New Canon 5D mark III raws

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justsomedude said:
LetTheRightLensIn said:
Not a wedge test. Measuring the masked off black area of an ISO 100 RAW, finding the std dev in raw levels, then taking the max raw level - the raw black point and then dividing it by the read noise and then taking the log2 of that to get dynamic range in stops. JS provided the raw read of 6.02 ADU. It's the same thing DxO does and same thing I did in my tests of the 40D,20D,50D,7D,5D2,1D3.

Just curious - how are you doing these measurements? ACR and LR don't even support the 5D3 RAW files yet... at least on my end I'm stopped by camera compatibility warnings when I try to import into either program.

The DR measurements were done with various RAW analysis programs, they measure things before de-bayer or any processing gets done on the camera output at all. Nothing to do with ACR or LR or DPP or C1.

People are viewing the images using the new ACR 6.7RC.
 
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LetTheRightLensIn said:
justsomedude said:
LetTheRightLensIn said:
Not a wedge test. Measuring the masked off black area of an ISO 100 RAW, finding the std dev in raw levels, then taking the max raw level - the raw black point and then dividing it by the read noise and then taking the log2 of that to get dynamic range in stops. JS provided the raw read of 6.02 ADU. It's the same thing DxO does and same thing I did in my tests of the 40D,20D,50D,7D,5D2,1D3.

Just curious - how are you doing these measurements? ACR and LR don't even support the 5D3 RAW files yet... at least on my end I'm stopped by camera compatibility warnings when I try to import into either program.

The DR measurements were done with various RAW analysis programs, they measure things before de-bayer or any processing gets done on the camera output at all. Nothing to do with ACR or LR or DPP or C1.

People are viewing the images using the new ACR 6.7RC.

And those RAW analysis programs would be....?? The longer you hold out on producing some actual reference material, sample images that actually exhibit read noise, and links to back up your claims here, the more it really does sound like your an anti-Canon troll. I've been searching the web...there isn't a SCRAP of information out there yet about anyone claiming to have done DR tests on the 5D III, let alone come up with worse read noise than the 5D II. Back it up or shut it up, man. ;)
 
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jrista said:
LetTheRightLensIn said:
jrista said:
LetTheRightLensIn said:
jrista said:
I think most of us are pretty solidly confident that Canon has resolved their read noise issues, and are probably getting much closer to that 13.9 stops of maximum DR that Sony Exmor sensors are getting...so the difference is probably less than a stop, (personally I hope and believe it will be in the realm of 0.25 or less stops), of DR difference between any one of the 1D X, 5D III, D800, D4 and D7000.

I had hoped that but earlier today someone on DPR measured 6.02 ADU for the 5D3 at ISO 100 while my 5D2 measures 6.09 ADU.

Who did that measurement? If your talking someone on the forums, thats not what I'm referring to. If it was an official step wedge test based on JPEG output (which are usually what official DPR DR tests are based on), those tests are generally worthless (JPEG compression obliterates DR.) The DXO tests are very accurate, and measure the sensor hardware at a lower level than a JPEG step wedge test does. From a headroom standpoint, i.e. the ability to recover highlights or shadows, DXO's tests are more accurate (as demonstrated by the many videos on the net showing unbelievable shadow recovery with the D7000, where you can see before your eyes the recovery of 4-6 stops of what appears to be solid black in under exposed photos.)

Not a wedge test. Measuring the masked off black area of an ISO 100 RAW, finding the std dev in raw levels, then taking the max raw level - the raw black point and then dividing it by the read noise and then taking the log2 of that to get dynamic range in stops. JS provided the raw read of 6.02 ADU. It's the same thing DxO does and same thing I did in my tests of the 40D,20D,50D,7D,5D2,1D3.

To date, from ISO 100 to ISO 25600 test images, both JPEG and RAW, not one SOUL outside of you has mentioned any amount of banding noise visible in ANY image from the 5D III (most of which are from pre-production models even!) From the noise levels at ISO 6400, even at 25600, the 5D III, with black and shadow levels cranked up as high as they can go in Photoshop, the only thing visible even in the darkest blacks is clean, random noise. I cranked up EV on every ISO 100 image I could get my hands on, and I have seen nothing but a few speckles of random noise in the darkest shadows. You would need to produce an actual sample image that clearly demonstrates banding noise before I'd even consider that you are not purely fabricating the details our producing (i.e. 6.02 ADU.) You would also need to produce a link to whatever forum thread or article on DPR that you are referring to that supposedly measured the 5D III's read noise, because I'm highly skeptical anyone has had a chance to do any accurate measurements with the proper gear and care to produce anything remotely resembling a valid result.

