This Is Where (5D, 24-105mm & smartLav+)

Hey guys,
Recently made a rather short abstract film in Italy and explores how our minds behave when reflecting back on past relationships - sometimes, the bitter end of a relationship can drown the sweet memories that came before it; but it shouldn't. Three locations represent the different stages of a relationship and show what we feel during those particular moments.

Filmed with the 5D Mark ii and 24-105mm (2 night shots with 45mm 1.8 VC), sound recorded using the Rode smartLav+.

https://www.youtube.com/watch?v=BbxYxjbMLk8

Enjoy and let me know what you think!

Eugene

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Zoom Lens for a Foreign User

Out of the lenses you mention I would go for the 70-200 f2.8. It is an excellent lens, will provide you with a great range, and it is a staple for portraits shooters. I did have your exact setup, but I upgraded, and now have the 50L, 85L and 135L I still have a 70-200 f4 non-IS. And even though it was my first L lens, I just don't like lugging it around unless I really need it, since I don't do much event photography and have my portrait needs covered, I rarely use it. I actually just got the 85L instead of upgrading it to the 70-200L II. But I do have friend that swear by their 70-200's, they are very, very versatile, and until you find the focal length that you love, it is a great starting point. Good luck!
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Anyone Replacing their Canon 85 1.8 with the Tamron?

I still have the Canon 85/1.8 but mainly use the Tamron 85 VC because of the VC. It's a very fine lens, good at every aperture. I have no AF issues with the Tamron 85 VC. AF is as consistent as any Canon lens that I have.

I have no AF issues with the Sigma 35 or 50 Art lenses. AF is as consistent as any Canon lens that I have.

But ... the Sigma 24 Art is somewhat inconsistent. It seems to have more focus inconsistency than my Canon lenses.

All lenses calibrated with Reikan FoCal.
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Body for Time-lapse photography

A body as cheap as possible. Used. An 1100D (free, practically) + Magilantern = extremely sophisticated 5K timelapse machine.

This way you can get 2-3-4 and get different angles and make the outcome much more dynamic.

7DII is waaaay overkill when a used 1100D/t3i will perfectly do the required job.

And no, don't fear reliability it's as reliable as canon's own firmware.
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Canon Introduces the EOS M5 Digital Camera and its First EF-M High Power Zoom Lens

Versus the Panasonic g80, the EOS M5 has a bigger sensor, 24mp, much higher dynamic range (80d vs gh4), much better lowlight performance, better AF system, usable vs non-usable video AF, headphone jack, and most importantly Full compatibility with Canon glass for use as a 100℅ reliable B-cam for Canon glass,

Of course the g80 has its advantages, mainly high detail video (VERY), zebras and IBIS with manual video lenses, etc.

The M5 is the first Canon MILC that I can make an argument for against another MILC!

A home run only lacking a UHD mode of a very highly detailed HD mods.
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How to Clean Oily Residue (cooking splatter) off lens?

I have 2 small dogs who jump all over me everyday when I come home from work, they regularly smear my specs with their tongues/noses and I always clean my specs by sticking them under the tap, then using some liquid soap to make a lather in my hand then wipe the lenses. Dry off the excess water with tissue then finally wipe with a microfiber towel.
Obviously I'm not suggesting you stick your lens under a tap, but the liquid soap works wonders every time!!
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85mm f1.8 requires A LOT of contrast to focus.

Thanks for the input!

Again, IQ wise I'm happy and not comparing it at all the two others. But basic AF should be better. But if you have ever shot kids, that is the main issue and it sets a much higher demand than anything else. Shooting sports is usually bright colors and contrasts on an even background. But small faces with very little shape and contrast in grey outdoor light is worst case.

Everything but the kids I try to focus on under the same light sticks.

I'll just have to find a way to make it work best.
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Snap, Hashtag and Share Your Slice of Australia

