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Sigma 20 ART + Condensation

Gday.

As a happy owner of a Sigma Art 20mm f1.4; I have found myself - twice now - suffering from trying to take photos and realising the front element is fogged up.

This is something that I haven't experienced generally until now.

The first time this happened I was up on a mountain at night, with two layers of wind-proof clothing and a "feels-like" of -12C. My sigma lens was initially okay. But then, a few minutes into taking photos it started fogging up behind the front element. So I switched to my 8-15mm L fisheye, and that one didn't have any problem. (Both lenses were in the car cabin before I went out - the fisheye being in a pouch while I used the sigma before it fogged up).

The second time this happened, it wasn't that cold. It was 9C and I had been driving in the car (a hatchback) and stopped to take some photos. Inside the car it wasn't that hot either. It was maybe 17C. I went out to take photos and saw that my viewfinder was hazy. I looked at the front element of the sigma, and water had condensed on top!. I wiped with with my tshirt, which didn't help; I wiped with my hoodie that was in the car, and i wiped and wiped until there was no water left, then once more with the microfibre cloth, and back to photo taking.

This weekend, I'm going to the snow and was hoping to carry my camera in my backpack (with batteries on my person) and well, do I take the Sigma? Previous experience shows that it'll probably fog up or condense. Is my Sigma dodgy? or does it have something to do with the Sigma NOT having "weather sealing" and the fisheye having it? NB: My other lenses, 24-105L and 70-300L have never fogged up either.

Thank you for your time.

Canon 24-70 2.8 ii or 35mm 1.4 ii

Depends what you are using it for. I use the 24-70 Mk ll for weddings, for its versatility - I often couldn't change location fast enough or am not allowed to as in the ceremony, so the 24-70 range is paramount. When you take a lot of photographs cropping in camera as opposed to post is very time saving also. I carry a 35mm f1.4 principally for low light where I can't bounce flash - it doesn't get used much.
This is just my m.o. Others may well work differently. The lens is a tool, it really does boil down to how you propose to use it the most.
Hope this helps.
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What is happening here ?

Dholai said:
Thanks all. again.

I found the solution. I think placing the filter in the proximal slot solves the problem. I placed it in the distal one ( just beginning to use it) !

Then I saw the link Mikehit gave from the Lee website. They are exactly right.

BTW, I did cover my viewfinder ( knew that much ) ;D

Thanks everybody
Excellent discussion and learning +1
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I need help choosing a 70-200.

As others has said already, since you're on a budget you are better off going with a used lens than a new one. There is nothing wrong with buying used. Just make sure you are buying from a very reputable vendor on ebay. Or buy it from craigslist, that way you can actually test out the item before paying it. I bought my 24-70 2.8 from craigslist, I even brought my laptop to do a quick view of the images before paying the seller. Not to scare you, but I did buy a lens on ebay which had issue. But paypal had no issue issuing a refund and the product returned to the seller. A lot of others have already suggested what to purchase. It is best to wait for items that are up for bids instead of buy it now, as you can usually get better deals.
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35mm IS Image quality- ghosting, bokeh, fringing

ashmadux said:
Those are 100% crops of the problem areas- what kind of larger of sections would you rather see?

- The amount of green fringing is huge. If you see the bird crop, there fringing even in the wood- and its not 'super high' contrast.
- Whether it's coma/ghosting, some oof elements look really bizarre, like one single part of the scene is in movement. there is nothing good about it.

Im still reviewing shots from the rental versions of this lens- I just haven't seen these effects exhibited before, after 4/5 rentals. So I'm suspect that this lens is likely busted. I'm doing my research as I want to be sure, and I will need it for the upcoming fashion week.

Those comments are helpful. Decking wood is often treated with copper so the colour didn't surprise me. And the photo with the fencing that could have been normal reddish.
I wonder if you have longitudinal chromatic aberration for some reason - I can't remember that this is an issue with by 35/2, but it can be with my 85/1.8. I would have thought that lateral CA would show up in the first image but its not apparent to me especially if a 100% shot.

