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Blimey, thought the term "push" had long since disappeared into the ether of film.
I still do "push" my exposures because situations arise where i really needed a flash or a tripod and have neither.
Also, because i want a certain amount of noise/ grain in my shots, as i've said before.
But as i used to push in film days, it's something i've always done.
I think for me, noise/ grain is something i've learned to use to create an appearance.
The most i ever got to in film days was pushing a 3200asa 2 stops to 12800, but wow, some of those would never have been gained without it.
I'll leave you scientists to debate the fromulae and algorithms that prove your point. I just know that i use the camera, lens and some otheer bits of kit to create an image based on various settings applied!
I still do "push" my exposures because situations arise where i really needed a flash or a tripod and have neither.
Also, because i want a certain amount of noise/ grain in my shots, as i've said before.
But as i used to push in film days, it's something i've always done.
I think for me, noise/ grain is something i've learned to use to create an appearance.
The most i ever got to in film days was pushing a 3200asa 2 stops to 12800, but wow, some of those would never have been gained without it.
I'll leave you scientists to debate the fromulae and algorithms that prove your point. I just know that i use the camera, lens and some otheer bits of kit to create an image based on various settings applied!
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