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Anyone shooting film?

After a break of about 5 years I returned to shoot film side by side with digital. Recently I took my EOS 3 with my 5D3 to Iceland and shot some rolls of Fujichrome Velvia, liked it much. I also got recently a Mamiya 6 set and explore that currently. Here I introduce another of my film cameras, it is a recently refurbished Kodak Retina IIIc from 1954 (my first camera, it was already quite vintage when I got it). It is a rangefinder, has a very good lens. But its viewfinder is tiny, yellowish, dark and the frames nearly faded away. So it is a bit hard to use but I love the challenge to shoot it in the street: it brings you back to the basics of watching, thinking, composing carefully. Plus: you can't chimp! Good results are gorgeous, my artist friends love those images in particular.

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Canon CEO Very Dismayed by Brexit, Could Halt Japan Recovery

AvTvM said:
CanonFanBoy said:
...
Poor AvTvM: The only person I've seen on a board who could be given $1,000,000,000 and then complain about the paper cut he just gave himself... or the stupid Bureau of Engraving slapping out $100 bills.

:)

The way things are going, I might be complaining if I were offered 1 Million Pounds instead of 1 Million Euros ... :P ;)
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1dX Mark ii - new firmware

Changes:
Firmware Version 1.0.2 incorporates the following functional improvements and fixes.


1. Incorporates countermeasures for a phenomenon in which the bottom part of still images recorded to SanDisk CFast cards become corrupted.
2. Enhances communication reliability between the camera and CFast cards.


If you are using the affected CFast cards, after having updated the camera firmware to Firmware Version 1.0.2, please make sure to use the camera to format the CFast card.


The Version 1.0.2 firmware being released at this time is for cameras with Firmware Version 1.0.0. If the camera's firmware is already Version 1.0.2, it is not necessary to update the firmware.
When updating the firmware of your camera, please first go over the instructions thoroughly before you download the firmware.
The firmware update takes approximately six minutes.


<Cautions in the Use of SanDisk CFast Cards>
Please note that when using the SanDisk CFast cards listed below with the EOS-1D X Mark II, the bottom part of still photos may become corrupted.
Affected CFast Cards:
- SanDisk Extreme PRO CFast2.0 64GB (SDCFSP-064G-xxx)
- SanDisk Extreme PRO CFast2.0 128GB (SDCFSP-128G-xxx)
- SanDisk Extreme PRO CFast2.0 64GB (SDCFSP-064G-xxxA)
- SanDisk Extreme PRO CFast2.0 128GB (SDCFSP-128G-xxxA)
- SanDisk Extreme PRO CFast2.0 64GB (SDCFSP-064G-xxxB)
- SanDisk Extreme PRO CFast2.0 128GB (SDCFSP-128G-xxxB)
*The "xxx" at the end of the product number varies depending on the sales region.
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1 Dx 2 settings

With 5-6 screens of my menus options, I full use these.

Here are some of my setting

format
battery
Speedllite control
MLU
# bracketed shots


ISO speed settings (for auto ISO)
long ex noise reduction
High iso NR
GPS settings
Date/time

Image copy
LCD brightness
sensor cleaning
record function
custom shooting modes
Viewfinder display

As I get to screen 3 most of the setting are rarely used but easier to find them here than in the menu structure
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Canon 11-24mm or not?

tpatana said:
CanonFanBoy said:
Just like the 600EX-RT... had I not been injured and thrown out of work I'd have got fifteen of those suckers just because you can use fifteen at once. That's the only reason. :o


Soo... like this, but longer?

http://neilvn.com/tangents/images/flash/gear/NV2_7880.jpg

Yeah, or a Syl Arena endorsed 2x4. :)
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Modifiers and stand/boom for 600EX-RT

YuengLinger said:
Once you need a stand for your lights, you may as well carry real lights, like Einsteins. Speedlites are great in a pinch, but your output severely limits their usefulness (meaning you have to place them very close and getting over f/8 is a stretch), especially when a modifier is added into the mix. Yes, folks get creative, but why?

A good strobe includes the gift of a modeling light to help with shadows and hair highlights!

Yes, you can get beautiful portraits, you can get great fill light with speedlites, but what I'm saying is, don't invest in more speedlites if your intention is to use softboxes, booms, etc, because it isn't the light that is a pita to carry, but the stands and modifiers.

Do plenty of reading, Joe McNally, Syl Arena, Neil Van Niekerk, Lindsay Adler, etc, before you commit more bucks to speedlites. And don't get sucked into the idea of bunching speedlites--why would anybody do that except to promote speedlites? One good studio strobe costs less and works better than bunched speedlites!

Learn to do as much as you can with one light and an umbrella and a reflector. When you feel limited, make your next move. For your 600ex, an entry level umbrella from B&H is fine, and those are under $30 for good quality. (If possible, get one with fiberglass spines--they not only last longer, but they can cushion your speedlite better if your stand tips over.

