dgatwood said:
Tinky said:
A trained experienced cameraman will put an evf to his eye and his fingers will turns the lens the right way enough automatically.
Or, if he or she is used to that other camera system, an experienced cameraperson will automatically turn it the right amount in the wrong direction every time....
Traditionally, certainly not, there was uniformity in design between Fujinon & Canon ENG lenses, and certainly between bodies, be they grass valley, sony, ikegami, panasonic. A stringer getting a lot of work from say the bbc would probably buy a betacamsx or digibeta, and itn stringer would probably buy a dvcpro, but the majority of camera ops would use different cameras on different jobs, so the core finctions coukd all be accessed through external switchgear, and other than some differences in the filter wheels (some were split by colour and nd, others were on the same wheel) things like setting wb, audio channels, knee circuits, gain etc were all exactly the same.
I have to say, and this is a gross generalisation but I'll stand by it, I've never met a pro video user using a nikon body ever. I've met plenty of nikon users who would adapt their f lenses to a 5d, but I have never met anybody using a nikon body (they were fixed at 24p and had auto exposure and no audio controls up until relatively recently)
In the dslr realm I do use third party lenses, and yes some turn canon some turn anti-canon, but with regular use you remember which is which without having to check, and mistakes are usually quickly detected on large sensor cameras.
In my own shooting style I like to use subject motion to accentuate depth of field, so prefocus on a desirable point then let the subject move through it, if I'm shooting moving camera to moving subject I will tend to be closer, wider and use zone focusing.
One great thing with video us that with 1/50th and iso 100, even at civilian twilight, you actually have lots and lots of aperture to play with. If I need greater depth of field I'll just use a weaker or no nd filter and stop down.
If I was long lensing and tracking, say at a sports event, then I'd more likely be on a pedastol ISO camera with powered long throw zoom servo and electronic follow focus.