Posts

Besisika · Feb 5, 2016

kat.hayes said:
Pardon my ignorance, though is there a reason to use Honeycomb grids with strobes that have soft boxes and umbrellas over them? Will the effect if the Honeycomb grid be effective?

Thanks.

You would use a honeycomb grids with strobes to reduce spills of light to the surrounding environment, I use it mainly in two scenarios:
1 - when the distance between the subject and background is too small for the softbox without grid and the light would reach the background (which makes the control of background exposure a bit more difficult).
There are different types of grids and the key is in choosing the right angle. The smaller the angle (like what Neuro is using) the harsher the light and you may end up having spots on subject's face, however your background will go totally dark, the bigger the angle the smaller the effect of the grid. The angle of the softbox matters as well.
In these conditions, I use the biggest softbox I have, I put it very close and I use a grid; your light would be still soft but won't spill to your background.
2 - When you don't want a reflection from colored wall, indoor, or from green grass and tree leaves, outdoor, to hit back the subject and would give color casts. Same as above, the angle of the grid matters.

If one day you want the harshest light ever with your strobe then use 10-15deg grid directly on metallic reflector and you will get a very controllable light that won't spill anywhere, you could even use it almost like a snoot.

You can watch this video from Gavin on Youtube. He explains it better than me.
https://www.youtube.com/watch?v=mbIwtu9m7j4

Hope that helps.

MTCWBY · Feb 5, 2016

5DIII and consider the older 100-400. I shot three years of football and baseball and it did well. The flexibility in zoom is hard to beat for kids sports. The II version of the lens is better but probably twice what you'd pay for the older model. I've shot games under the lights for football and while I had to go up to ISO 4000 to do it, the pictures were more than acceptable quality. Yes there are times that I wish I had more FPS but the IQ of the 7DII wasn't quite as good and for the most part I haven't missed much. I have a 1DXII on order but really can't complain about the 5DIII. It's been a great camera for sports.

BeenThere · Feb 5, 2016

calidris said:
There is a very detailed comparison by Ari Hazeghi between 300 2.8 II and the 400 4.0 DO II plus the series III teleconverters.
I strongly recommend to read it, I believe you'll find answers for your questions:

http://arihazeghiphotography.com/blog/canon-400mm-f4-is-do-mark-ii-review-battle-of-the-light-lenses/

Excellent lens comparison and review. I've been shooting with the 400 DO II on a 7D Mk II with and without 1.4x III. Some of my field experience with this combination is posted here:

http://www.ronbrunsvold.com/tools/canon-400mm-f4-do-ii-lens.html

9VIII · Feb 5, 2016

Though I only briefly saw it during the press conference video, at a glance, I think I'm more impressed with how Fuji is handling digital viewfinder blackout during shooting.

That and the X-Pro 2 has the same sensor, same burst speed (with live view), and has been rated as having extremely fast AF so chances are Sony won't do any better (given that it's the same chip).
The only problem with the X-Pro 2 is it's specifically made somewhat larger than most mirrorless bodies.

The X-T2 is rumored to hit the streets this summer, Sony has until then to say that they have the best compact system on the market.

expatinasia · Feb 5, 2016

I thought this video by Newsshooter's Dan Chung was a simple, yet effective, demonstration of the focus pull capabilities on the new 1DX II. I like how you can alter the speed it grabs the new focus. Very nice.

https://vimeo.com/153889003

Maximilian · Feb 5, 2016

Internal upgrade from D500 to D510? Because of ... yet another oil spot on the ISO 1.6 Mio sensor?

Oh no, could not be. It's always only Canon that is delaying products. This must be a hoax

JMZawodny · Feb 4, 2016

Late breaking news: Word on the street has it that Chinese firm Xiaomi intends to purchase Nikon (NINOY) after a disappointing 3rd quarter.

Jack Douglas · Feb 4, 2016

LDS said:
Jack Douglas said:

Yes. And for the financially strapped

Click to expand...

