Tilt-Shift Lens vs. Macro Slide Rail

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Flake said:
It always raises a wry smile when people discuss pano heads, because I know that sooner or later someone will mention the 'Nodal Point' without a clue what it is.

In fact the Nodal point is the point on a lens element where the light bends, here is what Wikipedia has to say:

"The nodal points are widely misunderstood in photography, where it is commonly asserted that the light rays "intersect" at "the nodal point", that the iris diaphragm of the lens is located there, and that this is the correct pivot point for panoramic photography, so as to avoid parallax error. These claims generally arise from confusion about the optics of camera lenses, as well as confusion between the nodal points and the other cardinal points of the system. (A better choice of the point about which to pivot a camera for panoramic photography can be shown to be the centre of the system's entrance pupil. On the other hand, swing-lens cameras with fixed film position rotate the lens about the rear nodal point to stabilize the image on the film."

No doubt there'll be plenty of the usual smites for putting people right - yet another good reason for getting rid of it.
I've been wondering how to find the nodal points on canon lenses, some nikon lenses have it marked on the barrel. Do you know where the nodal points are for canon lenses?
so you are saying set the front element is a better point to rotate about? interesting since i use the gigapan its easy to fix the point at the start of the panorama but as you say there is so much conjecture around about which point is best.
 
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Neeneko said:
You want options? Here is a whole page of options:

http://www.stitchpix.com/options.html

I am looking at the same question myself but have not settled on which way to go yet, though both the Zork and Novoflex look about right.

I use novoflex gear, its top shelf quality but expensive as hell

I also have the gigapan epic pro which i dont use nearly as much as i would like to :(
 
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Probably the easiest and cheapest way for you to take those architectural shots is to get a tripod with rollers on it that you can lock so it runs straight.

Use a prime lens and push the trolley top the left side, take a picture, then shift the whole thing to the right so you still get overlap, then move right again etc and when you've got everything in the set that you want, stitch it together in Photoshop, or in Elements.
That way, you won't get problems with curvature etc.

A tilt-shift lens won't fix the problems you are encountering.
They are mainly designed to get a certain part of the picture in or out of focus, and for parralex errors, and won't neccesairly be able to get a whole room in perfect focus, without a lot of fiddling experimentation.

It's easy to find the nodal point of your lens.
Place 2 sticks vertically in front of, but slightly to the side of the camera on the tripod, and keep one about 4 or 5 ft behind the other.
Adjust the position of the camera on the tripod so that when you pan the camera, the sticks stay together and don't get further apart as you pan.
There's a good explanation and a video of it on the www.Acratech.net site.
Once you've done it a couple of times, it only takes about a minute to do.
 
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anim8r79 said:
Now to figure out if the 5D MkIII is really worth the extra $$$ over the MkII...

If you are primarily doing architectural shots, then no, it really is probably not worth it. The high framerate, ISO, and fast AF give you and advantage in moving targets, but buildings are generally pretty damn slow, thus giving one plenty of time to focus and get good low light shots via simply increasing the shutter time.
 
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There is one thing I am a bit confused about: why is the focus so much on panos in real estate photography?

I am a real estate photographer and do not see any requests for panos. Early in my career I took them and no one used them. There are some agents who use 360 panos - which are quite a bit different - though around here no one asks for them because many of the local MLS sites do not support them. Anyways for 360 panos a TS-E 24 would be a major pain. The 8-15 fisheye would be more useful for that purpose.

I have the TS-E 24 II, TS-E 17, and TS-E 90 and only use tilt shifts for my RE work. I use them for their architectural shift capabilities - not for their ability to take two shot panos. By shifting I can easily choose how much floor vs. ceiling I want in my shot while keeping my verticals straight. It is extremely important for emphasizing the key selling points of the room. I typically use my TS-E 24 II for exteriors, TS-E 17 for interiors, and TS-E 90 on rare occasions for shots from docks or distance views of the property.

Outside of RE, I occasionally take panos. There I have found a macro rail to be useful for adjusting to the nodal point of the lens. I own two different macro rails - a Really Right Stuff XY rail (two rails stacked) and the Stackshot from Cognisys. In the past I owned the Kirk rail but sold it in favor of the RRS. The RRS rails is more precise and much stronger. For panos I only use the RRS rail.

For macro I would definitely buy the best rail possible (Stackshot) but panos do not put much stress on the rail so even a cheap one will do.
 
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wickidwombat said:
Flake said:
It always raises a wry smile when people discuss pano heads, because I know that sooner or later someone will mention the 'Nodal Point' without a clue what it is.

In fact the Nodal point is the point on a lens element where the light bends, here is what Wikipedia has to say:

"The nodal points are widely misunderstood in photography, where it is commonly asserted that the light rays "intersect" at "the nodal point", that the iris diaphragm of the lens is located there, and that this is the correct pivot point for panoramic photography, so as to avoid parallax error. These claims generally arise from confusion about the optics of camera lenses, as well as confusion between the nodal points and the other cardinal points of the system. (A better choice of the point about which to pivot a camera for panoramic photography can be shown to be the centre of the system's entrance pupil. On the other hand, swing-lens cameras with fixed film position rotate the lens about the rear nodal point to stabilize the image on the film."

