Sigma formally announces the RF 12mm f/1.4 DN DC

Richard Cox
6 Min Read

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Sigma has formerly announced the Sigma 12mm f/1.4 DC Contemporary lens for the APS-C mounts. This is available for the RF mount, so all your APS-C users who want to try their hand at astrophotography, start rejoicing.

Sigma, over the past year or so, has quietly made an awe-inspiring collection of Sigma Contemporary primes for the RF mount. What seemed to be a nothingburger at the beginning is now a serious lens collection that Canon does not have an answer for.

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Frankly, this is what I wanted to see from Sigma and the third-party vendors. Canon doesn’t seem to want to focus on APS-C lenses beyond the basic tri-lens setup of variable aperture zooms (ultra wide, standard, and telephoto), and that’s fine. They are a business seeking to maximize profits, and they feel they can do that better with full-frame lenses.

This is where Sigma comes in and shines. If you want standard zooms for your APS-C RF camera, Sigma has the 18-50 f/2.8. Need a fast ultra-wide zoom? Sigma 10-18 f/2.8 is waiting for you.

Then we have the collection of fast f/1.4 primes now sitting at 12, 16, 23, 30, 35, and 56mm – 6 in all, making up most of the focal lengths that you’d want a fast prime for.

Lens Construction and MTF

This MTF is surprisingly decent considering it’s a 12mm f/1.4 fast prime. Astigmatism seems to be quite well controlled, which means it should actually perform well for astro landscapes.

Contrast is good across the frame, and resolution hardly drops off at all outside of the center.

This is a surprisingly complex lens – certainly worthy of its price tag. Sigma has managed to cram 14 elements in 12 groups into this lens, and the effort shows in the MTF. This lens packs in 3 aspherical elements (outlined in red) and 2 SLD (super low dispersion) elements (the elements in blue) to aid in controlling aberrations.

Reviews

Included for your viewing pleasure are some of the early reviews from my favorite youtube personalities.

Press Release

Sigma Announces Compact, Ultra-Wide 12mm F1.4 DC | Contemporary Lens for APS-C Format Mirrorless Cameras

Ronkonkoma, NY, August 19, 2025 – Sigma Corporation of America, the US subsidiary of Sigma Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan), is pleased to introduce the 12mm F1.4 DC | Contemporary lens for APS-C format mirrorless cameras, available in early September 2025.

The 12mm F1.4 is the smallest and lightest of Sigma’s five DC Contemporary prime lenses, weighing in at only 7.9 ounces, ideal for travel and everyday use for both photography and video. The ultra-wide angle of view is perfect for landscape and night sky photography, as well as video and vlogging where it’s necessary to record yourself and your surroundings at the same time. The large F1.4 aperture provides great performance in low light, and also helps blur backgrounds to eliminate distracting elements while making the subject pop. As part of Sigma’s Contemporary line, this portable powerhouse combines simple operation with outstanding image quality, plus the latest in technical innovations to keep the lens as compact as possible. All of the photographic notes are hit with this lens.

In fact, this lens features the widest angle of view of any F1.4 lens designed for APS-C cameras, and offers exceptional optical performance across the entire frame, even wide open, making it an excellent choice for low-light situations. With three double-sided aspherical lenses and two SLD glass elements, sagittal coma flare is well-corrected, ensuring crisp, clear images when photographing starry skies.

In addition, the 12mm F1.4 DC | Contemporary is a great choice for video, with minimal focus breathing, a manual aperture ring (control ring on Canon RF Mount), and smooth, responsive autofocus, ideal for tracking moving subjects. Its compact size makes it perfect for handheld or gimbal use, particularly vlogging, streaming, and other settings where a wide angle of view is essential.

Furthermore, the lens features a dust and splash-resistant structure, plus a water and oil-repellant coating on the front element, to ensure high performance in virtually any conditions.

The Sigma 12mm F1.4 DC | Contemporary lens will be available in early September at authorized Sigma dealers in the US for Sony E-mount, Fujifilm X Mount, and Canon RF Mount for a retail price of $629 USD.

Sigma 12mm f/1.4 DN DC Specifications

Principal specifications
Lens typePrime lens
Max Format sizeAPS-C / DX
Focal length12 mm
Image stabilizationNo
Lens mountCanon RF-S, Fujifilm X, Sony E
Aperture
Maximum apertureF1.4
Minimum apertureF16
Aperture ringYes
Number of diaphragm blades9
Optics
Elements14
Groups12
Special elements / coatings2 SLD, 3 asph.
Focus
Minimum focus0.17 m (6.69″)
Maximum magnification0.12×
AutofocusYes
Motor typeStepper motor
Focus methodInternal
Distance scaleNo
DoF scaleNo
Physical
Weight225 g (0.50 lb)
Diameter68 mm (2.68″)
Length69 mm (2.72″)
ColourBlack
Filter thread62 mm
Hood suppliedYes
Tripod collarNo

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Richard has been using Canon cameras since the 1990s, with his first being the now legendary EOS-3. Since then, Richard has continued to use Canon cameras and now focuses mostly on the genre of infrared photography.

