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You're right! It's way better, it autofocusesAn RF 50/1.2 is still not exactly in the league of an Otus.
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You're right! It's way better, it autofocusesAn RF 50/1.2 is still not exactly in the league of an Otus.
I was never into positive films. I usually shot Kodak Tmax, occasionally Tri-X.I was an Ilford fan myself (100 or 400). My impression of the Agfapan 25 was that the detail was lovely but it had a bit too much contrast for my tastes. Still, a wonderful memory, Old Man!
My profile picture here is shot on ISO 25 Ilford filmI was an Ilford fan myself (100 or 400). My impression of the Agfapan 25 was that the detail was lovely but it had a bit too much contrast for my tastes. Still, a wonderful memory, Old Man!
I agree, it is something of a conundrum. I’ve never met anyone who has used these lenses professionally, although there must be many out there.Zeiss would have run the numbers and expected to make profits for these lenses but....
If wide open f1.4 (or f1.2) is too shallow a depth of field then why make them instead of f4 for instance. Cheaper and smaller. Landscapers would use ~f8-f14 to maximise DoF.
Wide open for video in bright light makes sense if no ND filters but still the issue of focus/DoF comes into it.
Wide open (ultra) wide angle for astro makes sense to me and 20-35mm for live bands etc with low light and up close but focus is again the issue.
Maybe I am missing the point here.
I'll wait for the serious reviews.You will buy
You will be happy again
Unfortunately, for prestige (?) reasons, there is no longer a market for light, compact and highest quality small aperture lenses.Zeiss would have run the numbers and expected to make profits for these lenses but....
If wide open f1.4 (or f1.2) is too shallow a depth of field then why make them instead of f4 for instance. Cheaper and smaller. Landscapers would use ~f8-f14 to maximise DoF.
Wide open for video in bright light makes sense if no ND filters but still the issue of focus/DoF comes into it.
Wide open (ultra) wide angle for astro makes sense to me and 20-35mm for live bands etc with low light and up close but focus is again the issue.
Maybe I am missing the point here.
I agree unfortunately, so those of us that shoot at smaller apertures are relegated to paying likely higher price, and deal with the extra size and weight....of the faster lenses.Unfortunately, for prestige (?) reasons, there is no longer a market for light, compact and highest quality small aperture lenses.
They simply wouldn't sell in sufficient numbers. Adapted Leica M lenses can be a solution, though focusing them on an EOS isn't always fun.
To be honest, I never use my compact M teles on my EOS, preferring to use the heavier and larger RF lenses with AF...
Speaking of the 24-105 f/4...I agree I fortunately, so those of us that shoot at smaller apertures are relegated to paying likely higher price, and deal with the extra size and weight....of the faster lenses.
I need Canon to come out with a rf24-70 f4L, although I may settle on the 24-105.
I suspect is is more stringent, but still not perfect. Bryan/TDP got two bad copies of the EF 24-70/2.8L II then tested two more.Is QC more stringent for expensive L lenses? I'm inclined to believe it, although the testing of the 28-70 could also be questioned...
Who knows...
I've never owned a 70-200/4. The RF version looks nice, but it's not all that much smaller than the f/2.8 (non-Z) version.By the way, I have a new favorite, the RF 70-200 f/4: Optically superb, inexpensive, light and compact.
From my own experience; never had an L lens that’s more than +/- 3 AFMA, whereas my non-L Canon lenses have ranged from about +/- 5 to 13 !Speaking of the 24-105 f/4...
Is QC more stringent for expensive L lenses? I'm inclined to believe it, although the testing of the 28-70 could also be questioned...
Who knows...
My 24mm TSE II was 18 (!) off on the 5 DIII and 5 DIV. All the other L lenses were like yours (+- 3). My non-Ls were in the same category (+- 3).From my own experience; never had an L lens that’s more than +/- 3 AFMA, whereas my non-L Canon lenses have ranged from about +/- 5 to 13 !
It is nevertheless longer, wider and 375 g. heavier. Since I didn't notice any important advantage, I chose the f/4.I suspect is is more stringent, but still not perfect. Bryan/TDP got two bad copies of the EF 24-70/2.8L II then tested two more.
I've never owned a 70-200/4. The RF version looks nice, but it's not all that much smaller than the f/2.8 (non-Z) version.
I understand! It's so tempting. A beautiful mass of glass!
I had the RF 50mm f1.2L briefly. So fast to focus. So precise. Just great. No AF on the Zeiss? Price? Lol. I wouldn't buy the Zeiss. I need Canon's focus, because my eyes ain't no good for manual.One single opinion.
I'm far from convinced...
I meant the "M" version. I guess the R optics are identical and
This is a bit disappointing...Petapixel has a review video of the 50mm f1.4:
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Zeiss Otus ML 50mm f/1.4 First Impressions: Still Legendary?
Zeiss brings back a legendary line of lenses after a long hiatus. Have the other manufacturers caught up to Zeiss during this time?petapixel.com
That's not focus breathing. That's focus hyperventilating.Petapixel has a review video of the 50mm f1.4: