Zoom vs Primes?

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rafaelsynths

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I don't want to invest in a lot of money in glass until I hear from other photographers. I do a lot of photography in the streets with my canon 5D mark ii ( got from eBay at a amazing price!) . I don't have any lens at the moment. I'm thinking about the 24-70 mark 2 or should I just go for some primes for my work? What do you recommend me?
 
Depends really what kind of photography you do on the street.

If you take a lot of candid, off-the-hip shots, a wide prime may be best as it gives you to get up close with larger framing. The wide framing also gives you room to crop if your framing isn't spot on.

The zoom gives you a lot of framing options and allows you to shoot from afar if you can't get close enough to your subject.
 
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As jon says, hard to say without knowing what you are doing.

Also, the choice of zoom or prime(s) is largely one of personal preference, for almost any type of photography.

The 24-70 II is an awesome lens, but hardly a budget match to your 5dII (not that there is anything wrong with that.)
 
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As it was already said, it is hard to tell without knowing more, however, I am going to try to answer keeping a general view, and understanding from your post that you shoot street photography, as you say you do a lot of photography in the street.

I know lots of people are going to disagree with me, but I greatly prefer prime over zoom lens.
I am a big fan of Henri Cartier-Bresson (who can be consider as one of the most (if not the most) influential and talented street photographer); whenever he was shooting for himself, he would use a 50mm, so his camera can really become an "extension of his eye". I personally think that he was right in doing so.

Prime can have much bigger maximal aperture than zoom; I personally don't know a zoom lens that is faster than f/2.8, but know a lot of f/1.4 prime. Bigger aperture can not only be useful in low light situation, but gives you more option in term of depth of field control. Everybody love bokeh ;) Also, they tend to be sharper or/and cheaper, however, this is not always the case.

Of course, having access to multiple focal length is extremely useful; zoom lens are far more practical that prime in that regard. However, I tend to think that limiting yourself to only a few focal length gives you the opportunity to master them. I personally view photography much more as an art form than a business form (this is really just my opinion), so the usefulness isn't all that important compare to the possibility of growing as an artist.

Ultimately, the most important thing to keep in mind is that what really matters is which lens you prefer, even though I am sure that you will get some awesome advices from this forum. In street photography, I think the best focal are 50mm, 35mm, 85mm and 135mm. However, everybody as their own view and their own preference, depending on their style and their view of what is photography in itself. This is, for me, an awesome thing; people having different view and preference is one of the reason why, after nearly 200 years, there is still lots of great and unique photos taken nowadays.

In summary (sorry for the long text, I hope it was not too boring!), if I was you, it would use that money on a few fast prime. The 24-70 II is about 2300$, so that leaves enough money for some good lens! If you are into manual lens, Zeiss are close to top (a poor man choice would be Samyang, which are extremely good for the price!). If you prefer lens build in a more modern view, I heard great things about Sigma 35mm and saw great things about Sigma 50mm f/1.4. Also, the Canon 85mm f/1.8 is one of the best values IMO in Canon's lens.
 
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Like others have said, it's hard to say without knowing more.

That said, I think I would jump on the 24-70 if money is not an issue. Because you are doing street photography, and you don't have any lenses yet, the 24-70 will cover a very wide range of subject matters and give you amazing image quality. I don't think you could go wrong this lense, but if you only get a single prime, you may find you feel very limited. Take the time with the 24-70, figure out what focal lengths you actually need, and if you determine F2.8 just isn't fast enough for you, then invest in the prime.

Honestly though, the route Artifex suggested is good too. It just depends on what you want and your budget.
 
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In term of super bokeh, it's hard for zoom lens to out perform prime - f.1ish vs f2.8

However, to have a zoom lens that can produce same sharpness(even better in some copies) as primes at f2.8, the new 24-70 f2.8 II is your LENS. It's sharp end to end at f2.8 with decent bokeh.

I have no regret on my purchases: 24-70 f2.8 II + 70-200 f2.8 IS II
 
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Artifex said:
As it was already said, it is hard to tell without knowing more, however, I am going to try to answer keeping a general view, and understanding from your post that you shoot street photography, as you say you do a lot of photography in the street.

I know lots of people are going to disagree with me, but I greatly prefer prime over zoom lens.
I am a big fan of Henri Cartier-Bresson (who can be consider as one of the most (if not the most) influential and talented street photographer); whenever he was shooting for himself, he would use a 50mm, so his camera can really become an "extension of his eye". I personally think that he was right in doing so.

