Archive for: cinema eos
New Canon CINE-SERVO 17-120mm T2.95 Zoom Lens Features 4K Optical Performance, a Dynamic 17-120mm Focal Length Range, and Removable Digital Drive Unit for Cine-Style or Shoulder-Mounted Operation
MELVILLE, N.Y., April 2, 2014 – Shallow, creative depth of field, high-resolution and optimal low-light shooting capabilities are just some of the many reasons that large, single-sensor digital cameras have been kitted and rigged for use in nearly every application involving video capture. Further enhancing the versatility and adoption of these cameras into markets such as ENG (Electronic News Gathering), documentary, narrative production and special event coverage is the new CINE-SERVO 17-120mm T2.95 zoom lens from Canon U.S.A., Inc., a leader in digital imaging solutions.
Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 17-120mm T2.95 zoom lens has an ENG-style Digital Drive handgrip with zoom rocker switch, which can also be detached to allow for manual cinema operation. The new CINE-SERVO lens features high 4K optical performance throughout the broad focal length of 17mm to 120mm within its compact and lightweight body, a three-group inner focus system to help minimize focus breathing and provide a stable angle of view, an 11-blade iris to help achieve creative depth-of-field manipulation and natural “bokeh” background, user-friendly design features, support for matte boxes, follow focus and other accessories, and rugged reliability. Designed to work with single-sensor cameras, the lens will be available in either PL- or EF-mount.
“Since the launch of the Cinema EOS system, Canon has been a part of the large-sensor camera movement that has taken many video markets by storm. Each day the markets that employ these dynamic tools are growing, as is the way professionals are using them in the field,” explained Yuichi Ishizuka, president and COO, Canon U.S.A. “We remain dedicated to providing the equipment and service that enables professionals to reach the full potential of their talent. With the CINE-SERVO 17-120mm T2.95 zoom lens, we sought to arm them with a lens that is equally as versatile and adaptable as they are, and just as comfortable shooting a feature documentary as it would be shooting a corporate event or an interview for the evening news.”
Compliance of the Canon CINE-SERVO 17-120mm T2.95 lens with industry-standard camera-to-lens communication protocols helps ensure its compatibility with multiple brands and models of 4K, 2K, and HD cameras. These standards include 12-pin serial communication (common to major broadcast camera brands), Cooke’s /i Technology, and Canon EOS technology (employed by the EOS C500, EOS C300, and EOS-1D C Cinema cameras, and the EOS C100 Digital Video Camera). Specific types of data-management functions involving focus, zoom, iris and other settings can vary, depending on camera brands and models. In the case of the Canon EOS system, precise lens data – including aperture setting – are displayed in the EOS camera’s viewfinder, as well as recorded in the video file as metadata along with the model name of the lens and focal length setting.
With its Canon Digital Drive handgrip unit attached, the CINE-SERVO 17-120mm T2.95 lens is ideal for shoulder mount camera configurations commonly employed in ENG, broadcast, or cinema shooting. Attaching the Digital Drive unit does not require manual adjustment of the focus, zoom, and iris gears on the lens, and a rubber cap prevents dirt from entering the Digital Drive unit connections when it’s detached. Together with Canon’s unique LCD display equipped on the Digital Drive unit that allows the operators to easily access the various digital functions, a 16-bit high-precision microprocessor contained within the Digital Drive unit enables operators to pre-program focus and zoom position/speed, as well as iris settings if desired – allowing for precise, repeatable performance. The microprocessor also provides the capability of a very high-speed zoom of 0.5 seconds to a very slow and consistent zoom of 300 seconds, from wide-end to telephoto-end. Three 20-pin connectors on the Digital Drive unit enable the use of zoom and focus demands or the precision integration of images from the lens and its accompanying camera into a variety of virtual set systems.
In addition to its removable ENG-style Digital Drive unit handgrip that gives users a choice between programmable broadcast-style or fully manual cinema-style operation, the new Canon CINE-SERVO 17-120mm T2.95 zoom lens integrates strategic design features for intuitive, convenient operation by a wide range of camera operators. These features include an ergonomically designed compact and lightweight Digital Drive unit that fits into an operator’s hand and brings the palm closer to the center of the lens barrel which can contribute to lessening fatigue on the operator’s arm. The lens barrel markings are clearly engraved in both feet and meters on both sides of the lens barrel, and focus indicators on the front side of the lens are marked on an inclined surface to make them easier to see from the back of the camera, especially when mounted on an operator’s shoulder. Additionally, luminous paint is used for the scale display on one side of the barrel to help make the markings visually identifiable in the dark.
