aero1126 said:
That's just stupid. Focus peaking is helpful whenever you are manually focusing, which is popular while doing video. It's just as helpful while manually focusing on a DSLR as it is a mirrorless.
"Why no one complaint that a Black Magic Cinema Camera cannot shoot stills like a DSLR??"
Because people like to compare apples to apples and not to oranges.
I am wondering if you are a photographer learning to become a videographer/cinematographer or a cinematographer wanting to buy a smaller or cheaper camera. Let me know, I am just wondering.
To me it is not (or maybe it is) about the fact that it is a still camera with video feature added. To me it is about the mind set of the targeted users.
I remember when the 1DX II was announced, I was almost furious when I saw that I wouldn't be able to magnify during shoots. But when I actually got one I realized that I will never focus manually ever again. I just came back (an hour ago) from a 4h concert shoot and I didn't focus manually not even once; face recognition + touch focus, they were jumping up and down at all directions. It takes time to master, but it is powerful and I am certain focus peaking + manual focus won't get me there. You may say that experienced manually focusing users have been using it for years; I guess it becomes like manual vs TTL flash again.
I use an assassin which, most probably you know has all the video features that a soul can dream, but the only one pure video feature I use on it is the RGB curves and that is because I prefer using kelvin when I shoot JPG instead of a custom white balance.
As a photographer, I don't really need a wave monitor; I am used to judge my exposure by turning the highlight alert and histogram. I just configure my camera for the video exposure I need, I fire a shoot and I know if I am right there or not. I don't need another graph on my already small screen.
I never used a focus peaking or magnify during shoot either, because DPAF is fantastic; it is not the same as in the 70D, it is much more than that. I don' know the needy greedy underneath it but my friend owns a 70D and I have never trust it as much as the one on my 1DX II.
You said, these are features easy to implement; if indeed they are then I don't understand Canon, as for me it doesn't really matter as I don't need them, because as an experienced photographer I am used to use different tools that are in the camera as a photography gear.
What I am trying to say is that we photographers, learning videography, we do not complain about the missing features cinematographers are complaining on Canon DSLR. I don't know about you but the only guy that was complaining (to me) was the cinematographer (the driver) but all the other guys didn't care much.
With that said, there is one feature that hearts me, and that is why the hack Canon doesn't allow 4K through HDMI? That is the main reason I have the Ninja Assassin. I cannot afford bunch of Cfast. I don't need 4K (unless for zooming and some small panning - but for that 64G Cfast was enough for 4 hours), as my computer cannot handle it, the assassin saves time needed for Prores HQ, still I would want to have a 4K when computers are getting stronger.
Some complains about C-log and I understand them, though I never used one.
People are saying that it is a photography oriented gear and not videography and that is true my opinion. I bought mine because I didn't want to have to carry 1DX +C100 II at all time and 1DX II can do whatever these two can do, and better/faster (at least in my mind).