You can also get a great Impact light stand from B&H for under $40, one that works fine with even large modifiers and studio strobe if you go that way in the future. They also sell the flash brackets, which are essential for being able to angle the light and hold your umbrella.

Cheers!

Completely agree with YuengLinger.

I have seven (7) Canon 600EX-RT and wish I had gone with 3 Flashpoint Streaklight 360ws strobes instead. Much more power and far more bang for the buck. It will work great in a 72 inch umbrella with a diffusior. Fantastic, in fact. I actually use the diffusion dome (accessory with the Steaklight) for the light going into the umbrella and the nylon diffusior for the Westcott 72" umbrella for the light being bounced back out. The setup gives a very pleasing soft light.

A single Canon Speedlite in a big umbrella like you mentioned is a no go. It just won't do the job properly. 43" is the biggest I go with a single Canon Speedlite and my subject (human) needs to be pretty close to the umbrella.

For product photography a frosted gel may be okay, but if I had everything to do over again I would go Flashpoint Streaklight from Adorama (Godox, Cheetah, etc. from other suppliers). It really is a fantastic product and now comes with Canon compatible built in radio receivers.

5D Mark III, EF 135 f/2L, Flashpoint Streaklight 360ws, Difussion Dome, 72"umbrella, Westcott Difussior made for the umbrella. Even with all the modifiers, the Streaklight did the job.

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no autofocus 1dx2

IglooEater said:
Wow, that's kind of major for an $8000 camera :-/ let us know how it pans out.

a mere...
$6000 ....
........if you add that wonderful 35L ii...i got.....now it is $8000...

////////

me I am ...backed out of the camera...for now... I will peek over the horizon...on and off..to see the bug reports...etc..
and maybe go 5D4.....


I wanted spot meter .. linked to focus point...
and lots of custom features....

....
and the camera really was great.. but I dont want to be keept awake at night ...with unresolved bugs...
with....my ... appliances.....
certainly not... burnt toast

that's all it is ..
a toaster that flings toast at 16 slices per second..
well thats great....unless they are all burned....
and then you cant even sell it used.....
and all the invested 'bread'... lost...
(can anyone remember...the 1D3-focus issue? ...)

I am fine for now.....
if Canon wants to finish testing the toaster..
if it is not too much trouble for them... in their spare time....
with the new CFast bread....

yawn....
we early adopters...have scars... but they ..heal....
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You should really use a smartphone instead of your EOS camera...

tpatana said:
Nokia did similar few years ago, they had long-ish video ad about how great their camera is. One reflection on the video showed the actual big rig they used to shoot :)

It was the Nokia Lumia 920. I got that phone near its release and am still using it. (All money used on Photography, not on phones) They were trying to promote its OIS technology, which is actually quite good IRL for a camera phone. It started getting wonky after I fell my phone from the 2nd floor accidentally. Phone got a small chip but it took a big chunk of the concrete. Looks like the Nokia legend is true. 8)
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What is a focusing screen??

California....I asked about that and the Manager John couldn't offer it. They gave me a FedEx label to resend it but won't get there until Thurs or Friday. I'm not hopeful.

I couldn't beleive it when I opened the package.

I don't know now given the history of this if I would trust the lens and camera at this point.

The original issue was variable autofocus with this single lens. My other Lenses are tack sharp. I sent it to Canon and they returned and asked to check the lens and camera combo. They didn't test together and then were sending the two back and charged for the camera...camera was working perfectly. Quoted on their response but I got a 253
Bill that they said they waived. Today when the package arrived I tried both and weird click with the lens and then nothing.
Then the camera no lens will autofocus at all or engage the lens.
There was
Finger prints on the mirror and supposedly the camera was cleaned.

I'm shocked at the customer service.
I'm not sure I'll trust the camera
At this point as being reliable as the service has been lacking.
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Stock Notice: Canon Speedlite 600EX II-RT at B&H Photo

Re: Stock Notice: Canon Speedlite 600EX II-RT at B&H Photo

midluk said:
PhotoCat said:
I hope the YN-E3-RT trigger still works with 600EX II-RT!
...
I don't think they can permanently lock out the YN-E3-RT without breaking compatibility with their own devices. Yongnuo has the big advantage that the firmware of the YN-E3-RT can be updated by the user, so they are much more flexible than the Canon devices and can adapt to changes.

Principally: yes.
In practice: Don't hold your breath.
Yongnuo has a track record of adapting their products very slowly and with extremely poor communication and documentation ... if at all. It takes more resources than they have to quickly reverse engineer Canon's ever changing protocol shenanigans.
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Novoflex lens adapter needed

Hi all,

I'm looking for a specific adapter: M42 for Castbal T/S. In the past I bought one, but I don't remember where I bought it and cannot find the invoice. I contacted Novoflex, but they don't know the adapter at all :o

Does anyone has information on how/where to obtain this adapter?

Here are some images. For comparison, I included the UNILEI (which has M39 thread).