A financially strapped one with a $6000 camera (and its expensive lenses for 4K shooting)?

Jack Douglas said:

Just might be worth it as DIY.

Click to expand...

And risking a $6000 camera with a DIY adapter - especially if you're not fully aware of what you're doing, and with the skills and materials to do it properly? The best way to brick an electronic device is to feed the wrong power.

Moreover to take professional 4K video one would need far more than just an external power source - and I wonder how many would shoot continuosly without time to change battery - especially the "cash strapped ones"...

Tend to think you are right!

NO, you are right!! It's hard when all you've done you whole life is scheme how to create that which you can't realistically afford and then in younger years actually done it consistently, like physically constructing one's own home from one's own design and blah blah blah (I am/was an electronics engineer so I've done my share of that stuff too). Kill yourself all your life and then feel guilty about spending what's there at the end.

For me the money is actually there but other people and other items should not get the squeeze because I have GAS. After all I still have good glass and a functioning 6D and am not that disadvantaged by my gear, for sure. I'll get it in due course. And, I'm happy for those who'll have it right away. Good luck in your case.

Jack

greger · Feb 4, 2016

I would buy a 1.4 or 2 X extender to use with your 70-200 2.8 lens. I don't know if you can use extenders with your 70-300. I have used my 1.4 exclusively with my 70-200 f4 IS USM since I bought the lens and extender together and am extremely happy with that combo. I am still not fully satisfied with the 2X extender but think it will work with my 100-400 lens once I solve my tripod saging problem. I have to use Live View and my cable release. I was able to use the 2x extender with my 70-200 hand held but at f8 and manual focus the pics were a little soft. Your results with the 70-200 2.8 should be better. This is less expensive than buying the 100-400 ll which would the best solution at a greater expense. Good Luck!

Don Haines · Feb 3, 2016

cosmopotter said:
Here's a crazy thought... What if the 80D IS mirrorless! :-\

I'm glad to see that someone else is thinking about this

There is the very real possibility that 97 percent of forum members will go insane, while the remaining 3 percent go out and take great pictures....

Canon Rumors · Feb 3, 2016

HTML:

<strong>Three new models including 24-70mm F2.8 Zoom, 85mm F1.4 Prime and 70-200mm F2.8 Zoom deliver unrivaled imaging experiences </strong></p>
<p>NEW YORK, Feb. 3, 2016 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced their flagship G Master™ brand of interchangeable lenses.</p>
<p>Sony’s new brand includes three new E-mount full frame lenses including a 24-70mm constant F2.8 standard zoom, an 85mm F1.4 prime and a 70-200mm constant F2.8 telephoto zoom.   Representing the ultimate blend of high resolution and beautiful bokeh, the new lenses feature Sony’s innovative optical element technology, design and calibration.  This allows them to produce still image and video content with a level of detail and expression that has never before been possible.</p>