I think the blur/bokeh is okay, but as I note, even my 85/1.8 will have disturbing bokeh in certain situations.

You are the best judge, because there is only so much I can see on a screen. If you have rented a few and this one is worse than the others, that's your answer. Bring it back! It should be a good lens (coma excepted).

Cheers
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EOS-1D X Mark II Image Corruption with Sandisk CFast Cards

And there you are:

Nikon D500 issue with Lexar UHS-II SD cards

http://www.planetnikon.com/forums/index.php?showtopic=28820

Fixed with 1.02 firmware!!!

http://downloadcenter.nikonimglib.com/en/download/fw/191.html

Addressed an issue that sometimes caused errors with certain UHS-II SD memory cards. As we were able to confirm that these were read errors arising not in the camera but in the cards themselves, we addressed the issue with a work-around that switches temporarily to UHS-I mode when a card-side error occurs in UHS-II mode. The camera switches back to UHS-II mode when turned off and then on again or when the standby timer restarts. Card-side read errors may still occur after the update, albeit very infrequently.

EDIT: So were not for the fixes the solution would be Canon with Lexar and Nikon with Sandisk ;D ;D ;D
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Medium Format, Full Frame or APS-C PowerShot

MrFotoFool said:
Mt Spokane Photography said:
There are two approaches.

1. Buy the right camera for the job (Ruthless Approach)

2. Buy a camera that appeals to you as a status symbol or just because it looks neat, or its the best, etc.

I have nothing against either method, but because many of us fall into one camp or the other, the answers will be impossible to interpolate because we have so many reasons for picking the right model to suit us.

To quote a famous Billy Crystal character, "It is better to look good than to feel good." :P

...or like the mantra my ridiculously overconfident friend lives by, "look good, feel good, ARE good"

-pw
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New G PowerShot for Photokina [CR1]

Canon Rumors said:
We’re told that there will be at least one new “G” Powershot camera announced for Photokina in September. The likely candidates for a Mark II update would be the PowerShot G5 X and the PowerShot G9 X.</p>
<p>The “G” series of PowerShot cameras from Canon have been a sales success for the company, but nothing like the heyday of point & shoot digital cameras.</p>
<span id="pty_trigger"></span>

How about a G1X3 with an APSC sensor and this lens http://egami.blog.so-net.ne.jp/2016-07-15
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Is a 85mm f1.4 needed?

jd7 said:
I don't have the 100L but I recently picked up a second-hand Sigma 85 1.4. I haven't had a chance to use it that much yet (sadly!) but so far I'm really liking it! Basically, I would echo Gregorywood's post above. I think the IQ is great, and (touch wood) the AF has seemed pretty good so far.

I've used a 100L once and it was fine (and doing a bit of macro was fun), but unless you want the macro capability I've never really understood why so many people praise it as much as they do. I don't mean that to be provocative, I'd just really like to understand! At that focal length a max f-stop of 2.8 just doesn't seem exciting for a prime lens (although I admit the IS and weather-sealing are attractions), and I don't feel like I've seen photos with the 100L which have a character and bokeh which catches your attention in the way that, say, some photos with the 135L can do. Anyway, maybe if I used the 100L for a while I'd start to understand its charm?

Remember, with the 100L, you can focus very closely. At 4-5 feet away, you have a very shallow depth of field and can get some very nice bokeh. Here are just a few I have at hand taken with the 100mm f/2.8L Macro. It is not my primary portrait lens, but very nice.

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One good reason to shoot Canon over Nikon ...

http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=628&Camera=614&Sample=0&FLI=0&API=2&LensComp=977&CameraComp=453&SampleComp=0&FLIComp=2&APIComp=0

The Canon is noticeably better where they cross over than the Nikon lens that was considered a benchmark for many years.

