Firmware Version 1.0.4.1 incorporates the following enhancements:
- The following features are enabled when the following lenses are attached: CN-E14-35mm T1.7 L S, CN-E20-50mm T2.4 L F, CN-E45-135mm T2.4 L F, CN8x15 IAS S/E1,:
- Displaying metadata, such as the model name and the focal distance of the lens attached.
- Displaying T number.
- Support for Peripheral Illumination Correction and Chromatic Lens Aberration Correction.
- Support for Dual Pixel CMOS AF autofocus(CN8x15 IAS S/E1 only)
- Support for [Dual Pixel Focus Guide].
- The following features are enabled when the following lenses are attached: RF-S18-45mm F4.5-6.3 IS STM, RF-S18-150mm F3.5-6.3 IS STM:
- Adds a menu to switch lens functions. (Focus Ring, Control Ring, Lens Optical Image Stabilization)
- Adds EF lenses compatible with EF-EOS R 0.71x Mount Adapter.
- CN-E14mm T3.1 L F
- CN-E20mm T1.5 L F
- CN-E24mm T1.5 L F
- CN-E35mm T1.5 L F
- CN-E50mm T1.3 L F
- CN-E85mm T1.3 L F
- CN-E135mm T2.2 L F
- EF14mm f/2.8L II USM
- EF24mm f/1.4L II USM
- EF35mm f/1.4L II USM
- EF50mm f/1.2L USM
- EF85mm f/1.2L II USM
- EF135mm f/2L USM
- Enables left/right switching with one touch when using Magnify. (When recording 8K RAW with VR lens attached.)
- Enables magnify during 8K MP4 recording. (Not available when HDMI 4K is output.)
- Improves switching time between Video/Photo mode.
- Adds Power Saving Mode.
- Enhances Clear Scan resolution.
- Adds Digital-Teleconverter function. (1.5x /2x /2.5x /3x)
- Enables to change WFM size.
- Enables to change Vector scope gain by touch.
- Enables to change WFM/Vector scope opacity.
- Improves AF performance.
- Enables tracking frame to change variably depending on subject.
- Enables to detect heads facing sideways or backwards, or in situations such as when wearing a helmet.
- Enables to select Face via control ring/dial.
- Adds [Subject Selection] assignable function via control ring/dial.
- Adds [Canon 709 / BT.709] to the Gamma/Color Space in Custom Picture setting.
- Adds [CMT 709] in Proxy Rec Color Conversion.
- Adds [CMT 709] in View Assist.
- Adds [G Gain] in White Balance in Custom Picture settings.
- Adds support for 4CH display in audio meter.
Download firmware v1.0.4.1 for the Canon EOS R5 C
|
When you purchase through links on our site, we may earn an affiliate commission. Here's how it works. |
Shooting photos in one of the C1 C2 C3 custom modes it can get confused and think it has the R5 pixel shift feature resulting in huge file sizes. Have tried it and can confirm. Doesn’t really effect me as I never use the C1 ect modes but could be annoying to some.
“Just switch it into one of custom modes. Turn off camera, then turn it back on. The pixel shift should be on at this point. I tried resetting settings, but it didn't help.” - Vitali Beliak
Have you confirmed this behavior yourself? Before I test this, is there info on how its undone? Can one just go out of C1, C2 or C3 and power cycle? Similar to how Pixel Shift actually works on the R5?
The page you referenced doesn't appear to work:
I knew I was buying a video-centric device and purposely skipped the R5 due to the initial reports of "overheating" which of course now have been largely rectified via firmware. Still however, I don't think Canon should expect R5 C owners to accept this if it does actually happen. I posted about it on the Canon Community and once confirmed, will report it to CPS.
Put it into a custom mode
Take a picture
Turn it off. Then on again
Take a picture
Compare the two images. One will have a hugely inflated files size as it’s upscaling? It to pixel shift resolutions.
It’s easy to undo. Just change the camera back to manual mode.
Let me know your findings. But that’s what I found.
For the cine line you really need new hardware. All canon cine cameras a lagging behind Sony, Red, Arri etc. If they want to stay in this game then they need to get a full range out ASAP. Look at these brands and how they could compete:
Sony
FX9 FF full featured (Studio)
FX6 FF full featured (HH)
FX3 FF Gimbal/pro-sumener
FX30 Super 35. They are missing a high end S35
Red
Raptor XL - full featured (Studio)
Raptor - FF full featured (HH)
Rptor S35 - flagship S35
Komodo X - S35 gimbal/ less features
Alexa
Alexa 35 - S35 flagship
Alexa LF - FF full featured
CANONS NEEDs - Brand new body design make it more boxy and add mounting points
C700 - FF Full Featured (Studio)
C500 - full featured (HH)
C300 - S35 - full featured (HH/studio)
C200 - S35 - Gimbal/pro-sumener/
C70 - S35 - Prosumer
C500 - FF prosumer
If they unified the body style of the 700/500/300/200 they would cully cover FF and S35 and compete at every level. Throw the RF mount on them all with build it user changeable mounts to EF and PL and they literally can't loose. They have the lenses, they now have lens data pass through.
Most of our work is filmed on canon - https://incolorstudios.com/
Let's go cannon.
Some people will argue a higher MP stacked sensor but that has nothing to do with firmware and is not just for photography either.
Sony has its plus point as all their cinema line cameras are full-frame. Canon only has R5C and high end caneras. Sony only has FX30 in the super35 mode.
Arri and Red have both s35 and full frame cinema cameras.
For affordable camera lines Canon (except for R5c) has stuck to S35 like Blackmagic.
A box style camera is a matter of choice, it has its pros and cons.
DSLR shaped camera bodies too have their pros and cons.
Red is the only one which has stuck to “box style”, and only Mini Alexas follow that format.
I have not seen other camera manufacturer going that way. Maybe there is reason.
Sony has its plus point as all their cinema line cameras are full-frame. Canon only has R5C and high end caneras.
THIS CAMERA IS AN HYBRID. END OF THE STORY.
you don't need both photo and video? BUY SOMETHING ELSE.
You want a FULL fuc.king cinema camera? Don't be on this site then. Go on Arri's or RED's.
"Throw the RF mount"?! you serious?
And then you say "most of our work is with canon" so you just bought the wrong camera?
have to say it agan,
THIS CAMERA IS AN HYBRID. END OF THE STORY.
Really man, I can't understand.
Not to mention the C70 and the fact that the C300 III and C500 II are more affordable now.
I hope that the R5 does get some more love too, yet being upset that another camera gets an upgrade when there are only rumours about what’s supposed to happen? I find that somewhat childish. I can understand some disappointment when the next one for the R5 drops and it’s not quite what you hoped but when another one gets something try to be happy for all those users that now own a better camera.
the rumours also point to 2.0 being the bigger one that may contain something you’re hoping for, but no one knows for sure, and 1.9 and 2.0 are „scheduled“ for mid July and beginning of December if the last releases are anything to go by. So be patient and be happy for other people instead of complaining.