DxO PhotoLab 6, the RAW photo editing software, redefines industry standards for denoising with groundbreaking AI technology — again

In addition to its brand-new DeepPRIME XD denoising technology, this major new version introduces advanced color management featuring a vast working color space, powerful new retouching tools, and refinements to its elegant library system.

Paris (France): DxO Labs, the company which kick-started modern RAW processing and lens correction, today announces the immediate availability of DxO PhotoLab 6, its flagship RAW image editing and workflow software. The latest version features DxO DeepPRIME XD, an AI-powered RAW conversion technology that pushes the boundaries for noise reduction and detail enhancement; a new color management system with an extended working color space; new retouching tools that redefine what photographers should expect from their software; and an upgraded library system that allows easy organization and quick access to images.

Learn more about DXO PhotoLab6

DxO DeepPRIME technology gets even better

Experts have long rated DxO’s DeepPRIME technology as the world’s most effective denoising and detail enhancement tool. Now, DxO PhotoLab 6 introduces the new DeepPRIME XD (eXtreme Details) mode which adds further quality to photographers’ RAW files. Ideal for high-ISO images, it removes noise, retrieves previously unseen details, and restores vibrant, natural color.

DeepPRIME XD uses a neural network trained using billions of image samples and routinely gives photographers improvements of more than 2.5 stops. For example, an image shot at 4000 ISO will more closely resemble an image captured at 500 ISO in terms of noise, color, and clarity. And because it is fundamental to the RAW conversion process,

DeepPRIME XD can even increase dynamic range, providing photographers with greater flexibility when shooting in low-light situations. The original DeepPRIME mode is also still on board for faster enhancements or for images that simply need less adjustment.

“We were thrilled by the response to DeepPRIME in DxO PhotoLab 5, but we knew we could do more” explains DxO’s VP of Marketing and Product Strategy, Jean-Marc Alexia. “The new DeepPRIME XD has been a year in development and the AI has literally been teaching itself how to do its job better. The results speak for themselves.”

More accurate color for better images

DxO PhotoLab 6 introduces re-engineered color processing algorithms that push the boundaries of color management, and a new, extended working color space. These are complemented by a Soft Proofing mode to ensure accuracy throughout the entire workflow, allowing photographers to make adjustments according to how their photographs will be reproduced for display, whether it’s on a high-definition screen or as a fine-art print.

The upgrades allow authentic reproduction for even the most saturated colors, and ensure that photographers can harness the full potential of the latest monitors and printers.

New tools for more powerful retouching

DxO PhotoLab 6 adds the new ReTouch tool that extends the capability of healing and cloning well beyond that of other RAW processing software. Photographers can now transform the source through mirroring, rotating, and scaling, or use brushes to fine-tune the area they’re editing into a more accurate shape. The new tool ensures fewer trips outside of DxO PhotoLab for complex cloning and healing tasks, and speeds up workflow while ensuring that editing never moves away from the original RAW file and therefore remains non-destructive.

A refined library system for smarter workflow

Building on its simple but powerful PhotoLibrary system, DxO PhotoLab 6 extends its range of Exif and IPTC tags, adds nesting for Projects, and introduces color labels for easier organization and management of files — all without clumsy, time-consuming catalogs.

Comprehensive and precise lens and camera profiles

Core to DxO PhotoLab 6 are DxO’s pioneering Optics Modules. Almost 20 years ago, DxO patented the concept of lens corrections and since then, the analyses performed in its purpose-built laboratory have set the standard for the digital photo editing industry. The quality and precision of DxO’s Optics Modules remain unmatched by its competitors, partly because lenses and cameras are tested in combination, giving photographers profiles that are tailored specifically to their equipment. With all the latest modules automatically downloaded to DxO PhotoLab 6, you'll be assured of the best quality results every time.

Price and availability

The ESSENTIAL and ELITE editions of DxO PhotoLab 6 (Windows and macOS) are available to download now from the DxO website at the following prices:

DxO PhotoLab 6 ESSENTIAL Edition: $ 139 DxO PhotoLab 6 ELITE Edition: $ 219

Owners of DxO PhotoLab 4 or 5 can take advantage of a special upgrade price:

DxO PhotoLab 6 ESSENTIAL Edition upgrade price: $ 75 DxO PhotoLab 6 ELITE Edition upgrade price: $ 99

To upgrade, customers should log into their customer account at https://shop.dxo.com/login_upgrade.php/en.

The DxO PhotoLab does not require a subscription. The ESSENTIAL version can be installed on up to two computers and the ELITE version can be installed on up to three.

A full one-month trial of DxO PhotoLab 6 is available from the DxO website: https://www.dxo.com/en/dxo-photolab/download/

About DxO PhotoLab

Starting out as DxO Optics Pro almost 20 years ago, DxO PhotoLab is a complete RAW processing software that received the EISA 2020-2021 award for Best Photo Software and, for the third year in succession, the 2022 TIPA award for Best Imaging Software Expert. It

has a number of stand-out features including: DeepPRIME XD, the leading processing engine for RAW files and the best path to increase detail and reduce noise in photos; peerless optical corrections based on cutting-edge analysis of equipment in DxO’s purpose-built laboratory; tactile and intuitive tools for making local adjustments using DxO’s U Point™ Technology; instant control over haze, fog, and mist thanks to ClearView Plus; PhotoLibrary, a refined, streamlined file navigator and image management system; and much more.

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75 comments

  1. The upgrade price seems pretty steep - I would want to know that the improvement to the Deepprime functionality is VERY good indeed ...
    Indeed. The update isn't live yet on the DxO website, hopefully it will be available later today.

