Re: Sigma Announces the 50 f/1.4 Art Lens & More
Yup and as I've said so many time before...sharpness is just one measurable component of a lens, it shouldn't be a deciding factor, but an added bonus. Unfortunately, so many photographers choose optics purely based on sharpness reviews. The 50L really does offer a nice view on the world and offers a great look to the final images. Just a little softer than other L's as it struts it's stuff. I'm more of a 35/85 combo guy. Recently I did a few portraits at a conference using my 24IIL and 50L and fell in love with that combo all over.
mackguyver said:+1 - Like you, I have owned all of them (and still own most of them), and the 50L is the weakest of the L primes, and that's why I sold mine a few months ago. I soon realized that for it's purposes (portraits at f/1.2-2) and general shooting at f/8-f/16, it's a great lens. the 24-70 f/2.8 II is sharper and performs better in tests, but when I look at the final image, the 50L is just better in my eyes, and f/2.8 is a poor substitute for f/2 or larger apertures when it comes to portraits. I'm mighty interested in the Sigma and a future 50L II, but for now, I've realized that the 50L gives me great results even if it's not as great as its siblings.GMCPhotographics said:I agree, I have all of the Canon fast primes from the 24IIL up to the 135L and I have to say that the 50 f1.2L is the weakest and softest performer in terms of optics of all the primes. Its a shame but true, its a good lens but not a great one. It pales next to the 85mm f1.2 II L and 35mm f1.4 L in just about every respect. But sadly, it's still the best performing 50mm available on the Canon ef mount when shooting wide open. I'm just waiting for a 50mm f1.2 II L to come along and rock my world....
Yup and as I've said so many time before...sharpness is just one measurable component of a lens, it shouldn't be a deciding factor, but an added bonus. Unfortunately, so many photographers choose optics purely based on sharpness reviews. The 50L really does offer a nice view on the world and offers a great look to the final images. Just a little softer than other L's as it struts it's stuff. I'm more of a 35/85 combo guy. Recently I did a few portraits at a conference using my 24IIL and 50L and fell in love with that combo all over.
Upvote
0