Additionally, if you are trying to replicate DXO tests on your own with Photoshop/ACR, Lightroom, Aperture, or any other mainstream RAW editor, your not working with accurate data. Outside of DCRAW, every RAW processor applies a tone curve (picture style/image style/etc.) to the RAW image data before rendering to screen or file. You aren't looking at the unmodified RAW image data, even if you use a "neutral" tone curve...since even neutral is non-linear. You need to use the right kind of image processing software, as well as specially designed test targets, to test the full DR capable by a digital sensor. DXO not only uses a very specialized system to measure noise and DR (http://www.dxomark.com/index.php/About/In-depth-measurements/DxOMark-testing-protocols/Noise-dynamic-range), they use the same system to measure every camera, so comparisons are accurate.

http://forums.dpreview.com/forums/read.asp?forum=1032&message=40826389
(near the bottom, post by John mentions 6ADU)

http://forums.dpreview.com/forums/read.asp?forum=1032&message=40824864
http://forums.dpreview.com/forums/read.asp?forum=1032&message=40825115
 
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LetTheRightLensIn said:

Sorry, image contains no EXIF data. Who the hell knows what camera that image came from. If I had to guess, I'd say the 5D Mark II, not the 5D Mark II, as I've been poking around with every 5D III image I could get my hands on since they started hitting the net, and I've never seen anything even remotely resembling that much read noise.

LetTheRightLensIn said:

Pretty charts, but they are lacking any context. Not to mention they were generated by a beta program that has a grand total of seven, yes 7, facebook likes. Skeptical.

LetTheRightLensIn said:

Again, a lack of any viable EXIF data to verify the origin of either image. Not to mention the fact that they are being tweaked in Photoshop, which as I mentioned before always applies a basic set of processing to every image, so its not really a viable tool to measure DR.
 
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bornshooter said:
seriously you guys need to get a life lol is there any need for such a massive crop and pixel peeping?5d3 high iso looks amazing low light destroyer it is...now stop pixel peeping and get out there and take some photos

Oh, I'd LOVE to be out taking photos...except that its about 1am and a nasty, freezing blizzard is blowing in hard. I can't sleep, and I don't really have anything else to do other than harass those who are posting sketchy, anecdotal information about the horrid atrocities of 5D III banding noise. ;-P
 
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Listen, among those guys you are calling liars happens to be one the lead software developer of RAW conversion software ;D. He is not a liar and he does know what he is talking about!

And if you check out the latest post by Horshack on one of the those threads, near the bottom, you see what an exmor sensor can do with the extreme DR range. A picture taken of the sun where all the terrain below looked pitch black with zero detail was brought back to reveal a detailed suburban landscape.

I wish that the 5D3 will be able to do that and I had hoped and expected it to at least get close, but it seems unlikely now, hope it will, but....

And two of the posts that did measure DR did not use ACR.

Stop making stuff up and accusing people of being liars just because you can't handle that the camera you ordered (and I might still order myself one day, but I am not yet sure) almost certainly won't have nearly as much dynamic range as you had hoped for. I hoped it would too. It appears doubtful now. But I won't make stuff up and start getting on everyone who tries to say otherwise and act like an ostrich.



jrista said:
LetTheRightLensIn said:

Sorry, image contains no EXIF data. Who the hell knows what camera that image came from. If I had to guess, I'd say the 5D Mark II, not the 5D Mark II, as I've been poking around with every 5D III image I could get my hands on since they started hitting the net, and I've never seen anything even remotely resembling that much read noise.

LetTheRightLensIn said:

Pretty charts, but they are lacking any context. Not to mention they were generated by a beta program that has a grand total of seven, yes 7, facebook likes. Skeptical.

LetTheRightLensIn said:

Again, a lack of any viable EXIF data to verify the origin of either image. Not to mention the fact that they are being tweaked in Photoshop, which as I mentioned before always applies a basic set of processing to every image, so its not really a viable tool to measure DR.
 
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I finally got around to comparing the raw images myself (converted with ACR 6.7, viewed in LR 3.6 without any noise reduction). To my untrained eye, it looked like the 5D III gained about half a stop in high ISO noise. Comparing the jpegs on imaging resources showed a much larger difference, so it seems like the III has much better in-camera jpeg processing (which does not help those of us who shoot raw).

I had been hoping for ~1 stop in high ISO noise (yeah, I am an optimist, but DxO had almost a full stop improvement of the 5D II over the I), which the imaging-resources photos definitely did not show. I was also hoping for a big boost in low-ISO DR (comparable to the newer Nikon/Sony sensors), but the scuttlebutt seems to be that the low-ISO read noise is basically unchanged, so I do not expect to see this.

On the other hand, the resolution of fine details for the 5D III was significantly better; not sure if this is just due to the (22.3/21.1)^.5-1=2.8% boost in linear resolution, a weakened AA filter, or both.

All-in-all, it looks like the most minimal sensor improvement I could have expected from Canon. The improved AF and 6 fps are probably still enough reason for me to upgrade (from a 5D I), but its enough of a toss-up now that if there are any other disappointments that come to light, I will just get a 5D II and save $1,500.
 
