Bokeh on 17-40 vs 24-105
- By shashinkaman
- Canon Lenses
- 15 Replies
mrsfotografie said:Well, with the 17-40 you get hardly any bokeh! ;D
What are you looking for? These are different lenses with different uses,
+1!!!!
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mrsfotografie said:Well, with the 17-40 you get hardly any bokeh! ;D
What are you looking for? These are different lenses with different uses,
jthomson said:It WOULD be nice to start seeing better kit lenses. I've always thought that the 15-85 would have made a great kit lens for the 60D/7D. Yes, the kits would be more expensive, but as the lens would be higher production numbers, the prices would eventually come down.
roadrunner said:Dylan777 said:I'll keep an eye on s120. Will Canon be able to bring s120 to RX100 II level?
What I like about RX100 II:
1. Size - fits in jean pocket no problem
2. AF is fast - face detection is excellent
3. Flip screen - great to shoot kids at lower angle shots
4. Sharp at wide open
5. 1600ISO in low light looks really good
Both photos below are straight out from camera. only resized to post here
I'm wondering about this too. I bought my wife an RX 100 (Not II) in March for her birthday, and it is an awesome camera. From what I've heard the I and II are very similar strictly from an image quality standpoint. But yes, I will keep my eye on this S120, but I doubt it will touch the image quality of the RX100. Viewing the RX100 beside photos taken from my old Rebel XSi, I really can't tell the difference. Obviously my 5D3 blows the RX100 out of the water, but I feel like the RX100 is on another level when compared to most compact cameras. If the S120 can compete, I will be extremely impressed, especially at 9FPS.
privatebydesign said:Neutral 100% of the time. I am a 100% RAW shooter and Neutral gives the best/most accurate histogram of the RAW file, bearing in mind it is actually the histogram of the camera generated preview jpeg.
Yes 1 series cameras have picture styles, many 1 series users are jpeg output only and the customisation of Picture Styles is a very good feature.
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<p>The <b>Canon Power Shot SX510 HS Point-and-Shoot Camera</b> is a compact point-and-shoot camera featuring a 12.1 megapixel 1/2.3″ high-sensitivity CMOS sensor and DIGIC 4 image processor to produce high resolution still imagery and full HD 1080p video with notable low-light sensitivity and quality. The sensor and processor work together to enable the Canon HS SYSTEM, which helps to reduce noise levels and gain greater clarity for enhanced low-light imagery. The processor also affords speed throughout the entire camera system, including High Speed AF and Zoom Framing Assist, which help to assure sharp and maintained focus on fast-moving subjects.</p>
<p>The built-in Canon 30x optical zoom lens provides a 35mm-equivalent focal length range of 24-720mm, covering wide-angle to super telephoto lengths for working in nearly any situation. The reach of this lens is enhanced by the optical image stabilization system that works to reduce the appearance of camera shake. Six distinct settings of Intelligent IS image stabilization are also available, and can be automatically applied to suit the type of shooting and subject matter.</p>
<p>For image composition, playback, and menu navigation, a large, bright 3.0″ 461k-dot LCD monitor is available and facilitates access for utilizing the SX510 HS’ built-in wireless capabilities. The Wi-Fi connectivity helps to expedite sending imagery from the camera directly to an Android or iOS mobile device through the use of the free Canon CameraWindow app. Also helpful is the CANON iMAGE GATEWAY, which serves as an intuitive interface for uploading images directly to social networking and cloud sites.</p>
<p>For refining the look of imagery and helping to ensure precise exposure settings, Smart AUTO modes can be utilized to allow the camera to select all camera settings based on the interpreted scene at hand. Thirty-two different pre-defined shooting situations are available to cover working in a wide variety of conditions.</p>
<div>
<dl>
<dt><strong>12.1MP High-Sensitivity CMOS Sensor and DIGIC 4 Image Processor</strong></dt>
<dd>The 12.1 megapixel 1/2.3″ CMOS sensor and DIGIC 4 image processor work in concert to produce high resolution still imagery and full HD 1080p video recording with notable low-light sensitivity and quality. The combination of these two technologies creates the Canon HS SYSTEM, which provides a maximum sensitivity of ISO 12800 with minimal noise and enhanced clarity to truly benefit impressive image making in dimly-lit situations. The processor also contributes to overall speed throughout the camera, including High Speed AF and Zoom Framing Assist for accurately following subjects and ensuring sharpness.</dd>
</dl>
<dl>
<dt><strong>Canon 30x Optical Zoom Lens</strong></dt>
