Posts

Wilmark · Jun 19, 2013

The original poster hasnt made it absolutely clear that he was paid for the work other than "paid simple work". SO they hire you, and pay you now you want to be paid extra because you think they can use the work other than what you thought they were going to use it for. I think if this is the case the photographer is unreasonable in the absence of a specified contract. WHat business is it of yours what they do with the photos, if you were paid?

Quite unlike the numerous examples of those who think they can rip off a photographer by using his work without permission, just because he has fun doing what he does.

candyman · Jun 19, 2013

Re: Patents: New 50mm, 85mm & 135mm Lenses

tron said:
candyman said:

RLPhoto said:

If the New 135L is non-IS, fail.

Click to expand...

And no f/1.8 too

Click to expand...

May I ask if you have anything against a wonderful f/2.0 aperture ? 8)

Actually I forgot to put sarcasm quotes referring to RLphoto's remark. He repeatedly mentioned in other threads that he is dreaming / wishing for a 135mm f/1.8
Personally I like f/2 but would love to have IS. Currently the non-IS is around 1000 euro. The IS will probably 1,5 the current price.

Hillsilly · Jun 19, 2013

I have a 1Ds MkII. I sit at home all night, alone, watching auctions on eBay sadly seeing its value get lower and lower. Many sell for around $900 - $1000. So $800-$900 is a good price. I don't know much about the lens.

But it really depends if there are any features on the 1Ds Mkii that are of interest or important to you. It does some things better than the 5Dii, just as the 5Dii does some things better than the 1Ds Mkii.

can0nfan2379 · Jun 19, 2013

Anyone have any experience with different vendors and their metal prints? Thoughts on quality, different finishes (ie. brushed satin, high gloss etc.), colors, mounting / framing quality?

Thanks!!!

adhocphotographer · Jun 18, 2013

Awesome... now just got to find one for sale!

There is a limited range of second hand lenses here in India!

jdramirez · Jun 18, 2013

tpatana said:
jdramirez said:

tpatana said:

jdramirez said:

I'm surprised that the write speed are only between 10-20 mbs. any idea what the write speeds are in the 60d? I upgraded from a class four to a class ten and it seemed crazy fast... then I started shooting in both raw and jpg and it seemed slow, but I assumed it was still faster than the old class four.

as I have said, I use both c.f. and sd at the moment, but I will likely remove the sd when I shoot sports.

Click to expand...

How you define crazy fast? You buffer never went full while shooting raw? 60D could have same SD controller (at best) than 5D3, so 10-20MB/s is probably max.

Also C10 is not that much if you look the spec minimums, it's 10MB/s (or more).

Click to expand...

crazy fast: shooting in large jpg, 18 megapixels, and getting 60+ shots at 5.3 shots per second without filling up the buffer and no slowing.

I got tired before the camera did...

Click to expand...

Ok. Did the camera choke when you were using C4 card?

At least with any CF (most bodies I assume), you can shoot jpg any duration you want, until you fill up the card.

it has been a while, but yeah, the buffer filled after about 8 shots or so... I don't know if I pushed the boundaries of the buffer with my 5d, but I will eventually.

Mt Spokane Photography · Jun 18, 2013

I tried manual, but it has to be changed if the light level changes substantially. Finally, I went back to auto and that works better for me.

I'd do which ever works for you, there is no right or wrong involved.

Drizzt321 · Jun 18, 2013

mwh1964 said:
Great feature. Use it when needed and no, there isn't any real life disadvantages.

Actually, yes there are real-life disadvantages. ~3 FPS max vs ~6 FPS max normal, and it also has a greater shutter lag than in normal mode.

Now, that said, I often shoot in silent shutter. Makes me a lot more unobtrusive

Jim Saunders · Jun 18, 2013

A program called EOSinfo can be used to change the data in the camera. It'll get shutter counts too.

Jim

Helen Oster · Jun 18, 2013

RGF said:
Helen,

Sorry I was not clear. Could I have given you my CPS number and have Canon send you an extra lens so I could have gotten my lens sooner (or not spent so longer looking for it)?

