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My first thoughts about preservation against camera flashes was that the amount of light emitted in a flash is equivalent to a fraction of a second of daylight and so it would take millions of flashes to even equal the amount of damage from the lighting in a gallery. Here is an article to back up that the cumulative flashing would be negligible.There is too much to see in the British Museum to waste much time taking pictures if you have only a day or two there. But it’s nice to know you can take some shots. I’m surprised that they let you use flash. That is usually prohibited in museums not only to keep from annoying others but also preserving things. There are probably exceptions posted.
Yes, happy Boxing Day!View attachment 182289
I am scared: me neither....Quality light is lacking at this time of year, so I am afraid I wount be able to make a good comparison for quite some time...
Would be an obvious sideline - repair other peoples' stuff and rent them lenses while they're in for repair.
Given that they've already got the trained staff it'd be easy to start, as long as they limited the lenses they repaired to ones they stocked.
Merry Christmas everyone. I count my blessings as I am surrounded by loved ones and we are working our way through a mouse infestation![]()
Right, the fujirumors link refers specifically to 'high-end video' with rigs, dollies and cranes, not hand-held video. Plus, what was the number one complaint once the GH5S was actually in the field? It didn't have IBIS! Panasonic took a gamble since a) they already had several ILIS lenses, b) their target market was 'high-end video', and c) with a physically larger sensor they needed room so they could used the same body as GH5. Their target market was o.k. with the decision to leave IBIS out, but the rest of the photo world and many forum dwellers punished them severely.