5DsR nature moiré: example
dolina said:Is it a big deal to you?
Do other non-photogs notice it?
Do non-photogs find it a big deal?
Not to prejudice your opinion but often times we are our own very worst critic.
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dolina said:Is it a big deal to you?
Do other non-photogs notice it?
Do non-photogs find it a big deal?
Not to prejudice your opinion but often times we are our own very worst critic.
Valvebounce said:Hi JD.
To answer the second part of your question, no wires should get hot and present a fire hazard if installed to proper specifications.
You would have to run a high power amp to a speaker that could handle that power and join them with bell wire in a thermally insulated material then drive it at full to warm up the cable, catch fire, I would doubt it. Do the same with a mains supply and an electric bar fire (or other high current, kW, consumer) and it will glow PDQ, catch fire, yes probably before you look up from switching it on! ;D
As hifi enthusiasts usually use cable for the best sound with a CSA that could handle mains at several amps they more than likely won't rise above ambient temperature.
Cheers, Graham.
dilbert said:I wonder if Pentax are doing the same thing as the DxO ONE for "Super resolution"? (that is move the sensor a slight amount to expose RGB separately.)
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It does? Got a link? All I remember reading is their DNG-based HDR (super raw).
Sporgon said:It's another of those lenses, like the Sigma 24-105, where the independent lens manufacturers try to compete with camera's own lenses head on. In the case of the UK this Tamron is significantly more expensive than the Canon 35/2 IS, which is a lens that has gotten itself a stellar reputation.
So I don't get it either. I'm pretty sure the vast majority of people would go for Canon lenses unless the third party ones were either obviously much better, much cheaper, or a combination of both.
I really don't know what edge Tamron think they've got to make this work, but I'm sure they know more than I do.
NWPhil said:well, the 55mm is the most popular so far, and don't see many being sold as used (both 85 and 55)...
not sure if that is an indication of anything, but if the line was not selling, why then make a third one?
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Mt Spokane Photography said:Cheekysascha said:Eldar said:40k shutter actuations is nothing for a 1DX. If it has been a show room I can´t see what they may have done with it to damage anything. Here in Norway you can get them used for just over 30kNOK, which is about the same. But if it has been bought in Norway you have a 2 year Canon warranty and a 5 year periode claim period (defined by law), which is pretty close to warranty.Cheekysascha said:I can get a 1dx for 3500 euros so 1800 euros less but it has 40k shutter actuations and no canon warranty however it has a 3 month warranty with the store and it has no dents or marks except for a small one at the bottom grip.
Is this a good deal? Should I go for it?
also what should I check before buying it? it was a show room model
Send it to CPS for a thorough check and claim whatever they find to the store. Then the camera should be as good as new.
Thank you so much for the information! and yeah it's basically this deal my camera store has so it looks pretty good! and I can just send it to CPS for a check like you said.
Is there any problems I should look for when I pick it up tomorrow? af, menu shutter etc?
Just the obvious, make sure it focus accurately and quickly, make sure everything is included with it, or at least be aware of missing items. Watch out for third party battery, that decreases its value. Check the number of bars on the battery to see if its about to need a new one.
Take images at 1/8000 shutter speed and make sure there is no obvious shutter noise or issues in the image. Since you have a Warranty, that's probably not a big concern.
Ask about a extended warranty, just to see what the cost is. I don't buy one on new cameras, but on used, something might go wrong in a few months.
distant.star said:AlanF said:It's worth noting that the group troll dilbert started a thread about B&H that was so racist it was deleted by the mods.
Interesting how interpretations can be so vastly different.
I saw the dilbert post, and I saw NOTHING racist about it.
Anyway, thanks for posting the B&H response, for what it's worth. Looks like boilerplate corporate-speak to me.
I'll continue to hope the full story emerges.
NancyP said:Well, if you plan to do wildlife photography, 1DX is the dream camera, assuming you have access to the biggest of lenses. I am not sure why anyone except wildlife and sports (including extreme outdoor sports) photographers would need 10+ fps burst mode.
bf said:Finally a retro style integerated EVF!
I'd like to see the same for the M line.
9VIII said:Aaand Tamron drops the ball.
It's not pathetic, but it does go to show that not everyone is in the same league quite yet.
http://www.lenstip.com/454.1-Lens_review-Tamron_SP_45_mm_f_1.8_Di_VC_USD_Introduction.html
http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=1004&Camera=453&Sample=0&FLI=0&API=1&LensComp=941&CameraComp=453&SampleComp=0&FLIComp=0&APIComp=2
Rudeofus said:Mika said:And yes, 58 mm instead of 50 mm allows slightly more room for balancing the back focal distance with aberration correction. A back focal length of 38.5 mm should work fine with EF mount. One cannot go much closer, though. From the patents that I've seen, I think it is either 50/1.0 or 85/1.2 that has the shortest BFL of the EF objectives.
What's your prediction then? Nikon's 58mm faces harsh criticism for it's reported softness wide open, what are the odds that Canon will fare better in this regard? How would such a Canon 58mm F/1.4 fit into their lineup, given that their prosumer 50 is said to be acceptably sharp, whereas their 50L claims to be bokeh king?