No doubt there'll be plenty of the usual smites for putting people right - yet another good reason for getting rid of it.
I've been wondering how to find the nodal points on canon lenses, some nikon lenses have it marked on the barrel. Do you know where the nodal points are for canon lenses?
so you are saying set the front element is a better point to rotate about? interesting since i use the gigapan its easy to fix the point at the start of the panorama but as you say there is so much conjecture around about which point is best.
Turn on live-view, rotate the camera/lens, and check for parallax. Adjust pano head until the foreground doesn't move w.r.t. the background. Mark the position on the pano head to save you time next time around.

Nodal points are defined based on a cross-over of light beams in a single element lens. For multi-element lenses it's a theoretical spot only. Light bends at each element, so it's not the location "where the light bends".
 
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kirispupis said:
There is one thing I am a bit confused about: why is the focus so much on panos in real estate photography?

I am a real estate photographer and do not see any requests for panos. Early in my career I took them and no one used them. There are some agents who use 360 panos - which are quite a bit different - though around here no one asks for them because many of the local MLS sites do not support them. Anyways for 360 panos a TS-E 24 would be a major pain. The 8-15 fisheye would be more useful for that purpose.

I have the TS-E 24 II, TS-E 17, and TS-E 90 and only use tilt shifts for my RE work. I use them for their architectural shift capabilities - not for their ability to take two shot panos. By shifting I can easily choose how much floor vs. ceiling I want in my shot while keeping my verticals straight. It is extremely important for emphasizing the key selling points of the room. I typically use my TS-E 24 II for exteriors, TS-E 17 for interiors, and TS-E 90 on rare occasions for shots from docks or distance views of the property.

Outside of RE, I occasionally take panos. There I have found a macro rail to be useful for adjusting to the nodal point of the lens. I own two different macro rails - a Really Right Stuff XY rail (two rails stacked) and the Stackshot from Cognisys. In the past I owned the Kirk rail but sold it in favor of the RRS. The RRS rails is more precise and much stronger. For panos I only use the RRS rail.

For macro I would definitely buy the best rail possible (Stackshot) but panos do not put much stress on the rail so even a cheap one will do.

Great info! My question was not so much about panoramas or 360 panos, just mainly about the ability to stitch 2 or 3 images from the TS lens shifting from left to right to get a larger (i.e. wider) image of a room without the parallax issues of the far left and far right of the frame getting all stretched out. From what I've seen, it seemed like the Tilt-shift lens would allow to get a wider (more spacious) view without the UWA artifacts.
 
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anim8r79 said:
Great info! My question was not so much about panoramas or 360 panos, just mainly about the ability to stitch 2 or 3 images from the TS lens shifting from left to right to get a larger (i.e. wider) image of a room without the parallax issues of the far left and far right of the frame getting all stretched out. From what I've seen, it seemed like the Tilt-shift lens would allow to get a wider (more spacious) view without the UWA artifacts.

This is true, but there are a few things to consider against doing this.
[list type=decimal]
[*]You lose out on the ability to shift up and down (because you are already shifting left/right). Therefore you lose on of the major creative features of the TS lens.
[*]A lot of RE agents like the ultra-wide view. Of course, you do need to be careful with things on the left and right edges. However, most of the agents I know prefer images taken by UW lenses as it makes rooms appear larger. While photographers tend to be against this, it does help sell houses.
[*]If you are using HDR or exposure blending, this makes PP more of a pain.
[/list]

Interestingly the one time I did use a TS for a pano, the agent had me crop the shot about 50% - or to where I could have taken it in a single shot.
 
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5dmk.iii said:
Flake said:
Didn't take long for someone to hit the smite button did it?

I got one too from him once I questioned his post ;D. It is ok, whatever makes people happy... I gave you an applaud, and did not smite him.
how are you working out who smites you? I cant work out who keeps smiting me
I dont see why flakes post warrated a smite it was completely logical and civil, and informative too
 
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wickidwombat said:
5dmk.iii said:
Flake said:
Didn't take long for someone to hit the smite button did it?

I got one too from him once I questioned his post ;D. It is ok, whatever makes people happy... I gave you an applaud, and did not smite him.
how are you working out who smites you? I cant work out who keeps smiting me
I dont see why flakes post warrated a smite it was completely logical and civil, and informative too

Create hypothesis; Bait and watch the smite happen and confirm the hypothesis a few times. It's never fool proof but tidbits of information here and there help. For this guy I have narrowed it down a bit. He is a very helpful guy, but like all of us... does not like to be refuted in public; his rep is precious to him... rightly so... lets leave it at that since I have said too much already. ;D
 
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wickidwombat said:
5dmk.iii said:
Flake said:
Didn't take long for someone to hit the smite button did it?

I got one too from him once I questioned his post ;D. It is ok, whatever makes people happy... I gave you an applaud, and did not smite him.
how are you working out who smites you? I cant work out who keeps smiting me
I dont see why flakes post warrated a smite it was completely logical and civil, and informative too

Create hypothesis; Bait and watch the smite happen and confirm the hypothesis a few times. It's never fool proof but tidbits of information here and there help. For this guy I have narrowed it down a bit. He is a very helpful guy, but like all of us... does not like to be refuted in public; his rep is precious to him... rightly so... lets leave it at that since I have said too much already. ;D

(PS: 45/33 now, lets see which way it goes, does he smite me for outing him or does he try a curveball and mess up my experiment? )
 
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