Dylan777 said:Excellent when you pair up with 24-70 on another body - close up shots are SUPER, prodcues very thin DOF. Otherwise, stay with 85L II and your current setup.
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anthonyd said:Dylan777 said:Excellent when you pair up with 24-70 on another body - close up shots are SUPER, prodcues very thin DOF. Otherwise, stay with 85L II and your current setup.
Dylan, you fit two kids in a picture shot with a 200mm? How far away were you? Amazing shot by the way (although I'd crop a little tighter to remove the bucket).
I was about 27ft away from the kids.
JohnDizzo15 said:Dantana said:JohnDizzo15 said:After seeing what Lensrentals did with the 200mm testing and comparison recently, it set me up for another internal struggle. lol
My main concern is whether or not I'll struggle with being fixed at 200 and how that will affect my frequency of usage/utility. I'm largely going to be shooting in the same scenarios as you, Dylan.
Maybe you could put a piece of gaffers tape on your 70-200 for a day and see how using just that FL affects your shooting. I know it won't show you what the images would look like out of the 2.0, but it would give you a feel for shooting at only 200.
A splendid idea indeed. Might just do that this evening.
sanj said:You mainly shoot your kids?
Don't bother with the lens IMHO.
Dylan777 said:Pookie said:I am a owner of a portrait studio. I own it and love it. Paid for by client work. BUT, there are other lenses that do the same. It's big and bulky... although it get's lots of oooh's and aww's in reality, I'd rather use the 85 II or the 135L.
Take a look at Dylan's photo, cute kids but do you need a 200 f/2 to capture that image. Nope. That money would be better used in a college savings account for those children. Or perhaps even basic photography classes so that you know how to compose an image properly... and then make money with client work.
If you're interested in bragging right on CR forums then by all means, get one and pet it while you call it precious. Mention it when anyone starts a thread on 200 FL. I love the forum comments, "yea, the 70-200 is great but the 200 f/2 is the way to go!!!".
If you're making loads of money with client work, then yes it's a great lens and might add something to your assets. Might, again I say, the 85L and 135L are just as kick ass and for a fraction of the cost will do practically the same thing. Even the 70-200 can produce a good thin DOF if you know how to use it.
If you're Jonesing for the 200mm f/2 just because it's the "200mm f/2"... save your cash and look elsewhere.
Pookie,
You have any kids? or maybe done any kid photograhy sessions? Your lighting works with models are wonderful. I would love to see some your light works with active kids - hopefully be able to pickup few tricks from it.





JohnDizzo15 said:Pookie said:I am a owner of a portrait studio. I own it and love it. Paid for by client work. BUT, there are other lenses that do the same. It's big and bulky... although it get's lots of oooh's and aww's in reality, I'd rather use the 85 II or the 135L.
Take a look at Dylan's photo, cute kids but do you need a 200 f/2 to capture that image. Nope. That money would be better used in a college savings account for those children. Or perhaps even basic photography classes so that you know how to compose an image properly... and then make money with client work.
If you're interested in bragging right on CR forums then by all means, get one and pet it while you call it precious. Mention it when anyone starts a thread on 200 FL. I love the forum comments, "yea, the 70-200 is great but the 200 f/2 is the way to go!!!".
If you're making loads of money with client work, then yes it's a great lens and might add something to your assets. Might, again I say, the 85L and 135L are just as kick ass and for a fraction of the cost will do practically the same thing. Even the 70-200 can produce a good thin DOF if you know how to use it.
If you're Jonesing for the 200mm f/2 just because it's the "200mm f/2"... save your cash and look elsewhere.
All things I agree with you on. Definitely not trying to own it to brag about it on CR as I have plenty of other lenses that would allow me to oogle with others about. Petting it though on the other hand is something I think I would like to partake in.
My curiousity and hope primarily lies in the fact that I do do a lot of distant environmental portrait/action type stuff of my kids and thought I might get that extra umph and sharpness wide open that you don't get with the 85. While I get plenty of separation with the 85 and am very happy with it, I fantasize about the extra resolution, sharpness, focus speed, accuracy, and IS of the 200.
Based on what you're saying though, if I'm not getting much more than the 85 has to offer as far as "look" goes, then I will happily save my gouda for something else.
Very cute.Pookie said:Dylan777 said:Pookie said:I am a owner of a portrait studio. I own it and love it. Paid for by client work. BUT, there are other lenses that do the same. It's big and bulky... although it get's lots of oooh's and aww's in reality, I'd rather use the 85 II or the 135L.
Take a look at Dylan's photo, cute kids but do you need a 200 f/2 to capture that image. Nope. That money would be better used in a college savings account for those children. Or perhaps even basic photography classes so that you know how to compose an image properly... and then make money with client work.
If you're interested in bragging right on CR forums then by all means, get one and pet it while you call it precious. Mention it when anyone starts a thread on 200 FL. I love the forum comments, "yea, the 70-200 is great but the 200 f/2 is the way to go!!!".
If you're making loads of money with client work, then yes it's a great lens and might add something to your assets. Might, again I say, the 85L and 135L are just as kick ass and for a fraction of the cost will do practically the same thing. Even the 70-200 can produce a good thin DOF if you know how to use it.
If you're Jonesing for the 200mm f/2 just because it's the "200mm f/2"... save your cash and look elsewhere.
Pookie,
You have any kids? or maybe done any kid photograhy sessions? Your lighting works with models are wonderful. I would love to see some your light works with active kids - hopefully be able to pickup few tricks from it.
Two boys... I take more photos of them than I do models... Client work with children does not get posted and is only for the client (mainly youth league soccer/baseball and family portraits). My youngest child is just starting to walk, so there will be action shots of him in a few months
If you're thinking of a Safari in the future... unfort the 200 is going to fall far short of need. I rent a 300 and a 400 occasionally and often feel very FL limited. I'm sure there are a few members here that are far more knowledgable than I on Safari's than I but I def think you would encounter the same limitations.