5_D3_6141.jpg

5_D3_6144.jpg

5_D3_6145.jpg

5_D3_6147.jpg


Thanks!
Niels

Is it possible to remove the top off of a 600ex-rt??

midluk said:
arthurbikemad said:
Just buy the YN E3 RT, cheap and gives you second curtain, but has an AF assist beam so powerful that it can cut off people's heads like a laser beam ;)

It is a laser beam (or actually multiple of them). I definitely wouldn't want to use it when shooting people for eye-safety reasons.

:) :) :) That type of red laser is generally very low power (< 1mw). While bright... the subject will be okay. Supermarket checkers look at them all the time.
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15-85 Equivalent on Full Frame

CanonFanBoy said:
If you know you will mistreat a lens, buy used no matter what. Not sure what you mean by "mistreated" but I wouldn't waste the money on good glass if "mistreated" means what I think it means.

Ultimately, it is your money. :D

I can't afford to mistreat anything. I'm wondering how one mistreats a lens without mistreating the camera at the same time. Especially on a one lens set-up. Good luck to you. :)

Sounds like something out of "Fifty Shades of Gray".:) :) :) Poor lens. Is the safe word "Sony"?

Haha, I only just saw this post!!

Let me clarify by mistreat. I like taking shots in the rain, on the rocks on the coast with all the sea spray, when I go hiking I carry the camera over my pack and shoulder on a sling strap - bashing into shrubs etc. I always thought the 15-85 was weather sealed..... I guess what I am after is something robust and reliable. :D

Mikehit said:
Flamingtree said:
Out of interest of those who travel with two lenses, how do you do it?

I think you may find your self keeping the one lens on the camera, changing the way you shoot subjects at the long end or cropping more often - the crop difference between 100 and 135 is not huge.
But if I do carry two lenses, I rarely go anywhere without a daypack in which I can put the camera when I want to be discrete, so the second lens is in there (with spare card, battery and polariser). Or a bumbag.

Mind you, when I got my MFT rig for street shooting, I found a second MFT body with lens attanhed is smaller than the second APS-C lens I found myself carrying! Always ready :P

I usually carry a pack if I am in tourist mode (bumbags are illegal if you are from NZ/AUS), so 2 lenses is an option if the need is great.

--

In terms of my decision for what lens I was actually going to go with the 24-105, so was pretty excited with he new rumour of the new one coming out at the same time as the 5D4.
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Lack of 5D4 Info

K said:
tpatana said:
I was wondering same thing few days ago. Most likely they'll keep 5D4 quite safe until last minute so it doesn't impact 1DX2 sales. Like for me, this month there's event I'd love to carry 2 bodies. I already sold my second one to make room for next one, but until I know more about 5D4 I can't decide. If it turns out to be really bad, I'll just get 1DX2. If 5D4 is as good as I hope it to be, I'll certainly get that instead.


I doubt the 5D4 will best the 1DX2 on anything regarding the sensor with the sole exception of higher resolution. And even that will be completely negated by superior IQ of the 1DX2 after raising the ISO past a certain point. This was precisely the case between the 1DX and the 5D3. By ISO 400, the 1DX put out better overall IQ than the 5D3. Only at ISO 100 and 200 did the 5D3 arguably look better due to the slight megapixel advantage.

Thus, if one is not impressed by the 1DX2 sensor performance, my suggestion is to not put too much hope in the 5D4. It will not be better. At best, maybe, just maybe - the DR performance might be a little tiny bit better at low ISO but will sacrifice it more at higher ISO compared to the 1DX2. All depends how they 'tune' this sensor.

Now you're assuming things about why I'd want 5D4, and incorrectly so.

Reasons for me to wait 5D4:

-ISO100 for studio work
-Better video than 1DX2 (someone at Canon interview mentioned, not 100% confirmed though)
-Silent shutter
-Detacheable grip
-Price

Reasons for me to go for 1DX2:
-I occasionally would like to carry 2 sports bodies
-It's already available

Difficult choice, that's why I'm hoping they'd release the 5D4 specks soon so I can better compare/estimate which one to go for. Or dark horse contender 5DsR, which has most same reasons as I list above for 5D4, but the video.
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Question re: 17-40L Flare

That looks normal to me. The new 16-35 f4L is slightly more flare resistant in my experience, but you'll still get a few green/red blotches along the flare axis even with that lens. And I agree about filters aggravating the issue. I wouldn't send it back on that basis.

I would check the lens for decentering while you're in the return period, though. That's a common problem with that lens (had to have mine repaired and it still was never right). See https://photographylife.com/what-is-a-decentered-lens
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7D MK II + Sigma 50-100 f1.8 tracking: Roller coaster speed

Travelintrevor said:
I have read that the most challenging objects to track are the ones that rapidly approach camera. Is this true?

Not really, the toughest cases usually involved erratic movement with lots of acceleration and direction changes at relatively close focus distances. Something moving at a constant speed towards the camera can be tracked reasonably well by even many mirrorless cameras.
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