Combining both broadcast operability and the accuracy required by cinematographers, the lens features a 180 degree focus rotation angle. Both 0.8 type and 0.5 type gear module focus accessories can be used, with the 0.8-pitch gear positioned in front of the focus ring to preclude any interference with the Digital Drive unit or a connecting cord. Major power-driven accessories, matte boxes, and other standard options used by filmmakers can all be mounted. Lens support shafts for support rods as well as a lens hood unit are also included with the lens.
As a symbol of inheriting the optical technology that was developed for other Canon Cinema lenses, a red alumite identity color is used for the mount area. A structure enabling the lens’ EF mount to be replaced with the PL mount, or vice versa (electrical system included), is also incorporated. This conversion upgrade can be provided at authorized Canon service centers.
Pricing and Availability
The Canon CINE-SERVO 17-120mm T2.95 zoom lens (CN7x17 KAS S/E1 in EF mount and CN7x17 KAS S/P1 in PL mount) is expected to be available in August 2014 for a suggested list price of $33,000. For more information, please visit the Canon U.S.A. website atwww.pro.usa.canon.com/cine-servo.
Recent reports about Canon releasing two camera bodies for NAB 2014 in Las Vegas next month look like they were recycled rumors from a long while back.
We’re told by various folks that Canon will make some announcements of non camera items that won’t be a big deal to most people. It looks like a quiet NAB from Canon for the second year in a row.
Again, that means no Cinema EOS camera and no DSLR style video camera. The firmware update for the EOS-1D C is still on the table, and I expect to see a cinema lens or two.
More to come..
Zacuto Press Release: Lens supports are an essential but often time consuming and fiddly tool in a filmmakers arsenal. The Zacuto product design team recognized this challenge and has created two new innovative, quick release lens supports that fit seamlessly into any cinematographers workflow. The Zacuto Zeiss Lens Support and Canon Lens Support are fast, easy, unobtrusive and best of all, require no additional work when changing lenses.
Most lens supports require a user to unscrew a stabilization rod or remove a support band in between every lens change. A customer commented to Zacuto product designer, Jens Bogehegn, that there had to be an easier way to achieve the same level of stability without all the fuss. This sparked an idea with the Zacuto design team, who then set out to create a completely new type of lens support concept.
The Zeiss and Canon Lens Supports incorporate a ‘hook and foot’ mechanism with a quick release lightweight rod mount. The hook attaches to your rods and the foot to your lens. The two click together and then separate with the standard movement of a lens change. This innovation is completely unique to the market.
“The beauty of this new lens support design is that it behaves as if there’s nothing on the lens. You can change lenses and there’s nothing getting in the way.” – Jens Bogehegn
The Zacuto Zeiss Lens Support for CP.2 lenses and Canon Lens Support for cinema and compact primes are available for purchase now. Visit the Zacuto website to purchase, watch videos and discover more about these unique products from the design team at Zacuto. Also available through any Zacuto dealer.
The Zacuto Zeiss Lens Support for CP.2 lenses and Canon Lens Support for cinema and compact primes are available for purchase now. Visit the Zacuto website to purchase, watch videos and discover more about these unique products from the design team at Zacuto.
Source: [P5D] | Visit Zacuto
We’re told from a new source what Canon plans to do for NAB 2014 next month. We’re told that two new cameras are planned for the announcement, at least one being in the Cinema EOS line. It’ll have CFast 2.0 and be PL mount. There were no other specs mentioned. The second being unknown at this time.
Another announcement will be a major firmware update for the EOS-1D C camera. New features can be expected, as well as matching all the features currently in the EOS-1D X.
More to come…
CPS Cinema and Enterprise CPS Levels are Introduced to Support the Unique Needs of Imaging Professionals
MELVILLE, N.Y., March 19, 2014 – Canon U.S.A. Inc., a leader in digital imaging solutions, announced today that the Canon Professional Services (CPS) program has been expanded and now provides support for all Cinema EOS products. Created over 30 years ago to support professional film photographers, CPS has evolved through the years to keep pace with the changing needs of the modern imaging professional. A new CPS Cinema level has been added to the current Silver, Gold and Platinum levels continuing Canon’s commitment to support professional imaging customers as their needs grow and expand.