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<p><!--more--></p>
<p>“The new G Master brand represents the finest and most impressive group of lenses that Sony has ever brought to market,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics.  “With our knowledge of what the future will bring for digital imaging, we have designed these lenses and can ensure that the G Master brand will inspire and ‘wow’ photographers and videographers for years to come.”</p>
<p><strong>New FE24-70mm F2.8 GM Standard Zoom Lens</strong></p>
<p>Featuring some of the most advanced lens technologies in market today, the new FE 24-70mm F2.8 GM (model SEL2470GM) is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting<sup class="green">1</sup>.</p>
<p>The new lens is built with three aspherical elements including a newly developed, extremely precise XA (extreme aspherical) element that reduces aberration and delivers the ultimate resolution throughout the entire zoom range and aperture range, as well as from corner to corner of all image files. Additionally, an ED (Extra-low-Dispersion) glass element and Super ED glass element keep chromatic aberration to a minimum while maximizing resolution and bokeh without any unnatural coloration.</p>
<p>The lens features a 9-bladed aperture that maintains a near circular shape at all settings and is coated with Sony’s original Nano AR coating to suppress reflections and ensure spectacular contrast and clarity.</p>
<p>The new FE24-70mm F2.8 GM lens has a direct drive SSM (Super Sonic Wave Motor) focusing system that works with incredible efficiency thanks to a new set of algorithms that positions the lens elements quickly and accurately. The motor is smooth and quiet, making it an ideal choice for shooting both still images as well as movies.</p>
<p>To maximize usability, the lens is dust and moisture resistant and features a compact, streamlined design that includes AF/MF switch as well as focus hold, zoom lock and hood release buttons.</p>
<p>Two new matching filters for the FE24-70mm F2.8 GM lens have also been introduced, including the VF-82MP MC protector and VF-82CPAM Circular PL filter..</p>
<p><strong>New FE 85mm F1.4 GM Telephoto Prime Lens</strong></p>
<p>Designed as the ultimate portrait lens, the long-awaited new FE 85mm F1.4 GM telephoto prime lens (model SEL85F14GM) strikes a perfect balance between resolution and bokeh in a compact package.</p>
<p>The lens features a new XA (extreme aspherical) element as well as three ED glass elements that work together to ensure that the in-focus areas are captured in extremely high resolution while the surrounding out-of-focus areas dissolve smoothly into a beautiful soft backdrop. It has a circular aperture with 11 blades – the most ever used in an α lens – that ensures bokeh is smooth and visually appealing.  Externally, the new model has Sony’s original Nano AR Coating, which is of particular importance in a portrait lens as it reduces flare and ghosting, even with backlit subjects or similarly challenging lighting conditions.</p>
<p>For accurate autofocusing, the FE 85mm F1.4 GM lens includes a ring drive SSM motor system that provides ample power and speed to drive the lens’ large, heavy focus group. It’s also equipped with two position sensors to support flawless focus control of the large, heavy lens elements.</p>
<p>This new professional portrait lens is dust and moisture resistant and also has an aperture ring with on/off switchable click stops that can be adjusted based on whether a user is shooting still images or movies.  It also has an AF / MF switch and a focus hold button.<sup class="green">2</sup></p>
<p><strong>New FE 70-200mm F2.8 GM OSS Telephoto Zoom</strong></p>
<p>Covering the frequently used 70-200mm focal range, the new FE 70-200mm F2.8 GM OSS telephoto zoom lens (model SEL70200GM) offers extremely high rendering, AF performance and image stabilization, making it a versatile choice for shooting wildlife, sports, weddings and a variety of other events and locations1.</p>
<p>The new flagship telephoto zoom model delivers extraordinary sharpness and clarity throughout the entirety of its zoom range thanks to its three advanced lens elements including XA, Super ED and ED glass components, as well as its Nano AR coating.</p>
<p>The new FE 70-200mm F2.8 GM OSS lens features a floating focusing system – implemented in an α zoom lens for the first time – that contributes to an impressive minimum focusing distance of merely 0.96m and ensures AF performance is optimized during both still and video shooting. The lens includes a SSM (Super Sonic Motor) plus dual linear motors that work together to move large lens elements quickly – a task that requires a high level of drive control and ensures focus accuracy. The new model also has built in Optical SteadyShot™ image stabilization for capturing sharp, blur-free subjects at all focal lengths and a rotating tripod mount that allows the camera to be quickly removed from a connected tripod as needed.</p>
<p>The new 70-200mm telephoto zoom lens is dust and moisture resistant with an additional fluorine coating added to the front lens.  It also has a focus hold button as well as a focal range limiter.</p>
<p>Sony has also announced new compact 1.4x and 2x Teleconverters  – models SEL14TC and SEL20TC respectively – that offer even greater reach while maintaining the overall streamlined design and feel of the 70-200mm lens.<sup class="green">3</sup></p>
<p>Pricing and Availability</p>
<p>The new FE 24-70mm F2.8 GM Standard Zoom and 85mm F1.4 GM Telephoto prime lenses will be available in March for about $2,200 and $1,800, respectively.  In Canada, they will be sold for $2,900 CA and $2,400 CA, respectively.</p>
<p>The new 70-200mm F2.8 GM Telephoto Zoom Lens and its compatible 1.4x and 2x Teleconverters will be available in May.  Pricing is not yet available for these models.</p>
<p>The new G Master Series of interchangeable lenses will be sold at a variety of Sony authorized dealers throughout North America.</p>
<p><span class="green">1.      A software update may be required to provide compatibility of lenses with some cameras. See the Sony support site www.esupport.sony.com for additional details.</span></p>
<p><span class="green">2.      Limitations apply to AF operation when shooting movies with certain camera bodies. A software update may be required to provide AF compatibility of FE 85mm F1.4 GM with some cameras during movie shooting. See the Sony support site for lens/body compatibility details.</span></p>
<p><span class="green">3.      SEL70200GM is only compatible lens at the time of announcement</span></p>
<span id="pty_trigger"></span>

