Jack Douglas said:Josh Denver said:-The original 1DX had a uniquely ''organic'' image compared to the 5D III. It's a little difference but it really is an extremely filmic image. VERY VERY nice FULL HD.
-1DXII 4K is EXCEPTIONAL. Side by side goes head to head with highest end cinema cameras.
-1DXII 1080P has little aliasing that's not on the 1DX, and the image lost the organic feel.
-1DXII downsamples the 4K image perfectly to 2K through the HDMI output, something many don't realise. Just set the Camera to the 4K croo mode and you get the same image as the 4K downscaled to HD in post, recorded directly to ProRes HQ or LT files. This is the best direct HD way. It looks GORGEOUS. Better than C300.
-1DXII will have the same dynamic range (highlight and shadow clipping points), so no picture style can increase dynamic range however flat it looks. Just don't use high sharpness setting or high saturation that clips colour channels. Neutral -4 -2 is great, cinestyle is good for using LUTs designed for LOG but again it does NOT increase dynamic range.
-The Added Headphone jack over the 1DX is a huge addition. Never knew how could thet not include it on the 1DX.
END: 1DXII is 4K camera giving a modern sharp image and exceptional colour rendition Canon is known for. The DPAF is the cherry on top that eliminates the need for a focus puller and fiddling with rings.
Interesting comments. Does any of this apply to the 5D4, 4K 30fps? I've never done any serious video, just a little with the 6D. Now, like others since DPAF is the real draw, I wanting to do short nature (mainly bird) videos after I purchase either of these cameras.
Jack
Yes Jack, all apply to 5D IV. It's just a little 1DXII brother, only lacking three traits -120p is 720p max -4K is 30p max -1.65x crop vs bit wider 1.4ish crop.
Other wise ALL video traits, secrets, tips, settings, profiles apply exactly the same to both.
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