Prime can have much bigger maximal aperture than zoom; I personally don't know a zoom lens that is faster than f/2.8, but know a lot of f/1.4 prime. Bigger aperture can not only be useful in low light situation, but gives you more option in term of depth of field control. Everybody love bokeh ;) Also, they tend to be sharper or/and cheaper, however, this is not always the case.

Of course, having access to multiple focal length is extremely useful; zoom lens are far more practical that prime in that regard. However, I tend to think that limiting yourself to only a few focal length gives you the opportunity to master them. I personally view photography much more as an art form than a business form (this is really just my opinion), so the usefulness isn't all that important compare to the possibility of growing as an artist.

Ultimately, the most important thing to keep in mind is that what really matters is which lens you prefer, even though I am sure that you will get some awesome advices from this forum. In street photography, I think the best focal are 50mm, 35mm, 85mm and 135mm. However, everybody as their own view and their own preference, depending on their style and their view of what is photography in itself. This is, for me, an awesome thing; people having different view and preference is one of the reason why, after nearly 200 years, there is still lots of great and unique photos taken nowadays.

In summary (sorry for the long text, I hope it was not too boring!), if I was you, it would use that money on a few fast prime. The 24-70 II is about 2300$, so that leaves enough money for some good lens! If you are into manual lens, Zeiss are close to top (a poor man choice would be Samyang, which are extremely good for the price!). If you prefer lens build in a more modern view, I heard great things about Sigma 35mm and saw great things about Sigma 50mm f/1.4. Also, the Canon 85mm f/1.8 is one of the best values IMO in Canon's lens.

Thank you, it wasn't boring at all :)
Very informative indeed +1
This weekend i'm taking a trip to Santa Cruz with my girlfriend. Mostly not going to shoot Street Photography but mostly just shots of the gal and me. Mostly shots of her.
I'm also going to order tomorrow some lenses and do 2 day shipping on them so they can arrive early.
Now i've never tried the mark 2 zoom but for $2,000 do you think it's better then most of the primes out there?
I found the 35mm L lens for about a Grand and might be able to buy an 85mm.
Just don't know, I want bokeh shots but then again a zoom might be more useful.
 
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lol5d3 said:
Dylan777 said:
In term of super bokeh, it's hard for zoom lens to out perform prime - f.1ish vs f2.8

However, to have a zoom lens that can produce same sharpness(even better in some copies) as primes at f2.8, the new 24-70 f2.8 II is your LENS. It's sharp end to end at f2.8 with decent bokeh.

I have no regret on my purchases: 24-70 f2.8 II + 70-200 f2.8 IS II

hahahah I would hope you have no regrets - you lost $1000 on your hasty 5d3 purchase!!!

Come on, no more trolls on this forum pleaseeee.
 
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bycostello said:
zoom... gives u flexibility....
I won't be having a tripod with me. I think I might just go with the canon 24-105 since it has IS.
And get 2 primes.
Which other primes do you guys recommend?
35mm sounds yummy bokehlious to me, maybe a 135 also?
 
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If this is a little new for you, and sounds as though it might be, new purchase of the 5DMK2 etc, you may want to feel your way slowly into the bottomless pit of shinny new lenses, I know what I'm on about in this department because I'm a self confessed Lensaholhic, and enjoy every moment of my addiction.

You wont go wrong with starting with the 24-70 f/2.8 L II, look next at the 135 f/2 L, then when you decide where to go next you can start to look at specialised lenses, 24 f/2.8, 50f/1.2, 85 f/1.2, 70-200 f/2.8 L II etc etc.

Work your way into it as your experience develops and your Photographic needs begin to determine what Lenses you are going to use most going forward.
 
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rafaelsynths said:
I don't want to invest in a lot of money in glass until I hear from other photographers. I do a lot of photography in the streets with my canon 5D mark ii ( got from eBay at a amazing price!) . I don't have any lens at the moment. I'm thinking about the 24-70 mark 2 or should I just go for some primes for my work? What do you recommend me?

+1 for primes

I use the camera professional work. I always use primes.... very rare zooms for landscapes ( under 2% of my pictures)
 
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Lets have a reality check: we're not talking about the '70 and '80 anymore.

if we are talking about expensive zooms, then we can say they are very good, with some caveats.