Eldar · Feb 3, 2016

I have been through CPS in Norway twice, both in Oslo. The first, which was the previous service center they used, was a similar experience to the one you describe. The second, at the new center, Fotocare, was entirely positive. When it takes as long as you describe, you are entitled to loaning the same or similar equipment as you have in for service. But I believe you have to ask for it to get it.

Ref: http://www.canon.no/about_us/press_centre/press_releases/consumer_news/news/cps_relaunch_release.aspx

expatinasia · Feb 3, 2016

planetMitch said:
expatinasia said:

nda said:

agree :-\

...but you don't need to watch, just listen

Click to expand...

That's not the point!

If I made a video like that, I would delete it, make it again.

This is from a camera-related website, and worse it is a video about the video capabilities of a brand new camera.

It's disgraceful.

Click to expand...

I'm sorry you're disappointed. As I said I wish I could fix it.

The value is in the content... as nda suggested, "just listen"

I am not disappointed.

Delete it and do another.

It is a video about the video capabilities of a new camera. And you can't even do the video right ....... You even suggest I "just listen".

What a joke.

Seriously. Delete and upload another. Crikey.

Added: and it's not a hangout/youtube issue. It is 5d's issue, as it is their branding on the video and they know there is a problem with it. Personally? I think it is hilarious that a camera website does a video about the video capabilities of Canon's new flagship and can't even do the video right!!

xps · Feb 3, 2016

Another rumors site tells us, that Sony will announce the A6300 (http://www. ....... rumors.com) (Add: Sony). Fine specs, with an super AF (if true) for less money....

Cited from this site: "The camera boasts an unrivaled 4D FOCUS™ system that can lock focus on a subject in as little as 0.05 seconds, the world’s fastest AF acquisition time1. Additionally, the α6300 has an incredible 425 phase detection AF points that are densely positioned over the entire image area – the world’s highest number of AF points on any interchangeable lens camera2, and can shoot images at up to 11 frames per second with continuous autofocus and exposure tracking,"

When will Canon announce its semipro MLS?

daniela · Feb 3, 2016

I sent it in. Canon says, this is an issue, where the image stabilizer has to be fixed. Thanky for your replies.