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jrista said:
And those RAW analysis programs would be....?? The longer you hold out on producing some actual reference material, sample images that actually exhibit read noise, and links to back up your claims here, the more it really does sound like your an anti-Canon troll. I've been searching the web...there isn't a SCRAP of information out there yet about anyone claiming to have done DR tests on the 5D III, let alone come up with worse read noise than the 5D II. Back it up or shut it up, man. ;)

IRIS also works
I just tested a file and I got the same thing John got, only I also found that the max raw level is lower so instead of a trace better DR, I got .1 stop worse.
I just hope the side masking area proves to be invalid for this measurement.
If not, then I'm afraid to say but the DR didn't get even the tiniest bit better (perhaps if the banding proves to be less the usable amount will be a touch greater).
 
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i'm not sure if anyone can remember back a few months with all the 5D3 wishlist threads most people were saying their wish list were

same or similar sensor - this is pretty much it (Personally I was never unhappy with the 5D2 sensor a bit of pattern noise in pushed shadows but i never go too overboard pushing anyway, i would have liked them to have address the pattern noise issue though)
much better AF ala 7D 19 point (people like me that said i wanted the 1D 45pt got laughed at for having too high expectations) NO ONE expected the 61 pt 1Dx system
5 FPS - got 6 (no biggy here 6 is respectable i found 4 fine for most of my uses of the camera though
dual card slots were often on the lists - got it not dual CF like most wated byt CF and SD is still good
better weather sealing - got it
built in wireless - didnt get
100% VF - got it but still not as good as 1D
better high ISO performance - Still not 100% on how much raw improvement (isnt it annoying how they are talking up the damn jpg improvement? if i wanted to shoot jpg i'd use my iphone and carry 30kg less gear canon)
better AEB - Has the 5D3 got more bracket options? no ones been talking about this
and a whole bunch of video stuff I dont understand - i gather we didnt get most of it though :P

so based on the wish lists form months ago I would say canon delivered in spades and then some

what did I miss?
 
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wickidwombat said:
so based on the wish lists form months ago I would say canon delivered in spades and then some

what did I miss?

Perhaps the fact that people always want more? :P

Or maybe the fact that a competitor is seemingly offering all (or at least, most) of the above, with far more MP (a historical Canon 'advantage'), for substantially less money? ::)
 
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LetTheRightLensIn said:
Stop making stuff up and accusing people of being liars

They're not liars, but my God, do they have agendas - and agendas that have not the remotest bearing on the Real World use the vast majority of photographers will ever put their cameras to.

I've crossed swords with John Sheehy, Horshack, Emil Martinec, Bobn and the rest of them on DPR more times than I can shake a stick at, and without exception the "problems" they identify are extreme edge cases of no relevance whatsoever to how cameras get used in reality.

I don't doubt their findings, I just don't see any basis whatsoever for worrying that a 100% crop looks crappy when it's pushed 6 stops.

Bear in mind too that these tests never include any mitigation: there are converters and noise reduction programs out there that deal with these issues trivially easily: me, I'm in the business of making images look as good as they can be, so I simply don't see the point of worrying about how a file might look when you beat the bejezuz out of it.

Frankly, these DPR threads are utterly irrelevant brow-beating that serves no useful purpose whatsoever except to give these people the opportunity to show the world how much more perceptive, critical, discerning and knowledgeable they are: but you never see any actual Real World images from them, and certainly none demonstrating that these "problems" are actually hurting their photography.
 
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KeithR said:
Frankly, these DPR threads are utterly irrelevant brow-beating that serves no useful purpose whatsoever except to give these people the opportuity to show the world how much more perceptive, critical, discerning and knowledgeable they are: but you never see any actual Real World images from them, and certainly none demonstrating that these "problems" are actually hurting their photography.
It's possible to get examples of the value of DR in things like landscape photography, but they are harder to come by than extreme methods to technically find the limits that make up said Dynamic Range. I appreciate your point, but it'd be a bit too easy to say that all of those kind of threads are irrelevant. The examples they bring forward may be irrelevant and not occur in that same way in real world photography, but they do highlight the limitations of real world photography (for example, the limits of DR, which show up in extremes the clearest, yet affect a whole image if it's very contrasty). As such, some of them do have relevance.
 
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Well I suppose it's useful in an academic sense to know when something falls over, but unless an artifact is of a sort that spoils images without any help from me in torturing the file beyond any reasonable use I might make of it, then I still think it's accurate to describe the issue as irrelevant.

(I used to shoot with Nikon D200 bodies - believe me, Canon at its worst is better than my D200s ever were at their best).

I accept that we all have different ideas of what's "reasonable" of course, but - really - how often does anyone need to dig six stops into the shadows?

And - again - there are ways to do this anyway.
 
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