HTML:
Australia is as diverse a country as it is vast. Across its breadth, we enjoy a huge variety of landscapes, city scapes and architecture, cultures and communities, sports and passions that make where we live special.</p>
<p>In the spirit of <em>No One Sees It Like You</em>, Canon wants to help all Australian’s capture and share their local community as they see it – that’s the real Australia.</p>
<p>Launching on 10 October 2016, Snap Australia is a four week program through the network of 108 individual News Community Media and their associated websites and social media channels. Each week, you will have the opportunity to shoot practice briefs in the lead up to the big day on 16 November.</p>
<p>Helping you take photos that show Australia in its best light, the Canon Collective Ambassadors in each state will give you simple tips and inspiration through editorials in your local newspaper and online in short videos.</p>
<p>“Snap Australia is a great opportunity to grab your camera and show your community in its best light to the rest of Australia and the world,” says Steve Loughran, General Manager of the <a href="https://www.canon.com.au/en-AU/Personal/imageSpectrum/Community/collective-home" target="_blank">Canon Collective</a>. “We’re looking forward to helping people with simple pointers to take shots that bring out the stories, characters, beauty and passions that make up a community. And because everyone sees things differently, we’ll see loads of unique perspectives come through which is really exciting.” Keep an eye out for us in your <a href="http://www.newscorpaustralia.com/local" target="_blank">News Community Media</a> newspaper – online or in print – and to get involved just visit <a href="http://www.snapaustralia.com.au/" target="_blank">snapaustralia.com.au</a>.</p>
<p><strong>Where is Snap Australia taking place?</strong></p>
<p>The Snap Australia program is a News Community Media program comprising the five community publishing divisions in Sydney/Central Coast, Brisbane, Melbourne, Adelaide and Perth.</p>
<p><strong>How do I get involved?</strong></p>
<p>Keep an eye out for the weekly brief in your News Community Media newspaper or visit <a href="http://www.snapaustralia.com.au/" target="_blank">snapaustralia.com.au</a></p>
<p><strong>Who are the Canon Collective?</strong></p>
<p>The Canon Collective provide people with a range of unique experiences to learn and practice photographic skills together, regardless of age or skill. Why not come and join us?</p>
<ul>
<li>Enjoy unique photography experiences</li>
<li>Meet passionate people</li>
<li>Try the latest Canon gear</li>
</ul>
<p>Take a look at the <a href="https://www.canon.com.au/en-AU/Personal/imageSpectrum/Community/collective-home/Collective-Events" target="_blank">Canon Collective site</a> and select your location for photography events near you.</p>
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Canon EF 600mm f/4 DO IS To Arrive in Late 2017 [CR2]

applecider said:
Tron interesting that weight could be uncertain. Even within the digital picture review there are inconsistencies. I still think the lighter weights are without hood. How the manufacturer's weight and actual scale weight differ is another matter. In my own case with other great whites I've added custom feet, that change the weight a little.

Which brings up a small pet peeve of mine, I wish canon would just add acra swiss compatibility to their own feet. Then they'd fit in cases better etc. And the cases should have rollers on them and luggage handles, at least the larger ones.
I add Arca swiss plates to my white lenses too. And I use hoods too. The advantages over weigh the slight weight increase disadvantage...
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DIY pipe/conduit supports for lighting?

So I recently came across a Kickstarter for couplers/connectors to make things out of EMT conduit. (I'm not here to shill for them so I'm not going to link them; I bet you can find it if you search, or PM me.)

It got me thinking though: does anyone use pipe/conduit to make supports or backdrop holders, etc.? I'm wondering if folks here have tips or tricks for doing such things. What materials do you use? Did you design it to be broken down between sessions or is it always "up"?

It's not nearly as travel-friendly as a traditional three-legged light stand, but possibly more stable and versatile depending on design? Maybe cheaper too. Even a reasonably cheap Impact background support system is over $100.

Or maybe I'm nuts for even considering this stuff. I'm sure you'll let me know if so. :P

7D Mark II and new 18-135 USM kit? (and other ques's)

ajfotofilmagem said:
Canon used its product pricing policy "new" for this particular kit. Yes, it is absurd to buy a body kit and lens without any discount when compared to products purchased separately. The market logic will make the price fall in the coming months.

Thanks - I guess I'll just keep monitoring it. Would be nice to see that kit with an appropriately discounted price.
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Quirky, yellow dSLR used by press ''tog

Hi unfocused.
I have one (Camera Armor) for my 40D, bought it when I got the camera new, wanted to love it, hated it! It made a really nice quality feeling camera feel like a piece of crap toy, it spent no more than a couple of hours on there before being removed to its box, I tried it again recently, nothing changed, feels like crap, wasted hard earned cash.
Don't know about a dust magnet but I can envisage dust and environmental debris getting in between the cover and camera and doing more damage than without it.
Hope this helps!

Cheers, Graham.

unfocused said:
i wonder if anyone has any experience with those skins. I wouldn't use one everyday, but might consider it as a bit of extra insurance on occasion. My suspicion though is that they may not provide protection where it is really needed and if it's like a phone case, the covering can be a dust magnet.

As to the original question, pimpyourcam.com in Germany has some cool stuff on their website. Don't know if they are still in business, the site hasn't changed since 2012.
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