Show your Bird Portraits
- By Click
- Animal Kingdom
- 33201 Replies
Pigeons should ally with Peregrine Falcons. The other 800 shots are too gory.
Very nice photos illustrating this bird's hunting behaviour..
Upvote
0
Pigeons should ally with Peregrine Falcons. The other 800 shots are too gory.
As I said before, I don't shoot JPEG (because I don't believe in digging ditches with a shovel when I own an excavatorWe are agreed all around then!
In this case I was curious as to whether the apparently really good ones, within the limits of a modern-ish Canon camera and its tricks only, gave a better foundation than what the cheap Samyang crowd was providing. If marginal, then I'd stay thrilled with my stupidly low prices and enjoy the toys for what they are. If substantially better then I might look at various markets.
I find in perfect conditions both the Opteka (Samyang) 500 and 900 can produce solid work with post-processing. The big trick was coming to terms with the ideal temperatures, and once I figured that part out the keepers became very consistent when situationally permitted. Regardless, the starting point is low contrast and softness. That bird photo, for example, should have a DoF of ~ .42 meters at 15 meters distant, and since the bird is less than 4 centimeters thick then unless my focus is crazy off (it wasn't, there was peaking) that's pretty much well what I get for the 500. Can I make that picture better? Yes! But that's my copy of the lens on a bright day in a slight breeze and hand-held by me. A person can look at that photo and go, ah — with an R6 and a 500mm Samyang that's a realistic expectation regardless of post skills.
But the act is inconvenient and the ideal situations are rare enough that I have far more useful lenses from Canon and other brands to cover the same range for "real" work. Still, I'm an engineering nerd and enjoy the side exercise all the same.
So yeah, enhanced or not I do enjoy seeing photos such as yours. But I find the in-camera edit restrictions more informative.
(Also, the 500 is a good astro lens for tracking stuff like the Andromeda galaxy when picture stacking is used.)



...ISv: from where I sit (midwest USA)...virtually ALL of your posted images are birds not present in my areaI'm envious for the last shot: we have the Northern Mockingbird on Oahu (and I have seen it twice!) but I still have no photo! For the first one (very nice photo!) I'm not really envious: I already figured out that to be envious for birds not present in your area means to be constantly envious!
I trade-in my EF 2x TC for the RF 2x TC so never did a side-by-side comparison.Thanks. Any sense of comparison of the RF 2x with the EF 2xIII? That’s what really stood out to me, that the RF was noticeably less sharp than the EF 2x.
Indeed. My core travel kit comprises the R8 and three zooms – RF 10-20/4, RF 24-105/4, and either the RF 100-500L or the RF 100-400, depending on how much telephoto shooting I anticipate doing. I supplement those lenses with a few primes, typically one or both of the 17mm and 24mm TS-E lenses, a fast WA/UWA prime (24/1.8 or now one of the 14-20-24/1.4 trio), and I will often include the 28/2.8 just because it's great on the R8 for walking around unencumbered.I agree, if i did more paid PJ/ events work I would use a 70-200/2.8 a lot more. For landscapes and travel I used to like the versatility of the EF 70-200/2.8 because a few TC's a I didn't need another longer lens. But these days i would easily take a EF 100-400 LIS II or a RF 100-500L any day. Canon's MICL cams have such good high iso noise response that it makes the f2.8 less of a need than it used to be.
You don't HAVE to buy anything...you just WANT to. I currently don't own a single RF lens, all mine are top choice EF lenses and they are superb.Canon sees you as a paypig that they will bleed and bleed.
I agree, if i did more paid PJ/ events work I would use a 70-200/2.8 a lot more. For landscapes and travel I used to like the versatility of the EF 70-200/2.8 because a few TC's a I didn't need another longer lens. But these days i would easily take a EF 100-400 LIS II or a RF 100-500L any day. Canon's MICL cams have such good high iso noise response that it makes the f2.8 less of a need than it used to be.Personally, I prefer the smaller size of the non-Z 70-200/2.8. I'd probably be more tempted by the Z version if I used my current one more often, but I really use it only occasionally and instead mainly use the 100-300/2.8 in those use cases.
Canon are profitable and have chosen their own strategy which is working for them and their shareholders and to the most part - buyers.I don't deny the effectiveness of the way Canon is doing this, though I'm not entirely sure it will lead to a lot of FF purchases in the future since the lenses generally don't transfer. People can pick their FF system when they move, if they wish.
So what is the problem? There are probably less (in volume) ending up on shelves gathering dust now but it is all normal business.Canon is the best at building these very underspec'd very low-tier (yes, IMO junk) cameras and shoveling them out the door in large quantities. We saw it in the EOS days, and the result today is a huge number of junk bottom end EOS bodies in thrift shops that no one will ever want to use again. Most of them are likely broken anyway. It was this way in the film era, then the DSLR era as that progressed, and now in the RF era.
Geez I’m starting to feel some ageCanon's breakthrough 300D was the first consumer level digital sensor camera was 23 years ago and 6.3
There is no 'harm' involved - only choices.Canon harms their users by not allowing 3rd party glass onto RF.
When DLSR competition was only with Nikon (no Sony) and no phone cameras?I want the Canon of 20 or 30 years ago to return.