CPS Cinema Membership provides members with benefits like maintenance services, which are valuable for filmmakers who use their cinema equipment in all types of elements, repair discounts, and equipment evaluation loans, ideal for cinematographers looking to test out new equipment. In addition, members receive Canon Live Learning discounts, access to a 24/7 Live Exclusive Member Hotline, as well as a range of other benefits. CPS Cinema members receive expedited two-business day turnaround on their registered products at Canon Service and Support centers located in Hollywood, CA, and Ridgefield Park, NJ, with more locations to be added in the future. Additionally, CPS Cinema members can receive on-site Clean & Check Service by trained Canon CPS service and support professionals at select trade shows such as the 2014 National Association of Broadcasters Show (NAB), taking place April 7th-10th at the Las Vegas Convention Center.
“CPS is such an important part of Canon’s award-winning service and support offering. Now with the success and rapid growth of our Cinema EOS products we felt it was time that cinema professionals were also provided with a level of CPS support that is able to address their unique needs,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “Following in the tradition of exceptional service and support, CPS Cinema enhances our commitment to supporting imaging professionals.”
To become a CPS Cinema member a customer needs to own just one Cinema Zoom lens, or one of the following Cinema EOS cameras: the EOS C300, EOS C500, or EOS-1D C. Members will also receive benefits on all other qualified products entered in their CPS account. Annual membership for CPS Cinema is $1,000.
Cinema Prime lenses and the EOS C100 are now included as qualifying products for CPS Platinum and receive all benefits provided at that membership level.
In order to better serve corporations like newspapers, rental houses, schools and universities, Canon has also developed an Enterprise level of CPS support. Enterprise CPS is a customizable program developed to provide service and support benefits that meet the unique needs of medium-and-large sized companies who own large quantities of Canon imaging products. Customized benefits of Enterprise CPS can include any or all of the benefits of regular CPS membership in addition to on-site maintenance service, expanded product support and more.
After the success at the 2013 NAB Show, Canon’s Professional Services will again be hosting the Canon Hospitality Suite at the 2014 NAB Show. The Canon Hospitality Suite (Room C201) is open to all NAB tradeshow attendees with priority support for CPS Gold, Platinum, Cinema, and Enterprise members. After checking in at the CPS kiosk in the Canon booth C4325, visitors to the suite located just off of the tradeshow floor can experience Canon’s commitment to service and support for the professional imaging community first hand.
Suite visitors will also be able to chat with Canon experts about Canon’s exciting developments in cinema, video and DSLR technology and Canon technical representatives will be on-hand to provide product consultations. Gold, Platinum, Cinema, and Enterprise CPS members can take advantage of the complimentary onsite Clean & Check Service (limited to two Canon DSLR bodies or lenses or one Cinema product or XF professional video camcorder currently registered to your CPS membership account). Show attendees will also have the opportunity to sign up for Canon CPS membership. Product serial numbers for qualifying CPS equipment will be needed in order to process on-site membership applications.
For details and additional information on the new CPS Cinema and Enterprise CPS membership levels, as well as other CPS programs, or to see a comprehensive list of all qualifying Cinema products please visit the CPS web page at: www.cps.usa.canon.com.
A few comments in passing about new cameras for NAB next month in Las Vegas. One person described the coming announcement as “two cool cameras, most likely for the Cinema EOS line”.
Canon was very quiet at NAB last year, and I except they’ll make a bigger of a splash this year.
More to come…
Two separate folks have written in to say we should expect some kind of a DSLR announcement for NAB 2014 in April.
NAB is generally for Cinema EOS and other cameras that could be looked at as professional videography tools. For this reason, I have a hard time thinking the EOS 7D Mark II would be announced for this show, even if it is rumored to have cutting edge videography features. I think the camera will still fall into the prosumer still photographer segment with some bonus sales to videographers.
I think we’re going to be getting a lot of 7D Mark II information in the next little while, most of which being wishful thinking. I’d bet on an announcement after NAB, with Cinema EOS products being announced for the show in late March or early April. We are told to expect 2 cinema lens announcements from a separate source.
We will see another round of PowerShot announcements, headlined by the SX50 IS replacement some time this spring, I think an EOS 7D Mark II announcement at that time is more likely.
This is also a Photokina year (we’ll be there), so I suspect we’ll see a big DSLR announcement in late August for that show.