And before anybody says 'yes but the Nikon is an f2.8 and the Canon at f4 is much easier to make' look at this one.

http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=628&Camera=614&Sample=0&FLI=0&API=0&LensComp=977&CameraComp=453&SampleComp=0&FLIComp=0&APIComp=0
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PCB Vagabond Mini Lithium DIY rebuild

Halfrack said:
Based on how PCB promote their battery chemistry, I would not be surprised it's a custom cell setup.

Did you get them from PCB stateside or locally when PCB Australia was around?
Yes from the Australian distributor. PCB pulling the plug on them was a shock and major setback to the distributor necessitating a quick restructure and an unwelcome inconvenience for Australian PCB customers. No more local support. Darn!

-pw
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All around starter kit.

CanonFanBoy said:
...
What would you recommend?
...
Hi CanonFanBoy!

Quite difficult little task you give us here. Why?
Because reality looks different ;)

I think there are a lot of good answers to your definition of task, so I don't need to add another.
But I did give a lot advice to friends of mine asking me for good camera equipment.
That's what I was asking them? (in addition I did some explanation, if they weren't familiar with photography)

  • What's your budget? Answers: mostly far below 1000$/€
  • What do you want to take pictures of? Answers, differing a lot: children, friends, animals, nature, vacation, etc.
  • What are your preferences for equipment? Answers, differing a lot: high IQ, weight, size, versatility
  • Do you think of exchangeable lenses and would you really use it? Answers: mostly no
  • Do you prefer low light capability or wide zoom range? Answers: both *lol*

So for those, who still were interested in an ILC system the budget was still far away what you give us here.
And I ended up in suggesting them a good Rebel/xxxD body with the STM double zoom kit and a explicit recommendation to take a closer look at the 50/1.8 STM and the pancake lenses, because of their IQ and low light capabilities. Of course other systems were also taken into account. But only those that had something similar to the EF 50/1.8 STM. That is a real stunner when it comes to beginners and low budget.

Another story fitting quite well here, showing you need to know, what the beginner wants:
When I asked a friend of mine if she was still dedicated to photography after she bought a double zoom kit in parallel to the birth of her first child, she said "No! Because the pictures don't pop!"
I took a shot from the hip of her toddler with my portrait prime - small DOF - and asked: "Like that?"
Answer: "Yes! That's it."
Now she's heading for a 50/1.8 for her APS-C (because the 1.4 is too much for the budget).
And she has to pay a lot more because she decided for Nikon before she asked me ;) So no EF 50/1.8 STM :(
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Canon EOS-1D X Mark II Image Quality Comparison

PBD - that's exactly what I did...viewed the RAW comparison, downloaded the files, played with them and came to a conclusion. I've also downloaded RAW files from other sites. I stand by my observation.

On average it took about 0.5 extra sharpening in DPP for the 1DXII to match the others in sharpness. Even then, I still found certain fine details remained "smoothed out". Again, to most people this is splitting hairs, or "pixel-peeping" or whatever you want to call it - and this doesn't mean the camera is bad (I'm still in the market for one should the push arise)...but it is something I've noted and will be keeping a close eye on with the upcoming 5D4. My guess is a stronger AA filter but I don't know.

This is mainly at lower ISO settings - once you get to ISO 3200 and higher, dialing down the noise reduction a couple notches below the default on the 1DXII image more or less appears to equalize things.
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Samyang set to release a lens a week for five weeks this summer

chrysoberyl said:
slclick said:
dslrdummy said:
Thanks for the heads up slclick. Presumably all manual focus.

Oh for certain, but still 5 releases is pretty cool

Manual focus only? Wasn't there talk about Samyang autofocus lenses?

But what I'd like to see is a 50mm manual focus 1:1 macro. Or 2:1.

++1
or A++
::)
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Glass>Bodies

slclick said:
Like I said for people new-ish to the craft as I knew there would be multiple out of context or supposedly better advice from seasoned shooters. Everything has to be picked apart I guess online.

I'm with you on this one and learned the hard way.

When I decided I wanted to move up to FF I bought the L glass first so that I would have it when I got the camera. This gave me great glass for my crop camera at the time, but also made the move to FF all that much more enjoyable. :)
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