I don't where you get this idea from, maybe you can't comprehend a sharp lens that can be sharp wide open with a 2x tc. I have a EF 400mm f2.8 LIS and it's pin sharp (it still out resolves my R5's sensor) with a 2x tele converter. There are lenses that are so sharp that they are still considered super sharp with a 2x TC. The RF 100-300mm f2.8 LIS is as sharp as the older EF prime, the same thing with a 2x TC on either lenses. The 100-300mm f2.8 LIS with a 2x TC is (according to the MFT charts) is sharper than the RF 200-800mm. The RF 400mm f2.8 LIS with a 2x TC is slightly sharper and the RF 100-500L is a tiny bit sharper too. But I'm sure you will hardly see any difference in real world photos.People complain the 100-300mm + 2X is not sharp at f/5.6. If the new lens was razor sharp all the way to 600mm wide open, that might please all the birders out there. What is your opinion of the 100-300mm - 2x at f/5.6? I have noticed that it is indeed sharper with 1.4x when fully open, but you usually have to pixel-peep to notice. However, this minor sharpness issue plus the possibility to go even further with extenders is very tempting to me.
Given the rise of the Chinese lens manufacturers and the niche use cases they are targeting (Laowe probes and tilt/shift!), it is increasingly likely that a dedicated manual AF 14mm lens for astro is coming. It should be relatively cheap but probably not small or light.Yes, and for astro (which is what the Sigma is specifically designed for) the Sigma is by far the superior lens, while being 30% less expensive. If you want a lens for video on a gimbal, the Canon is the right lens and the Sigma would be ridiculous if not impossible.
Personally, I prefer the smaller size of the non-Z 70-200/2.8. I'd probably be more tempted by the Z version if I used my current one more often, but I really use it only occasionally and instead mainly use the 100-300/2.8 in those use cases.Yes, Canon finally have given us a direct replacement and significant upgrade to the older EF mkII and mkIII versions. The RF70-200/2.8 is a great lens, but the ability to use teleconverters and that it's So sharp just adds so much to its versatility.
I do agree with you to an extent for the specific astro use case. There are trade offs though.Sigma is building the best lenses for my area of interest (astro), and Canon seems to prefer heavy digital corrections to make it's lenses more video-friendly (were I'm not interested in). So I'm thinking about my way ahead, with or without Canon.
Even people with cash don't necessarily jump in at the high end. When the point-n-shoot I was using at the time (an Olympus C765UZ) started failing to keep up with my toddler, in early 2009, I decided to buy my first DSLR. Photography had been a hobby before and during college, including developing and printing my film. But I did not know if it would become a hobby again, or if the gear I bought to start out would end up unloved on a used shelf somewhere, as you put it.And, people with smiles buy better cameras when the cash comes around.
I can't think of a single lens that Canon hasn't offered a better version, superior specs or similar offerings than 3rd party. When i look at 3rd party lenses, there's always a downside fro the cheaper price. Poor AF or a lack of critical sharpness at the long end of a zoom range. For me, even Canon's older EF mkII and mkIII glass is far superior to most of the current 3rd party offerings. For me, my upgrade path is with Canon, not 3rd party.Canon harms their users by not allowing 3rd party glass onto RF.
2026 will be the year of zoom lenses from China. How good the early ones will be is anyone's guess but the Chinese will iterate extremely quickly and the prices will be very low.
It took Viltrox a couple of rounds of primes to get that "right". Now they have things like the FF AF 14/4 Air which I paid $150 for and while not a fast aperture lens, the image quality is shockingly good. Their APS-C AF 9/2.8 Air is also excellent. The new EVO series is amazing and very affordable, 35/1.8 and 55/1.8 APO EVO lenses coming next month for under $300 each. They join the 85/2 EVO which is currently $220 on B&H and is sharp wide open with beautiful rendering. The value proposition is incredible. Get them on sale and you'll get all three of these EVO primes for the same price as the Canon RF 85/2.
That's the power of 3rd party glass. What we see with primes now we will see with zooms soon, maybe as soon as next year.
It won't be long before we see the first Chinese camera. Probably L mount. That will shake things up even more.
Yes, Canon finally have given us a direct replacement and significant upgrade to the older EF mkII and mkIII versions. The RF70-200/2.8 is a great lens, but the ability to use teleconverters and that it's So sharp just adds so much to its versatility.Get the RF 70-200/2.8 Z and put the RF 1.4x TC behind it. You’ll have a 98-280mm f/4 with excellent IQ, and you can get it right now, no waiting and hoping required.
This is perhaps one bit I can empathize with. I'm not sure if harms is the right verb though. But IMO Canon does hold their users back.Canon harms their users by not allowing 3rd party glass onto RF.
Yes, and this is another good example that Canon's RF lenses aren't purely video-centric. Those two are stills-oriented lenses, and videographers have to buy an extra attachment.The two L-series Z zooms get power zoom functionality with an attachment.
Of course they’ll end up on used shelves, unloved for the most part. Most entry products do, nostalgic collection aside. They’re throw-away hooks.I don't deny the effectiveness of the way Canon is doing this, though I'm not entirely sure it will lead to a lot of FF purchases in the future since the lenses generally don't transfer. People can pick their FF system when they move, if they wish.
Canon is the best at building these very underspec'd very low-tier (yes, IMO junk) cameras and shoveling them out the door in large quantities. We saw it in the EOS days, and the result today is a huge number of junk bottom end EOS bodies in thrift shops that no one will ever want to use again. Most of them are likely broken anyway. It was this way in the film era, then the DSLR era as that progressed, and now in the RF era.