If you are shooting anywhere from f5.6 to f11 don't expect to see much difference apart from the extreme corners. If you want pictures created around thin DoF, shooting from anywhere f1.2 to f4 then primes can produce a much better result.

Then there is the cost issue: fast primes can be much much cheaper than the equivalent quality zoom.

The weight issue - primes are smaller / lighter.

And another point that I haven't heard discussed - the zooms are more modern and better corrected for digital in terms of contrast when compared with prime lenses from the film era.

At Building Panoramics we try and use primes, mainly because we stitch and edge quality is very important, but to be quite honest you cannot tell the difference in the finished product.
 
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If u prefer to be active and run around a lot then get primes, if not get zoom :P Its just about what kind of workstyle u prefer, quality is not a factor anymore really, except u need really wide open aperture which only primes deliver.
 
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nicku said:
I use the camera professional work. I always use primes.... very rare zooms for landscapes ( under 2% of my pictures)

Meaning you're using primes for weddings/events, too? In this case I guess you're shooting with multiple camera bodies? And as for street photography, I guess it depends on the personal style how much time is spent for framing and "zooming with your feet" with a prime, or if a smaller zoom is a plus simply for the size (like 6d+40 pankake).

Sporgon said:
Lets have a reality check: we're not talking about the '70 and '80 anymore.

But still a shooting style - and most likely results - are different with a prime or zoom, at least for me, ymmv.

Sporgon said:
And another point that I haven't heard discussed - the zooms are more modern and better corrected for digital in terms of contrast when compared with prime lenses from the film era.

I guess that's because except for some long-living L primes most lenses are from the digital era, and even these are being in the process of being replaced, amended (like the IS primes) or at least Sigma has new ones.

Sporgon said:
At Building Panoramics we try and use primes, mainly because we stitch and edge quality is very important, but to be quite honest you cannot tell the difference in the finished product.

I am really wondering about that - with modern software like autopano, isn't the software smart enough to throw away soft edge areas when there is a sharp overlap from the center? That's why I usually do more shots with larger overlap with my rather crappy wide angle zoom, seems to work so far.
 
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Primes, no doubt.

The cancake 40, the new 35 or a 100 /2.
Why? They are stealthier. Unless you want to develop a style of "people looking at your camera"-photography... L-zooms are too "loud".

Primes also makes you a better photographer since you have to try harder. It also make you better since you can skip all the images you can not capture and fokus on the ones you can capture - no need to think about what focal length you would want to use when you only have one! Yes, you will miss shots but you will find other shots that you would not have even seen with a zoom. Or at least that is how it is to me.

Also, the satisfaction in capturing a striking photo using the most boring of focal lengths is something else. When photographing at 50mm or 35mm you know its YOU that made the picture work, not the unusual focal lenght or other effect.

zooms are equal in most technical aspects but not in DoF - but in the streets it can be hard to get proper focus in a f/1.4 shot, so you may want to be at f/4 - f/8 anyway? But zooms are also larger, and that is why i think they should be avoided. Same goes for the large primes like 85 /1.2. Skip that and go for the above lenses.

Or a G1-X?

Anyway, good luck and have fun!
 
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Any given focal length is only limited by ones talent and imagination.

I can think of one prime which is the approximate cost of the new and in my opinion overpriced 24-70! Modern too. And in the right hands I know would be amazing. Not trying to dis-credit really good zooms out there, but there's not a lot you can't do with a decent prime if you frame it right.

Try some of the really good ones, you may not look back. Nobody can twist your arm, you have to do that yourself. Just like someone else in-particular whom you've never met (like myself) can truly advise on focal length, or lengths.
 
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rafaelsynths said:
bycostello said:
zoom... gives u flexibility....
I won't be having a tripod with me. I think I might just go with the canon 24-105 since it has IS.
And get 2 primes.
Which other primes do you guys recommend?
35mm sounds yummy bokehlious to me, maybe a 135 also?

The 24-105mm f4 IS is a wonderful lens, and I highly recommend it. You can often buy them new on eBay for a little < $800 as people buy the Canon kits and sell off the lens.

The 35mm f1.4 prime is a great lens, as is the 135mm. Why not pick one, buy it with the zoom, and start to feel if you are a prime or zoom person. (Or a lenshog / lensaholic) like me....
 
