Thanks guys. Weird thing is on my screen the second picture only half loads. I'm just hoping it's showing completely for all of you. :-[
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I posted this one in a thread for the 10-22mm EF-S lens as well, but I felt it merited a showing in this thread too as I am very pleased with how f/3983 came out in the end. 
f/11 Camera setting + 17 stops of filters.
Landscape trickshot... by K3ntFIN, on Flickr
f/11 Camera setting + 17 stops of filters. Landscape trickshot... by K3ntFIN, on Flickr
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Sweet!K3nt said:I posted this one in a thread for the 10-22mm EF-S lens as well, but I felt it merited a showing in this thread too as I am very pleased with how f/3983 came out in the end.
Landscape trickshot... by K3ntFIN, on Flickr
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Fantastic image Sporgon! How are you liking the new lens? I've been debating it... not sure about the f/4 if I end up with more inside event work... Renders beautiful in this image though!Sporgon said:Storm clouds building up over the Sierra Nevada. 5D mk3, 24 - 70 f4 IS ( yes, that one
It looks surreal, but it is, in fact, real !
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Easy to take a good liking to this image Paul! Very nice, where is Goat Fell?GammyKnee said:From near the top of Goat Fell, Arran, around sunset:
Sunset on Goat Fell, Arran [IMG_3019] by GammyKnee, on Flickr
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I particularly like this image! I "feel" like I'm too close to the edge and could just fall over! Outstanding!radim said:
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I'm in a competition with this picture
- please click here: http://canon.nrc.nl/Picture/view/9682
- push STEM just left underneath the picture and fill in your e-mail
thanks a million!
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Krob78 said:Fantastic image Sporgon! How are you liking the new lens? I've been debating it... not sure about the f/4 if I end up with more inside event work... Renders beautiful in this image though!Sporgon said:Storm clouds building up over the Sierra Nevada. 5D mk3, 24 - 70 f4 IS ( yes, that one
It looks surreal, but it is, in fact, real !
Thanks Krob. You guys in the States are so lucky to have your big landscapes and amazing skys.
The 24-70 f4 is a very good lens, with one big problem: the price of the 24-105. The 24-70 feels more substantial and better made than the 24-105, but also shorter and more 'handy'. It has superior resolution especially at the wider end and is much better in the corners. We haven't had any rsa issues.
It comes down to whether you're prepared to pay a lot more money for improved wider end performance and much better corners.
With regard to low light events a 2.8 lens will give a brighter viewfinder and possibly better AF, but I've generally found that 2.8 doesn't give enough DoF for most applications anyway. Bring on the 6D and its amazing high ISO performance !
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Thanks Sporgon! I may have to try out the new Tamron 24-70mm f/2.8 with VC... it's looking very good and very tempting at that price point...Sporgon said:Krob78 said:Fantastic image Sporgon! How are you liking the new lens? I've been debating it... not sure about the f/4 if I end up with more inside event work... Renders beautiful in this image though!Sporgon said:Storm clouds building up over the Sierra Nevada. 5D mk3, 24 - 70 f4 IS ( yes, that one
It looks surreal, but it is, in fact, real !
Thanks Krob. You guys in the States are so lucky to have your big landscapes and amazing skys.
The 24-70 f4 is a very good lens, with one big problem: the price of the 24-105. The 24-70 feels more substantial and better made than the 24-105, but also shorter and more 'handy'. It has superior resolution especially at the wider end and is much better in the corners. We haven't had any rsa issues.
It comes down to whether you're prepared to pay a lot more money for improved wider end performance and much better corners.
With regard to low light events a 2.8 lens will give a brighter viewfinder and possibly better AF, but I've generally found that 2.8 doesn't give enough DoF for most applications anyway. Bring on the 6D and its amazing high ISO performance !
Thanks for taking the time to answer my question, I appreciate it!
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