordable DSLR camera for me. Struggled to come terms with 1.6x 'crop' factor compared to 35mm
20D - 2005 upgrade to 10D but still struggled with 1.6x 'crop'. Only took 8 photos before changing it to...
5D - this is more like it. Back to my 35mm point of view. Wonderful camera
7D - 2011 purchased specifically to make best use of my 100-400mm on last shuttle launch. Still struggle with 1.6x
5D III - purchased in 2015 at Photography Show with £500 off! Wonderful features but too much camera for me

I still have the 5D, 7D & MKIII and on reflection wish I could at least have kept the T90 along with its lenses & accessories as that was the setup that really inspired me.

And despite the MKIII being more than enough camera for me I will probably get the MKIV when it is released!

-=Glyn=-
 
Upvote 0
AlanF said:
GMCPhotographics said:
I've taken it on numerous bird workshops and it's performed exceptionally well. In my opinion, getting the shot is more important than how many MP it has. As long as it's well composed, well timed, well metered and well executed...22mp is more than ample.

That's along the same lines as saying about a 400mm vs 600mm lens: "As long as it's well composed, well timed, well metered and well executed...400mm is more than ample."

True...but one of the reasons I chose a 400mm f2.8 over a 500L or 600L was it's flexibility. With extenders, it makes a very good 560mm f4 or 800mm f5.6 as well as the native 400mm f2.8. In fact it's the only big white lens of the mkI generation that doesn't seem to loose much IQ with extenders.
 
Upvote 0
greger said:
I bought an AE-1 in the mid 70's. After many rolls of film I used rolls and rolls of slide film. I kept using the camera after I got glasses thanks to the rubber eyecup that came with it. I still have the camera. I bought my wife an Olympus 7070 wide zoom. I bought myself a 40D and used it till it said error 99 after every shot. I bought my 7D which I am still using. If it breaks I will have to see what Canon has to offer. I have too much invested in lenses and flashes to switch brands. I like some people think about full frame. I might stick to APSC for the reach. The 80D is a nice camera with 2 Custom spots on the mode dial. It's something I could be happy owning. I'm wanting 3 custom spots and an articulating touch screen with WiFi. GPS would be a nice feature if we did a lot of travelling. As many people state, Better Dynamic Range!

I have very good friends where his wife was shooting with a 60D and he uses a 7D, for christmas this past year I recommended, for the budget constraints he had vs. what he wanted to get for her, the Sigma 17-70mm f/2.8-4 DC Macro OS HSM lens. She loved it, works great with her 60D, then for her birthday this past May, he bought her the new 80D, they took it to Yellowstone/Grand Tetons for their summer vacation...they both love it and I can't wait to see her photos. They have the 55-250mm IS STM lens too, and a couple other Canon lenses.
 
Upvote 0