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rafaelsynths said:
Artifex said:
As it was already said, it is hard to tell without knowing more, however, I am going to try to answer keeping a general view, and understanding from your post that you shoot street photography, as you say you do a lot of photography in the street.

I know lots of people are going to disagree with me, but I greatly prefer prime over zoom lens.
I am a big fan of Henri Cartier-Bresson (who can be consider as one of the most (if not the most) influential and talented street photographer); whenever he was shooting for himself, he would use a 50mm, so his camera can really become an "extension of his eye". I personally think that he was right in doing so.

Prime can have much bigger maximal aperture than zoom; I personally don't know a zoom lens that is faster than f/2.8, but know a lot of f/1.4 prime. Bigger aperture can not only be useful in low light situation, but gives you more option in term of depth of field control. Everybody love bokeh ;) Also, they tend to be sharper or/and cheaper, however, this is not always the case.

Of course, having access to multiple focal length is extremely useful; zoom lens are far more practical that prime in that regard. However, I tend to think that limiting yourself to only a few focal length gives you the opportunity to master them. I personally view photography much more as an art form than a business form (this is really just my opinion), so the usefulness isn't all that important compare to the possibility of growing as an artist.

Ultimately, the most important thing to keep in mind is that what really matters is which lens you prefer, even though I am sure that you will get some awesome advices from this forum. In street photography, I think the best focal are 50mm, 35mm, 85mm and 135mm. However, everybody as their own view and their own preference, depending on their style and their view of what is photography in itself. This is, for me, an awesome thing; people having different view and preference is one of the reason why, after nearly 200 years, there is still lots of great and unique photos taken nowadays.

In summary (sorry for the long text, I hope it was not too boring!), if I was you, it would use that money on a few fast prime. The 24-70 II is about 2300$, so that leaves enough money for some good lens! If you are into manual lens, Zeiss are close to top (a poor man choice would be Samyang, which are extremely good for the price!). If you prefer lens build in a more modern view, I heard great things about Sigma 35mm and saw great things about Sigma 50mm f/1.4. Also, the Canon 85mm f/1.8 is one of the best values IMO in Canon's lens.

Thank you, it wasn't boring at all :)
Very informative indeed +1
This weekend i'm taking a trip to Santa Cruz with my girlfriend. Mostly not going to shoot Street Photography but mostly just shots of the gal and me. Mostly shots of her.
I'm also going to order tomorrow some lenses and do 2 day shipping on them so they can arrive early.
Now i've never tried the mark 2 zoom but for $2,000 do you think it's better then most of the primes out there?
I found the 35mm L lens for about a Grand and might be able to buy an 85mm.
Just don't know, I want bokeh shots but then again a zoom might be more useful.

Happy you liked it!

I have no personal experience with the 24-70mm II; I heard it was a fantastic lens in term of sharpness, AF, etc. This zoom range covers what is normally all the most "all around' focal length, so it is far from being useless. However, from what I understand, it seems that you are starting in photography; although I'm a bit of a "sharpness junkie" myself, investing that kind of money in a single lens might not be your best bet. If you are not an already experience photograph, I doubt you are going to take better picture with a 24-70 II than with a 24-70 I or a 24-105. Since they cost 2-3 x less (depending if you buy used or not) than the 24-70 II, it could leave you with enough money to find yourself lens to complete your needs. For instance, you could go with a 24-70 I or 24-105 for a walk around lens and a 85mm f/1.8 for some awesome bokehlicious portrait of your girlfriend! ;) Even then, you would still have save about 800$; it is close to the price of a Sigma 35mm f/1.4!

I think you should not buy to much lens right at the beginning though, 2 or 3 maximum. It is important to know what you are going to be shooting and where what you already have is laking before spending money on lens you might not need all that much.

rafaelsynths said:
bycostello said:
zoom... gives u flexibility....
I won't be having a tripod with me. I think I might just go with the canon 24-105 since it has IS.

I know I just recommended the 24-105, however, I feel I should tell you that IS, as much as it can be useful in some situation, is not always necessary. It is going to be useful on long focal length and in low light situation. If you plan to do night photography, you are probably going to need a tripod anyway; no IS can help you having clean 5s shoot! During daylight, you won't need it that much neither. However, it can be really nice to have for low light and interior shoots, considering also that the 24-105 as a maximum aperture of f/4.

I feel this lens could be a great choice for a standard zoom, especially if bought used (great idea TexPhoto)!:)
 
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