    I bought PL5 during one of the almost continual 'special' offers for the price of the current upgrade.
  2. When adobe going to step up to the plate on this stuff? I feel like they are getting left behind in the noise reduction department.
    On the flip side, Lightroom has more powerful masking, like the recent addition of AI-powered subject detection and the 'texture' tool are ahead of what DxO PL offers. So for natural light macro I use PL5 for denoising and distortion correction and import the resulting DNGs in to LR. Other types of pictures go straight into lightroom, if they aren't too noisy. But I agree that LR noise reduction is behind the competition, to an almost comical degree.

    And @neuroanatomist had me try the DxO Viewpoint module for fixing distorted faces in wide angle shots, that also works almost like magic.
  3. When adobe going to step up to the plate on this stuff? I feel like they are getting left behind in the noise reduction department.
    I don't think so. Any photo I take that is really worth the effort of processing is handled fine with even the most basic noise reduction software. If it is so bad that it needs something adobe can't handle then it is a throw away photo regardless of what I use because the light was just poor. And no amount of noise reduction can make a poorly lit image well lit.
  4. On the flip side, Lightroom has more powerful masking, like the recent addition of AI-powered subject detection and the 'texture' tool are ahead of what DxO PL offers. So for natural light macro I use PL5 for denoising and distortion correction and import the resulting DNGs in to LR. Other types of pictures go straight into lightroom, if they aren't too noisy. But I agree that LR noise reduction is behind the competition, to an almost comical degree.

    And @neuroanatomist had me try the DxO Viewpoint module for fixing distorted faces in wide angle shots, that also works almost like magic.
    That essentially what I do. I use pure raw for high iso files, but use Lightroom/ photoshop for everything else. I like the catalogue, interface etc. in Lightroom. If Lightroom could do it all I’d be happier!
  5. I don't think so. Any photo I take that is really worth the effort of processing is handled fine with even the most basic noise reduction software. If it is so bad that it needs something adobe can't handle then it is a throw away photo regardless of what I use because the light was just poor. And no amount of noise reduction can make a poorly lit image well lit.
    In my experience R5 + 100-500 at iso 12,800 pure raw (and competitors) is just magic, light years ahead of Lightroom. Give the demo a go if you haven’t tried it.
    It’s the only way I have found to take wildlife photos late in the day.
  6. I don't think so. Any photo I take that is really worth the effort of processing is handled fine with even the most basic noise reduction software. If it is so bad that it needs something adobe can't handle then it is a throw away photo regardless of what I use because the light was just poor. And no amount of noise reduction can make a poorly lit image well lit.
    Sorry mate, I beg to differ.
    For astro and wildlife photos I regularly shoot high ISOs. Not because I want to, but because I have to. DXO PureRaw2 is a game changer compared to Adobe. And the plug-in is almost seamless so its easy to use the great features of LR.
  7. I feel so left behind when it comes to this stuff. I've never once edited in Lightroom and thought to myself I wish I had more/better noise reduction capability. Curious what types of shooting and ISO levels are producing photos where this is wanted.
  8. Now live on dxo.com. $219 full version, $99 upgrade price.
    The upgrade price for PhotoLab 5 last year was $89 (USD), and I waited for Black Friday to bring it down to $59. I'll be waiting for detailed reviews, and probably doing something similar this year.
  9. I feel so left behind when it comes to this stuff. I've never once edited in Lightroom and thought to myself I wish I had more/better noise reduction capability. Curious what types of shooting and ISO levels are producing photos where this is wanted.
    I take a lot of natural-light (or minimally lit) macro pictures, and there are occasions where high ISO is unavoidable. DxO has 'saved' some pretty unique pictures over the years. Not all the time, but sometimes.
  10. I wish I had more/better noise reduction capability. Curious what types of shooting and ISO levels are producing photos where this is wanted.
    Try PureRAW, it is a fantastic tool.
    I use it eg for dragonflies or hummingbird moths in flight. Some pictures are posted in the dragonfly or butterfly threads of CR. With 1/4000s I often need ISO 12 800. No problem if You use DxO.
  11. For all the "I hate the subscription model", how does the upgrade perpetual license pricing stack up vs LR/PS subscription? ie how often would you do it? I would upgrade LR every second year so the pricing was about the same except PS is bundled as well making it very worthwhile. I don't use PS often but need it when I do some stitching, complex masking/subject removal, multiple image stacking/blending.
    I am intrigued about companies throwing around "AI"... does the request go back to the cloud for processing or is there local AI engines to process the request? ML is different of course.
  12. I don't think so. Any photo I take that is really worth the effort of processing is handled fine with even the most basic noise reduction software. If it is so bad that it needs something adobe can't handle then it is a throw away photo regardless of what I use because the light was just poor. And no amount of noise reduction can make a poorly lit image well lit.
    Wouldn't that literally be the point of AI to make fixes with less compromise. I feel like your logic is old school. "AI" is the future. I will try this out soon and hopefully it works as good as promised.
  13. Wouldn't that literally be the point of AI to make fixes with less compromise. I feel like your logic is old school. "AI" is the future. I will try this out soon and hopefully it works as good as promised.
    I guess it depends how one feels about using AI to enhance photos. These AI algorithms are trained on a large dataset of photos so that they can reduce noise on yours. By doing so, other people's photos become incorporated in your photo, albeit very subtly so. In short, the magic doesn't come from your photo, but it comes from photos taken by others in more favorable conditions. Personally I am not okay with using AI in this manner but it seems that most people are. YMMV.

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