Show your Bird Portraits
- By Noreaster
- Animal Kingdom
- 32672 Replies
Some great shots, number 3 is my favorite.
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There is a 400 € cashback, though, for the R5 mk IIIn the Netherlands, the R5 mark ii is ridiculously expensive. About 4600 euro, versus 3900 $ in the US.
For the R5 mark ii the difference is much less: 2950 euro in the Netherlands versus 2800 $ in the US.
No idea why this is the case.
I’m not sure I understand your comment (which I perceive as rude), but you’re just formulating the same concept with other words. Exposure values are calculated with physical lens aperture, resulting DOF is dependent on sensor size and as a consequence bokeh is affected. I wanted to point it out as another commenter asked about aperture equivalence.Don’t be silly — light gathering isn’t the issue on APS-C. No one recalculates f-numbers to full frame because of light gathering. It’s about how poor the bokeh looks on APS-C.
It seems as if virtually all the actual tests from many sources and various charts from Photons to photos show that there is little or no difference between Sony and Canon sensors. So, I'm curious as to what info you might have that Canon sensor tech is such a weakness in comparison to Sony. Or are you just about 7 or 8 years behind the times?
Sony does have a higher resolution sensor and the global shutter. I don't think it's a huge difference for most people, but I am interested to see what will happen, nonetheless.It seems as if virtually all the actual tests from many sources and various charts from Photons to photos show that there is little or no difference between Sony and Canon sensors. So, I'm curious as to what info you might have that Canon sensor tech is such a weakness in comparison to Sony. Or are you just about 7 or 8 years behind the times?
RF ~180mm macroThe best of 2026?
R3 II & RF 14mm TSE & RF 35mm f/1,2![]()




Can you tell me what percentage half a battery is? It's fkg difficult to figger out.I just did a wrestling meet and shot over 7500 pictures in 2 hours with r6 mark3. Used just about half of one battery. No flash.
That's the mantra. Repeat it often enough, it becomes true. Or not. For example, from two years ago:It seems as if virtually all the actual tests from many sources and various charts from Photons to photos show that there is little or no difference between Sony and Canon sensors. So, I'm curious as to what info you might have that Canon sensor tech is such a weakness in comparison to Sony. Or are you just about 7 or 8 years behind the times?
I suspect Sony will continue to have an advantage in sensor technology, but in 1H24 Canon needs to minimize its impact and supersede Sony sensors that have been on the market 1-3 years.
All the R5 series needs to be "different" from the R3 with a 50mp sensor is the price.If there is R3 with 50MP sensor, than the R5III will have to have something much bigger than that so it will contonue to be "different" from it...
It seems as if virtually all the actual tests from many sources and various charts from Photons to photos show that there is little or no difference between Sony and Canon sensors. So, I'm curious as to what info you might have that Canon sensor tech is such a weakness in comparison to Sony. Or are you just about 7 or 8 years behind the times?If true, the most interesting bit of this rumor is that the camera would be based upon a brand new Canon sensor. Sensor technology is Canon's principle weakness today v/v Sony. As someone who's planning to sit on the market sidelines in 2026, anything that can be learned about their direction and current capabilities in sensor technology will be helpful.


No nope, The hassy will be mineThis is exciting news... it'll be interesting to see where Canon goes with the R3 II.
I'll hold-off on my Hasselblad 2Dx II purchase... would prefer a high resolution (100MP is preferred) Canon with a built-in grip! Yes, I currently have a R5 II and have added a grip.
The R5 can occupy the under 100MP range, while the R3 occupies the 100MP and up range.
So far, I think battery power will be the achille's heel of this camera. And with the camera not giving a percent pf battery remaining read out, I bet there will be a lot of batteries crashing out at a bad time. I love the files with the camera.....but! Time will tell.
Hey guys. I noticed my battery went down pretty fast but I was really digging with menus and settings. I think I’m going to have to buy a new flash. My old flash is just too hot and miss on the shoe.
I chickened out with the lens again. I just have in the back of my head my trailer for the boat needed some work in spring. They don’t make axles like they used to. My wrangler is going on 6 years now and 100k so I got to do spark plugs, belt and all the fluids in a month or so. I’m a hobbiest so I’m still gun shy. May latest cause my daughter will be back outside training 6 days a week for tennis. We are inside for winter and hot and miss outside of lessons and I don’t like to bother them during her lessons.
Bla bla bla. I know.
All I know is having updated auto focus and this whole sticking to your focus point is nuts. I sound like I’m 100years old and just saw my first cell phone. lol
Jim, make sure you have some spare batteries, this camera seems to be a power pig. Or the 6P is the lessor brother of the 6H, or a little of both.
I shot a red carpet with the 6m2, 1200 images over 3 hours with the flash trigger and had 20% left with a single battery.
Shot 150 frames with the 6m3 and it used most of 2 batteries in the grip just being powered on for the 3 hours of the event.
2 days ago I shot a concert and at 6400 iso, the 6m3 performed very, very well.
Shooting NHL next week, that will be the first real test of the auto focus if I get a downstairs window, upstairs is a useless gauge of AF.
Far and by far the majority of photos are taken in jpeg - there are billions of phone photographers who are very happy, which is a good thing, and straight out of camera jpegs are very successful. But, we agree that if you wish to squeeze the best out of your gear under demanding conditions, then you have to work at it.Yes, I understood what you were saying about using the same Av and Tv. But that's not how many people shoot. Especially if they need or want JPEGs straight out of camera. They set the ISO that high so they can get "medium" exposure at 1/1000 and f/2.8 under the stadium lights at night.
As someone who did shoot raw and culled up to 2,500-3,000 images from each game and halftime show before processing/editing/publishing 250-300 of them, that's a time investment that many folks do not have. They shoot to JPEG, cull the obvious misses, and upload the rest without any editing. They got their images up by Saturday morning after a Friday night game. I was lucky to get mine up before the game the following week. But mine were the ones that wound up in the yearbook and other places after it was all said and done.