StudentOfLight · Feb 3, 2016

I was looking at this D5 info:
https://cdn-4.nikon-cdn.com/e/Q5NM96RZZo-YRYNeYvAi9beHK4x3L-8go_p7JUL6JpQMwSj_xzTyyQ==/PDF/D5_D4S_D3S_Comparison_Sheet_en.pdf

I noticed something unusual, so I raised the shadows. Is this what they call banding?

mackguyver · Feb 2, 2016

First Yu Wei, now you. You guys are so lucky - I don't know how you do it. Impeccable timing, composition, and straight out of the camera, too. I thought Canon had moved to gray boxes instead of white ones, though, but maybe not in Chinatown....

bmwzimmer · Feb 2, 2016

You can get a thin piece of red tape and do this for all your current chargers too

swithdrawn · Feb 2, 2016

PureClassA said:
Same as the 1DC, which according to noted Sony fan and talented cinematographer, Phillip Bloom, was a camera he really loved and said how much the 8bit image really seemed to outperform it's paper specs. I keep thinking I want a video rig because I'd have some good, simple professional opportunities to generate good revenue from it. This may wind up being my rig because I also use the 1DX now for fast action stills. I think Canon really made a smart marketing decision to put what I feel is a very generous cinema camera into what's supposed to be a stills camera. Well done.

Not quite the same as the 1DC. The 4k readout is more like APS-C on the 1Dx Mk II because it has more effective pixels and is therefore sampling from a smaller area on the sensor (I think?). From a cinematographer's perspective there are much cheaper options in the APS-C range unless you really need 60fps, and I would consider the 1DC over the MkII for the crop factor.

Dick · Feb 2, 2016

Anti climax. :-\

adhocphotographer · Feb 1, 2016

See attached flyer...

I'm a bit disappointed with the AF points, and I am hoping for amazing IQ especially at higher ISO, at least 1-stop better over current 1Dx.

H. Jones · Feb 1, 2016

Rahul said:
I sold my 16-35 f/2.8 Mark II last week and got the 11-24L. I doubt if I'll be interested in getting the Mark-III if it does come into existence.

Among the swarms of PJs slinging 16-35mms, I can't help but feel like I should invest in an 11-24mm and create pictures that have never been taken and that other PJs won't be able to replicate. It's really digging at me with all the opportunities, though I do love my 16-35mm's range.

I think Canon should avoid pricing the new 16-35mm too high, since I feel like there's a real chance that other PJs feel the same about their wide angles.

Sporgon · Feb 1, 2016

Valvebounce said:
Hi Folks.
Just a line to say thanks for all the advice and input, I bought the 5D, spent a couple of days using it with the nifty fifty shooting cats and other easily accessible things. I soon realised that a standard zoom would be better, I only had EF-s standard zooms, and after negotiating with the wife I now have a 24-105 f4L which is about 15 months old.
This camera produces beautiful files, it seems to AF very accurately which is good given the lack of AFMA, I still love my 7D II, it has an awesome AF system and better high ISO, I now have maybe not the best of both worlds, but the best of one and a real good start in the other.
Someone mentioned that the later cameras had an improved LCD, how was it improved, I could not see an obvious difference when comparing mine (serial starts with 2) to my friends (serial starts with 0)?
Thanks for your help.

Cheers, Graham.

You've done the right thing getting one that start with '2'. No need to worry about the mirror. There isn't an obvious difference between the LCD.

I'm very tempted to get another 5D myself since seeing how the files respond to the latest ACR, especially 100 to 400 ISO. I think the colour is very good indeed, especially in differentiating greens. This was pointed out to me by Tim Parkin, the guy who produces 'On Landscape' magazine, and since he's done so I look at the files produced from the latest converts and think "yes, there's something going on there I like"!

Click · Feb 1, 2016

Great shot, OlAf. I really like this one.

AvTvM · Feb 1, 2016

Thanks! Glad you like 'em!

Those clock are truly spectacular. There's 2 of them, fully accessible to visitors - one can walk right up to them.

1. in the cafeteria - EF-M 55-200 @ 55mm, f/5.6

2. another one in a "lounge area" that opens up, right when one needs a little rest after seeing all those amazing paintings in the main section - EF-M 22 @ f/5.6

As a matter of fact, sometimes a visitor takes a little nap right next to those works of art ... EF-M 22 @ f/2.0

My little EOS-M set is serving me quite well on all sorts of trips - cities as well as more alpine terrain. 8)