Isaacheus said:
MrFotoFool said:
In a review by Dustin Abbott (I think for 80D) he made an interesting observation. (It is his opinion but it may be true). He said while other manufacturers are quicker to come out with new features, Canon has the features more refined so that they work better when they do come out.
I tend to agree on a number of points here, but I see parts where canon haven't done this as well in the later releases, the 5dmk4 4k limitations could be considered one, as an example. On the other side, it's good to see them adding in newer features like the dual pixel raw; not that I feel this is a effective as advertised initially but that they're trying something new overall.
I tend to sit myself on the side where I prefer having the features there where possible, even if they don't work in all situations, rather than just not having the option at all. I'm hoping canon will either throw everything in, including the kitchen sink, even if there are caveats. At the moment, it seems a little that they're kinda doing both to a degree, having some features with limitations etc, and also not putting all they can in a camera to meet the competition.
There is a right and wrong way to do this.
I'm ok with features that are thrown in that have caveats, as long as they can be totally disabled and they don't get in the way of photography.
I am not ok with half-baked features that complicate basic functionality, or where there isn't a way to get to clean, straight-forward shooting.
At the core of it, I want modes where I can have the camera resolve one of aperture/shutter/ISO for exposure, and I want to be able to point at something and have the camera autofocus where I tell it to with good precision and quickly. If the camera can't do that very efficiently, the rest is just turns into gimmicky stuff that gets in the way.
The other thing is, at the end of the day,
that's all I need. I'm more than happy to figure out the rest of it myself, through a blend of trial, error, and experience. For me, at least, whether a shot is poor or amazing has nothing to do with WYSIWYG or zebras or whatever tools to help me take a some technically ok shot. It usually has to do with light and shadows and my subject -- and mostly, whether I had a good idea or a bad one. And sometimes, I just fluke out!
For "generalist" photography that Sonys are well-liked for, with few exceptions, a lot of stuff like what gear I'm using matters nearly not at all. Where gear matters the most for me is having the right lens for the right job, and having a good quality lens for that purpose.