More to come…
Canon Announces New Firmware Updates for Cinema Cameras and Camcorders Along with Optional Cinema EOS C300 Camera Dual Pixel AF Upgrade
Announcements Include a New Canon RC-V100 Remote Control and Firmware Updates for Peripheral Illumination Correction Support and Continuous Recording for EOS C100 Video Camera
MELVILLE, N.Y., February 24, 2014 – Canon U.S.A., Inc., a leader in digital imaging solutions, has announced a variety of performance updates for cameras in its Cinema EOS and XF professional camcorder line. Announced today is a new optional feature upgrade for the EOS C300 Cinema camera which will support Canon’s innovative Dual Pixel CMOS autofocus (AF) technology and enable continuous autofocusing with the entire line of Canon EF lenses and optimized for Canon’s stepping motor (STM) line of lenses when used with the EOS C300 camera. This optional feature upgrade is expected to be available in May 2014 for a cost of $500.00 and will require the EOS C300 camera body to be shipped to an authorized Canon service center for installation.
In addition to the optional feature upgrade for the EOS C300 camera, Canon has also announced the new RC-V100 remote control for Cinema EOS cameras and the XF Series professional HD camcorders; a firmware update that allows for Peripheral Illumination Correction when using the Canon CN-E35mm T1.5 L F Cinema prime lens or the EF-S 55-250mm f/4-5.6 IS STM telephoto zoom lens with the EOS C500, EOS C300, or EOS C100 cameras and a Continuous Recording function for the EOS C100 Digital Video Camera to help ensure capture of crucial shots in unpredictable situations, such as wedding/event videography, documentary, news, or wildlife production.
“We continue to strive to demonstrate our support of filmmaking and television production professionals through innovative new updates and equipment upgrades that allow our products to better serve these visual storytellers,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “By listening to our customers and responding to the various ways our equipment is used in the marketplace, we look to continually advance the capabilities and features inherent in our cameras, lenses, and accessories.”
EOS C300 Dual Pixel CMOS AF Feature Upgrade
Originally introduced in the Canon EOS 70D Digital SLR camera, Canon Dual Pixel CMOS AF technology is designed to provide continuous autofocus when shooting in single operator, or run-and-gun set-ups like documentaries, weddings, events, or electronic news gathering (ENG). When used in combination with an STM lens, this technology allows for the capture of high quality video without the interruption of noise by the focusing motor.
Dual Pixel CMOS AF is an innovative image-plane phase-detection AF technology that employs a CMOS sensor on which all of the effective pixels are able to perform both imaging and phase-detection AF simultaneously. Although camera operators can still focus manually, this new optional feature upgrade can enable smooth continuous AF with phase detection, a particularly useful feature when shooting with a small crew or single-operator run-and-gun filming and cinéma vérité style shoots.
The optional Dual Pixel CMOS AF feature upgrade for the EOS C300 Cinema camera supports continuous AF with all compatible Canon EF series lenses when shooting subjects positioned in the center of the imaging area. The technology involves complementary use of a contrast signal to achieve advanced autofocus stability that helps reduce the occurrence of loss of focus on a subject. Also included is an AF Lock which allows users to lock a focus point once AF is achieved and recompose the shot. Canon Dual Pixel CMOS AF also nearly doubles the speed of the EOS C300 Cinema camera’s One-Shot AF function, which enables a DP to focus on a subject located at the center of the screen with the push of a button, a feature that is currently supported on 104 Canon EF lens modelsi.
The Dual Pixel CMOS AF feature upgrade for the EOS C300 Cinema camera will be made available to users through an authorized Canon service center. For more information please visit the Canon U.S.A. website athttp://pro.usa.canon.com/EOSC300FeatureUpgrade.
Canon RC-V100 Remote Control
The Canon RC-V100 Remote Control is designed to respond to a diverse array of production needs requiring remote camera operation. The RC-V100 Remote Control enables users to remotely control main camera functions and is compatible with the XF Series professional HD camcorders and Canon’s Cinema EOS C500, Cinema EOS C300 and Cinema EOS C100 cameras. It allows users to remotely control a wide variety of functions built into the cameras, as well as adjust and set various controls, such as exposure and white balance.
The RC-V100 Remote Control is expected to be available in June 2014 at a suggested retail price of $2,999.
