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Canon isn't doomed?The R6 III specs keep getting better and better! I have a feeling this is going to blow away the Sony A7V this year. It’s Canon’s turn to shine.
The default setting on the RP will show the captured photo as you described, but this can be changed in the menu.Agreed; in this moment I have R6 and RP (and I had R, R10 and R100) and I can't find the difference during shooting, they all look great.
The only advantage of the R6 compared to previous R and RP (and that's something I'm happy to pay for, because it's game changing) is that it doesn't show the captured picture, unless you pull the camera out of your eyes and look at the picture in the rear display, like you would feel when using an OVF., while if you have the review active, R and RP will show picture and/or blackout right in the EVF, so with those I have to keep review off.
Agreed; in this moment I have R6 and RP (and I had R, R10 and R100) and I can't find the difference during shooting, they all look great.Tbh I hardly notice the difference between the EVFs on my r6ii and r5ii. I’ve never tried an r8 to compare
As I wrote, this is my point of view, knowing that some/many could disagree, and could be right to do so.Tbh I hardly notice the difference between the EVFs on my r6ii and r5ii. I’ve never tried an r8 to compare
Wide open, the Sigma EF 50 Art isn't that sharp, honestly. It's excellent by 10 year old standards (it was released in 2014), but today's lenses are as sharp at 1.2 or 1.4 as the Sigma is stopped down to f/4.I don´t like the overly sharp Sigmas...
I don’t find it horrible, it's usable. It's lower resolution, but also a slightly smaller display. It's not smaller to the point of having the same pixel density, but being smaller certainly helps reducing pixelation.Why is the R8´s EVF "horrible"? I only tested in a camera store, but it seemed fine to me. Is 2.36 m dots such a setback?
Interesting. I chose the R6 MKII over the R5, precisely because of the higher ISO range. Sad if Canon prioritizes MP over high ISO quality on the R6 MKIII...I think it is to be expected with the MP increase.
For comparision, the 45MP EOS R5 Mark II has a maximum native ISO of 51.200.
You state that the expected Max ISO of the R6 Mark III is 64,000. Yet, isn't that a downgrade? The Max native ISO of the Mark II is 102,400.
RP has the same 2.36 and it's defenitly easy for to make mistakes with manual focus and exposure that I wouldn't have with R5. It is nice to worry less about theftI've once tested a friend's R8's EVF, and didn't like it at all. Honestly, I also hated the EOS R for its 3,7 m. dots. The same for the R6 II, though much better than both R8 and R. High contrast situations aren't welI mastered by low definition EVFs. But this just a matter of very personal preferences!
For me, like in film times, an excellent viewfinder is of the highest importance. The R5 II's EVF mostly meets my demands, the R1 (don't own it!) even more.
Yeah, that 17-55 was nice. I used the 17-40L on my 10D and kept it through, I think, my 40D. It was a pretty sharp lens on a crop body, and it was available before the EF-S lenses were developed. It was the only very good lens that went wide enough before the EF-S lenses came out, and even after, until the 17-55.I agree that Canon has always sidelined its APS-C models, trying to force users to go full frame - or at least buy full-frame lenses - by not making fast -S glass. (The EF-S 17-55mm f/2.8 was a very popular exception, and my main lens before going mirrorless.) That's where the Sigma RF-S lenses come in. Their 10-18mm f/2.8 has the wide end covered, and their others make the R7 quite competitive, giving it parity with the Sony, Fujifilm and Leica APS-C models, which have had the same lenses for a few years, where they're very popular. Nikon's limiting IBIS to their full-frame models puts them that much further behind Canon, since the R7's IBIS lets it stabilize small and light unstabilized APS-C lenses.
I've once tested a friend's R8's EVF, and didn't like it at all. Honestly, I also hated the EOS R for its 3,7 m. dots. The same for the R6 II, though much better than both R8 and R. High contrast situations aren't welI mastered by low definition EVFs. But this just a matter of very personal preferences!I liked the R´s EVF. Only the blackout in high-speed shooting is/ was a problem. The R5 on paper has a better EVF, but I never really noticed that difference. The R5 also has a blackout phase, but at least it's shorter than the R´s. I really like the EVF of the R5mkii, it is really beautiful. But, the big EVF hump makes the camera even bulkier.
