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Noise levels should be essentially the same.Hello, I need help, here!
I'm in the market for a new camera, my good old RP is starting to show its limits. This weekend, for example, I really struggled with focusing in low light, even when my subject was relatively still.
I never shoot video, and my most frequent context for photography is music concerts, so generally in very low light. For example, saturday night, I needed 12800 ISO for pictures at 1/30 of a second at F/2,8. Noisy as hell, but usable when I managed to focus.
According to what you know from the rumors mills, will the new R6 mark iii be the very best for my needs? Will it be my best choice, regarding quality in low light and fast autofocus in these conditions? Will it be better than the R5 mark ii?
As we say in French, thank you for your lights!
Ok, I got it now, but that’s two different settings.I have cameras to my eye, shooting using the EVF's, whith both cameras with image review turned on.
I take a single picture and release the shutter button, keeping the camera to my eye.
The RP shows in the EVF the picture taken, obstructing my view of the actual scene still happening in front of me, while the R6 is not showing the picture in the EVF (acting sort "as an OVF" would), and will show the picture taken only in the rear display, if I remove the camera from my eye and the rear display activates.
My EOS R never does this! Never!I have cameras to my eye, shooting using the EVF's, whith both cameras with image review turned on.
I take a single picture and release the shutter button, keeping the camera to my eye.
The RP shows in the EVF the picture taken, obstructing my view of the actual scene still happening in front of me, while the R6 is not showing the picture in the EVF (acting sort "as an OVF" would), and will show the picture taken only in the rear display, if I remove the camera from my eye and the rear display activates.
I have cameras to my eye, shooting using the EVF's, whith both cameras with image review turned on.I'm not sure I understand what you mean here, could you elaborate? I own both cameras.
Le R6 III semble etre un excellent choix, surtout si vous utilisez souvent les ISO eleves. Pour des photos "normales", le R5 II que j'utilise fournira des images plus detaillees, quant a l'autofocus, les deux se valent quelque soient les conditions de luminosite.Hello, I need help, here!
I'm in the market for a new camera, my good old RP is starting to show its limits. This weekend, for example, I really struggled with focusing in low light, even when my subject was relatively still.
I never shoot video, and my most frequent context for photography is music concerts, so generally in very low light. For example, saturday night, I needed 12800 ISO for pictures at 1/30 of a second at F/2,8. Noisy as hell, but usable when I managed to focus.
According to what you know from the rumors mills, will the new R6 mark iii be the very best for my needs? Will it be my best choice, regarding quality in low light and fast autofocus in these conditions? Will it be better than the R5 mark ii?
As we say in French, thank you for your lights!
Just from you short text:Hello, I need help, here!
I'm in the market for a new camera, my good old RP is starting to show its limits. This weekend, for example, I really struggled with focusing in low light, even when my subject was relatively still.
I never shoot video, and my most frequent context for photography is music concerts, so generally in very low light. For example, saturday night, I needed 12800 ISO for pictures at 1/30 of a second at F/2,8. Noisy as hell, but usable when I managed to focus.
According to what you know from the rumors mills, will the new R6 mark iii be the very best for my needs? Will it be my best choice, regarding quality in low light and fast autofocus in these conditions? Will it be better than the R5 mark ii?
As we say in French, thank you for your lights!
Presumably, you have downsized the full image to about a 1000 px wide? If so it's difficult to assess critically the sharpness. A crop from the original not downsized would be better.Here are a few more squirrel shots from about 30 feet away. I varied the aperture by one stop but I think they both look fine in terms of sharpness. The cat photo I posted earlier may just be an anomaly related to shallow DOF and camera movement.View attachment 226618View attachment 226619
My main issue with that lens is the general lower contrast look, that I'm not very fond off so, to my eyes it's not perfectYes the RF 50 1.2 is spectacular but i always thought it was too perfect.
I'd say it's possible they started with a similar concept, but I'd expect this lens to feature some molded plastic elements, and perhaps cheaper coatings (actually I'm unaware if the EF 50 1.2 features expensive coatings or not).I wonder if something similar is going on here where they're taking the already-mature optics of the EF 50 1.2 and repacking for flange distance, with some optimization to keep the size down--or even none.
I'd expect low distortion, due to its focal length, tons of vignetting, and my guess goes to center sharpness at f/1.2 possibly similar to that of the RF 50mm f/1.8 at f/1.8, getting better as it's stopped down.Given that most RF lenses perform relatively averagely without all the digital corrections applied, surely this 45mm 1.2 could be the same? Even if it's along the lines of the original EF 50 1.2 but with the ability of R series camera to apply a vast array of corrections it must be able to make it appear to be a decent performing lens?
I'm not sure I understand what you mean here, could you elaborate? I own both cameras.The only advantage of the R6 compared to previous R and RP (and that's something I'm happy to pay for, because it's game changing) is that it doesn't show the captured picture, unless you pull the camera out of your eyes and look at the picture in the rear display, like you would feel when using an OVF., while if you have the review active, R and RP will show picture and/or blackout right in the EVF, so with those I have to keep review off.
Nope, that's the 85, edited, but that lens is much longer.
And I'm slowly but surely replacing with the ultra compact 70-200 f/4. But I'll keep the 85 f/2, a lens I really like!I’ve been using the 85STM a bit more this week, the 1:2 magnification comes in handy more often than I realized:
View attachment 226078
In that case I think is quite irrelevant: I don't think much people work at 64000 ISO.You state that the expected Max ISO of the R6 Mark III is 64,000. Yet, isn't that a downgrade? The Max native ISO of the Mark II is 102,400.
It's very portrait focussed, but like you say, it does cover a lot of different 85mm lenses: https://www.youtube.com/watch?v=t0Q-ZklDlokGo on YouTube and watch James Reader review which include all three plus the Sigma 1.4 85mm and the Canon EF 85mm f1.4L IS USM
As far as we can deduce as users, the Canon AF algorithms are 'open loop', there body doesn't check if something is actually in focus during exposure, it trusts the lens to have moved to the correct position. The obvious example if this is a branch crossing in front of your subject, at the edge of the 'eye box'. The eye will be out of focus, but the branch will be tack sharp.I believe it is. I was testing several modes so I can’t be 100% sure[...]
The net upgrade cost alone would be worth it to ditch the adapter. heck you might even profit.Even if it's the same optically, the AF might be much more reliable.
Actually genius, if it's a re-shuffled double gauss like they did with the EF 50 STM to RF 50 STM conversion--they simply jiggled things for the flange distance and retained the same optics having roughly identical optical performance. I wonder if something similar is going on here where they're taking the already-mature optics of the EF 50 1.2 and repacking for flange distance, with some optimization to keep the size down--or even none. I would welcome it. Yes the RF 50 1.2 is spectacular but i always thought it was too perfect. I want something that has field curvature at large apertures and that has a slight swirl. i hope this RF 45 1.2 delivers especially at this price. instant order. long-time user of Canon digital large sensor glass--film glass used on canon digital sensors--(25 years) and since ive been on the RF mount, i've mostly stuck to EF glass for the reasons above (though i have dabbled in several RF lenses but sold them off since)Maybe at 20/24MP it’s good enough to be generally similar in terms of sharpness.
I expect the lens to be shown attached to the R8, as it’s aimed at enthusiasts.
I doubt it will perform as well at 45MP though, it just seems too good to be true, BUT…it’s been 7 years since the RF 50mm f/1.2 was released so, who knows…?
It’s quite a claim, though.
I’m expecting low distortion due to the nature of its focal length, tons of vignetting wide open, build quality similar to that of the 35mm f/1.8.