Thanks

Just heard back from the Purchasing Manager as follows:

"No guarantee, however we fulfill the 200/400 lens quicker then he might get from canon direct"

bholliman · Jun 18, 2013

I agree with those above in saying that 35mm is really not wide enough for most photographers in a standard zoom lens. 24mm is the current standard at the wide end and for most people that is a good focal length.

Personally, 24-135 would be an ideal focal length range for me.

tron · Jun 18, 2013

Zv said:
Just got my 24-105L today, had a little play about with it. Too early to tell but I reckon it will make a fine addition to my collection!

Thanks again!

;D

YES! It is a fine addition.

melbournite · Jun 18, 2013

Lucky I didn't buy one of those

J.R. · Jun 18, 2013

J.R. said:
neuroanatomist said:

With a lens on the camera, cap in place, start a manual sensor clean and let it sit for a minute before powering off the camera. That should 'remap' the stuck pixels.

Click to expand...

Thanks a lot Neuro ... I'll do this later in the evening today and revert.

Thanks a ton! it worked!!!

Zv · Jun 18, 2013

Update:

I took my 17-55 in to the Canon service centre in Nagoya yesterday. The guy gave me an initial quote of ¥9000 plus any parts on top of that to have it fully cleaned as well as removing the grit in the focus ring. He said it would take about a week. Cheaper than what I was expecting.

bycostello · Jun 18, 2013

bigger sensors coming across the range it would seem

mrsfotografie · Jun 18, 2013

LetTheRightLensIn said:
Artifex said:

LetTheRightLensIn said:

Sebring5 said:

Would it make any difference?

Click to expand...

Well 5D2 takes replacement screens easily and has exposure adjustments built-in. Not sure about the 6D, can't be worse than the 5D3 for MF.

Liveview is the best way to MF, if you can.

Click to expand...

I personally remplace the stock focussing screen of my 6D with a custom Ec-B screen, which has a split-screen. It really works well, especially for macro, and it was easy to install.

Click to expand...

Cool they went back to that for the 6D. I hate the 5D3 screen. That is the one bad thing about the 5D3 compared to all of the other Canon FF bodies.

The 7D also has a translucent-LCD screen and for my purposes (almost strictly use with long AF lenses) it's fine. I still argue that a combination of 7D and 5DII beats owning a single 5DIII. What little may be lost on image quality is gained through versatility and battery + memory card compatibility

Jun 17, 2013

fegari said:
I've had the 100L, and currently have the Zeiss 100MP and 50MP.

The 100L got sold when I got the 100MP becasue of the small % of "macro" that I did would not justify keeping the Canon but mostly due to the gorgeous IQ of the Zeiss I prefered the 100MP even if only 1:2 vs 1:1 of the Canon.

However, you are choosing between the 100L and the 50MP which are totally different lenses. If you were already into macro stuff maybe the 100L is more useful in that regard but from what I read you are just going to give it a try.

Under those circumstances I'll keep the 24-105 you already have and get the 50MP: you get the best fast 50mm for Canon (IMO). Not only you can take your first steps into the macro experience to see how it goes (maybe you do not need more after all) but more importantly you'll have also have a REALLY great versatile lens for astrophoto, nightshoots, indoors, walkaround, portraits, "1:2 macros" etc. Know as well you can put a cheap extension tube to bring it into 1:1 territory loosing maybe 1 stop (becomes a 50mm 2.8, roughly)

You will then realize if you are REALLY into macro in which case I think neither of the 100L nor 50MP nor 100MP will cut it. From my limited macro experience I think the working distance of those lenses is too close to the subject to shoot bugs outdoors, they will get away before you get close enough. For serious macro you need the Canon 180. Unless you shoot only flowers :=)

Mt Spokane Photography said:
Rocguy said:

I guess I forgot to mention I will be using these on my 6D. Thanks for all the info so far.

Click to expand...

A longer focal length for a macro means you do not have to get so close, this allows the subject to be naturally illuminated without shadows from a lens 2 inches away. Since the 50mm is not a true macro, it likely does not focus as closely.
Personally, 100mm is the minimum I'd want to use for macro on FF, and longer is better. If you are taking casual images, the IS of the Canon L really helps, it works far better than I ever expected, I can get close and still not use a tripod and macro head. Don't overlook some of the other third party macro lenses, there are lots of very good ones.