Why is the R8´s EVF "horrible"? I only tested in a camera store, but it seemed fine to me. Is 2.36 m dots such a setback?
It's what I'm actually doing: I don't own a gunNext time when you want to shoot: use your camera.
I had to watch it with my daughter: at that time it was kind of a ritual. Nice memories not only because the interaction with my daughter: I also was much youngerI was never a fan. even though it was very popular.
I agree that Canon has always sidelined its APS-C models, trying to force ambitious users to go full frame - or at least buy full-frame lenses - by not making fast -S glass. (The EF-S 17-55mm f/2.8 was a very popular exception, and my main lens before going mirrorless.) That's where the Sigma RF-S lenses come in. Their 10-18mm f/2.8 has the wide end covered, and their others make the R7 quite competitive, giving it parity with the Sony, Fujifilm and Leica APS-C models, which have had the same lenses for a few years, where they're very popular. Nikon's limiting IBIS to their full-frame models puts them that much further behind Canon, since the R7's IBIS lets it stabilize small and light unstabilized APS-C lenses.I would take interest in that Sigma 17-40 myself if I didn't have an R5 also - it sounds like a great lens for low light situations like receptions, concerts, events, or just people photography during night life activity. I tend to go full frame when I'm going wide-normal, and would use it for most "people" photography. I tend to use my own R7 for birding and wildlife.
She already has a copy of the 18-135 EF USM lens and adapter on its way, and based on her happiness with her Nikon 18-140, I think she'll be happy with this. It's an all in one zoom, and certainly not competition for an L lens, but it's a much more substantial build quality level than the 18-150. Optically, I think it looks similar based on The-Digital-Picture's web comparison tool.
I kind of wish that Canon had made a bit more investment into the RF-S lens lineup. They want to relegate the crop bodies to the toy department and push everyone into full frame, it seems. They could at least bring a couple of the EF-M lenses over, like that 32 mm f/1.4 and one of the 15-xx lenses. 15 is a nice wide angle start for a normal-range zoom on a crop body.
I would take interest in that Sigma 17-40 myself if I didn't have an R5 also - it sounds like a great lens for low light situations like receptions, concerts, events, or just people photography during night life activity. I tend to go full frame when I'm going wide-normal, and would use it for most "people" photography. I tend to use my own R7 for birding and wildlife.Have her get the Sigma RF-S 17-40mm f/1.8 DC Art. It's a standard zoom (equivalent focal lengths 29-64mm) more than a stop faster than most of the full-frame models, and is substantial enough, being comparable in size and weight to a full-frame standard zoom, to give her the heft she wants, in what's Sigma's equivalent to an L lens.
It doesn't have the telephoto reach, true, but she can get decent fast lenses for that - look at my signature for a list. The problem with Canon's EF-S and RF-S lenses is that they don't give them wide enough apertures to overcome the crop sensor's low light issues - the Sigmas and Canon's full-frame lenses do. I don't use any lens slower than f/2.8 except for the telextended 448mm f/4 combo resulting from the 200mm f/2.8L + 1.4 telextender.
I liked the R´s EVF. Only the blackout in high-speed shooting is/ was a problem. The R5 on paper has a better EVF, but I never really noticed that difference. The R5 also has a blackout phase, but at least it's shorter than the R´s. I really like the EVF of the R5mkii, it is really beautiful. But, the big EVF hump makes the camera even bulkier.There's also the R8's "horrible" EVF, compared to the R6's. I could never get used to the R's (3,69 million dots).
Why is the R8´s EVF "horrible"? I only tested in a camera store, but it seemed fine to me. Is 2.36 m dots such a setback?The R 8 has only 2,36 million dots...Though I know many wouldn't care, a good EVF is essential for me.
I'm still used to the optical viewfinder on APSC DSLRs where I couldn't see almost anything so the R was a huge upgrade to meThere's also the R8's "horrible" EVF, compared to the R6's. I could never get used to the R's (3,69 million dots). The R 8 has only 2,36 million dots...
Though I know many wouldn't care, a good EVF is essential for me.