28 comments

  1. Nice to see Sigma chugging along with some excellent ASP-C options for the R mount. I just wish Canon would open up the full frame mount so we could see reworks of Sigma lenses that Canon never seemed to care about. Specifically, fast UWA for astrophotography and landscape. One can always dream.
    • 0
  2. I am tired of APS-C lenses from third parties... when is it time for FF?
    When Canon decides that they benefit by allowing FF lenses from third parties. How about a $2000 licensing fee per 200 f/2 lens?
    • 0
  3. When Canon decides that they benefit by allowing FF lenses from third parties. How about a $2000 licensing fee per 200 f/2 lens?
    At least it would make them show their true color. Right now they are just ignoring the issue and many people still believe it will happen.

    Would they still be willing to wait if they added a fee and allowed it? Probably they would skip to another manufacturer.
    • 0
  4. I'm really on the fence for this and the 56mm. Do I want to spend serious money on RF-S lenses for the R50V or accept that for some things I'll need the bigger R8 and bigger lenses?
    • 0
  5. I'm really on the fence for this and the 56mm. Do I want to spend serious money on RF-S lenses for the R50V or accept that for some things I'll need the bigger R8 and bigger lenses?

    I think with "normal" prime lenses with very good optics, it's not a bad choice going with these SIGMA's. They're built well, don't weigh a lot and the full frame Canon primes of good/great image quality are big, heavy and expensive. (The VCM's are good value for what they cost).

    I like having a seperate carry everywhere small camera and lens/lenses.
    • 0
  6. When Canon decides that they benefit by allowing FF lenses from third parties. How about a $2000 licensing fee per 200 f/2 lens?
    Or Canon could just make an RF-S 12mm 1.4 and similar lenses for a little more than Sigma. Not sure why it's not worth for them.
    • 0
  7. I am tired of APS-C lenses from third parties... when is it time for FF?


    FFFFuck Canon
    When Sony started mirrorless long before Canon they had but a handfull of lenses for the first 5 years for all their mirrorless. Everyone used "adapters". Zeiss, Sigma and even Canon lenses were used. 90% of users were content. You can read SAR archives. The average consumer can actually care less nowadays because the digital camera with or without native lenses are exceptional devices.
    • 0
  8. Nice to see Sigma chugging along with some excellent ASP-C options for the R mount. I just wish Canon would open up the full frame mount so we could see reworks of Sigma lenses that Canon never seemed to care about. Specifically, fast UWA for astrophotography and landscape. One can always dream.
    Personally, I really don't care. My Canon EF lenses work just fine. Clients nor anyone can tell if I used a Canon EF or an RF. I have but maybe 2 Canon RF lenses. And Canon is aware of this. There are millions of EF lenses out there still working just fine.
    • 0
  9. Personally, I really don't care. My Canon EF lenses work just fine. Clients nor anyone can tell if I used a Canon EF or an RF. I have but maybe 2 Canon RF lenses. And Canon is aware of this. There are millions of EF lenses out there still working just fine.
    I use my closet full of EF lenses for photography on RF bodies. However, when I tried to use them for video, they were too noisy and generally didn't work well. Hence, the R50V and 5 Sigma DC primes and zooms.
    • 0
  10. I use my closet full of EF lenses for photography on RF bodies. However, when I tried to use them for video, they were too noisy and generally didn't work well. Hence, the R50V and 5 Sigma DC primes and zooms.
    Use a separate mic or wireless off camera mic. If you care about sound quality, never use the internal mic for video....
    • 0
  11. Use a separate mic or wireless off camera mic. If you care about sound quality, never use the internal mic for video....
    I had tried a separate mic and it helped but some of my lenses are 15 and 20 years old. I'm pretty committed. My limited experience has convinced me that getting good video is much easier than getting good audio to go with it. A local historical museum hosted a small movie production a few years ago. The sound person's station had what looked like a dozen receivers for wireless mics.
    • 0
  12. Why is it that Sigma, a much smaller company than Canon, can release multiple amazing lenses for APS-C, FF - anything from bright ultra-wide to supertele zoom, and for multiple lens mounts, while Canon (with a single mount to focus on) moves at a snail's pace?
    • 0

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