On a crop camera, 50mm might be a good choice, but there again, on a crop body, the Canon 60mm Macro has a lot going for it.

+1. You both stated it better than I. I have considered longer macro lenses, including Sigma, but dont take enough macros to justify the cost.

Axilrod · Jun 17, 2013

Like they said, use an ND filter. Since you have to keep the shutter speed fixed at 50 if you stop the lens down all the way and have the ISO is the lowest possible then ND's are your only option.

bholliman · Jun 17, 2013

Dylan777 said:
I own all 4 lenses you mentioned: 24-70 II, 50L , 85L II and 135L. My vote is 85L II first.

I feel like 24-70 II is great for general shooting. Let the prime lenses(85L or 135L) take care close up shots. Be prepare to buy 2nd body which I think is wonderful and usefull. I have missed many close-up shots in my daughter events by just having 24-70 II on one body.

The 24-70 II has a listed "closest focusing distance of 0.38m/1.25 ft". That's pretty close...

Jun 17, 2013

bardamu said:
Personally I'd go for the Canon EF-S 16mm f/2 because it's better quality. Oh ... hang on ...

Mind you Canon aren't alone in this. Thom Hogan has repeatedly bashed Nikon on this point, suggesting that the quality and range of their DX cameras should be matched by better quality and range in their DX lenses.

Will be interesting to see how the Samyang 16mm compares with the Canon 10-22 at 16mm and the 17-55mm at 17mm. On a related note check this out:
http://www.photozone.de/canon-eos/831-canon_1855_3556stmis?start=2
The recent 18-55mm STM kit lens gets a solid review from Photozone (who are generally hard markers). Peak resolution is actually higher than for the 17-55mm, which is very surprising. Since I am considering the purchase of the latter lens it does cause me to wonder if it is really worth it at 4x the price...

I actually sold my 17-40 f4L when I got my 550D with 18-55 IS, the IS version on have all been very good in their own right if you can live with the plastic construction, rotating ring etc, all capable of very good images and an absolute bargain at the small premium over body only.

I eventually moved to an 18-50 f2.8 (Sigma) because I really need the fast aperture for video.

digital paradise · Jun 17, 2013

Correct - NiMH's is the way to go. I use Ansmann batteries and when they die one day I'll probably switch to Eneloops.

Marsu42 · Jun 16, 2013

mwh1964 said:
For me the 70-300L has proven itself worthwhile. It's perfectly sharp

No way, it doesn't outresolve either the ff or crop sensors - I'd say it's absolutely "sharp enough", but no comparison to for example the 100L or afaik other very sharp zooms like the 24-70ii or the 70-200is2.

crazyrunner33 · Jun 16, 2013

I tried GingerHDR, it's nice being able to work with RAW immediately in Premiere, but I prefer using ACR.

RMC33 · Jun 16, 2013

Rocky said:
RMC33 said:

No, because it will stay at home as I don't plan on dragging around a ~$800 dollar lens on holiday that weighs 200-400g more because of a system that I don't need. I have not needed IS to shoot with my current 50 1.4 ever, 24-70 Mk1/2 or any lens that "needs" IS. Like I said, A 50 STM f/2 with IS for the video and "I want IS" crowd would be great and I may even buy that next to a 50 f/1.4 II but IS on everything is just expensive and heavy~

Click to expand...

EF 28mm f2.8 weights 185 gm, EF 28mm f2.8 USM IS weights 260 gm. This difference is only 75 gm. I do not know where did you get the 200-400 gm information. If you do not want to bring a $800 lens on a trip then would you bring a $1800 camera body on a trip???

What $1800 dollar camera body? I would bring an SL1 or some such on holiday. There is more glass in the 50 vs the 28. I would hazard a guess at 100-125g increase at tops for a 50 with IS not 200-400 like I stated, which is still too much. A ring type USM would also be welcome, rather then a micro motor.

Posts

Posts

Filter

Forum statistics

Gallery statistics