Peripheral Illumination Correction
This firmware performance update adds two additional Canon lenses to the list of lens models that maintain even illumination across an image plane, and virtually eliminates vignetting when used in combination with the EOS C500 and EOS C300 Cinema cameras, and the EOS C100 Digital Video Camera. This latest update adds the CN-E35mm T1.5 L F Cinema prime lens and the EF-S 55-250mm f/4-5.6 IS STM telephoto zoom lens to the seven other Canon CN-E Series Cinema Lenses that share this performance advantage, including the CN-E15.5-47mm and CN-E30-105mm T2.8 L S compact Cinema zooms, and the 14mm, 24mm, 50mm, 85mm, and 135mm Canon CN-E Cinema prime lenses. Fourteen other Canon EF-Series photographic lenses also deliver Peripheral Illumination Correction in combination with these cameras.
The EF-S 55-250mm f/4-5.6 IS STM telephoto zoom lens offers high magnification in a compact and lightweight telephoto zoom lens with an Optical Image Stabilizer for up to 3.5* equivalent stops for shake correction. The lens’ ultra-quiet stepping motor and focus mechanism support the Canon Dual Pixel CMOS AF autofocus optional upgrade for the Cinema EOS C300 and EOS C100 cameras, providing smooth, continuous autofocusing during video shooting on upgraded models.
EOS C100 Camera Continuous Recording Function Firmware Update
Designed for the capture of crucial, unpredictable scenes during wedding/event, documentary, news, or wildlife filming, the Continuous Recording Function firmware update for the EOS C100 Digital Video Camera enables videographers to insert metadata markers identifying crucial scenes and moments in their footage while continuously recording to the memory capacity. These markers — for both “in” and “out” points — can be set with the press of a button without interrupting the recording process. These markers are identified in metadata as separate “shots,” and are simultaneously recorded to both SD card slots of the EOS C100 camera.
A recap and availability timeline of the feature upgrades and firmware updates detailed in this release can be found in the grid below. For more information, please visit the Canon U.S.A. website athttp://usa.canon.com/cusa/professional/standard_display/cinema-firmware.
|Support for RC-V100
|Peripheral Illumination Correction Lens Additions
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The latest announcements from Canon aren’t exactly receiving a lot of positive feedback in my inbox. The G1 X with an EVF for $1000 seems to be irking a lot of people. For that price, the camera needs to be the absolute best in the segment, and I think that’s going to be a hard thing to achieve.
To a lot of people, the resources put into the G1 X II would have probably been better served by moving the EOS M into the mainstream. The M2 isn’t coming to North America, and I highly doubt a lot of G1 X II cameras are going to sell at the introduction price of $799. When the camera is $499, things will probably be different.
We’re told between March and August that Canon will start to announce products that make sense and will be popular.
The EOS 7D Mark II will finally be unveiled and should be in your eager hands by the fall of 2014. It will set a new benchmark in the APS-C segment.
A lot of new lenses are coming, the biggest being a replacement of the EF 100-400 f/4.5-5.6L IS. We’re told that could be announced as early as March, but availability will not be immediate.
A third DSLR will be announced in 2014, though we’re not sure what that will be.
The Cinema EOS line will see a new camera or two for NAB in April, we’re told a lower cost 4K camera will be the star of the show.
There will also be another few PowerShot cameras announced sometime between now and May. Included in that will be the replacement to the SX50 IS.
Things haven’t been too exciting for Canon since the introduction of the very good EOS 6D, but even that started with a whimper. We’re told to expect a lot of exciting products throughout 2014 and that the Canon customer will be happy with the direction of the company.
More to come….
The Canon Digital Learning Centre has published a new batch of white papers on their EOS Cinema system including:
NEW: Personality of the Canon Cinema EOS Lens: Design Strategies
The newer generation of Cinema EOS lenses came from multiple optical design resources within Canon, such as ourEF Lens and Broadcast Lens designs.
NEW: Personality of the Canon Cinema EOS Lens: Image Sharpness
A design goal with the Cinema zoom lenses was to achieve an overall optical performance that would equate with the best of contemporary prime lenses over their respective focal lengths.
NEW: Personality of the Canon Cinema EOS Lens: Color Reproduction
The new generation of Canon Cinema lenses paid high attention to optimizing color reproduction of the lens-camera system, such as how it reproduces skin tones of various ethnicities.
NEW: Personality of the Canon Cinema EOS Lens: Contrast
Achieving a high contrast ratio is universally sought by cinematographers and is always a central design goal for the optical designers.