<dd>The built-in Canon 30x optical zoom lens provides a 35mm-equivalent focal length range of 24-720mm, covering wide-angle to super telephoto perspectives to suit working in nearly any situation. Benefitting this extensive zoom range is the integration of optical image stabilization, which helps to minimize the appearance of camera shake. Furthermore, Intelligent IS image stabilization is also available and works to counter the effects of camera shake by automatically choosing from one of six different modes to optimize settings based on the type of shooting conditions. The Normal setting corrects for a wide range of movements and is ideal for still photography; the Panning setting detects when panning shots are being made and does not compensate for lateral shake; the Macro (Hybrid) setting specifically corrects for shift-type shake that is common when working with close-up subject matter; the Dynamic mode is highly effective for video work and wide-angle settings and helps to minimize common shake that occurs while walking or moving with the camera; the Powered setting is suited for shooting at the telephoto end of the zoom range when hand shake is most prevalent; and Tripod mode simply turns off the IS since it is no longer needed.</dd>
</dl>
<dl>
<dt><strong>Built-In Wireless Connectivity</strong></dt>
<dd>Built-in Wi-Fi allows direct, wireless transferring of photos and videos to mobile devices and PCs for instant online sharing to social networking sites and cloud-based storage sites. The CANON iMAGE GATEWAY helps to expedite this process through an intuitive workflow and the free Canon CameraWindow app, available for iOS and Android devices, enables efficient transferring control and also permits GPS tagging to images. An enhanced Wi-Fi set-up also works to streamline connecting to wireless hot spots, too, as WEP Key input is no longer needed and wireless preferences can easily be modified through a web browser. Additionally, Automatic Switching via the Image Sync function works to automatically sync images with any discovered and linked PC within a designated network or, alternatively, images are temporarily sent to the CANON iMAGE GATEWAY for later transferring.</dd>
</dl>
<dl>
<dt><strong>Other Camera Features</strong></dt>
<dd>
<ul>
<li>Full HD 1080p video recording at 24 fps is supported and an HDMI port, HDMI-CEC support, is integrated into the camera’s design to enable direct playback to an HDTV.</li>
<li>A dedicated movie button and electronic wind filter help to enhance video recording by making it more accessible and improving the overall quality of recordings.</li>
<li>A bright, clear 3.0″ 461k-dot LCD monitor is available for live view monitoring, image playback, and menu navigation.</li>
<li>Smart AUTO is an intelligent auto mode that selects from 32 pre-defined shooting situations and applies the proper camera settings to ensure accurately detailed and exposed imagery.</li>
<li>Zoom Framing Assist automatically zooms in and out while tracking a subject to maintain sharp focus while the subject is moving.</li>
<li>Shooting modes: Manual, Aperture-Priority, Shutter-Priority, Program, Live View Control, Smart AUTO, Movie Digest, Portrait, Face Self-Timer, High-Speed Burst, Low Light, Snow, Fireworks, Creative Filters, Discreet Mode, Movie, and Super Slow Motion Movie.</li>
<li>Special Scene Modes and Creative Filters are available to creatively and aesthetically enhance your imagery in-camera.</li>
<li>ECO Mode works to enables more shooting time per battery charge by limiting the amount of time the camera is awake during inactive periods.</li>
<li>English, German, French, Dutch, Danish, Finnish, Italian, Norwegian, Swedish, Spanish, Simplified/Traditional Chinese, Japanese, Russian, Portuguese, Korean, Greek, Polish, Czech, Hungarian, Turkish, Thai, Arabic, Romanian, Ukrainian, Farsi, Hindi, Malay, Indonesian, and Vietnamese.</li>
</ul>
</dd>
</dl>
</div>
AudioGlenn said:DIABLO said:Thanks FourmMuppet. I'm looking to upgrade to full frame since I already have a good crop camera. As far as lens go I have an 85mm 1.8, 17-40L, 100-400L, 18-55, 55-250. Still gonna use the 60D for wildlife for the most part but wanted to make sure the 6D could keep up or do better as for as birding goes.
I think it will be a great upgrade for you and the controls will feel similar. Just wondering though, any special reason you're keep the 55-250 since you already have the 100-400L?
neuroanatomist said:AlanF said:I have been using mode 3 stabilisation recently. It seems to work but I haven't rigorously tested it. What's it like on your set up.
I usually use Mode 3 when on a monopod/tripod, and Mode 1 when handholding (for a more stable VF). Both work very well. Based on the above, I see no need to ever turn IS off.
sama said:Salah Yousef said:I clicked on ISO on video mode. It says I can't use ISO on video mode.
When the T3i is in video mode (manual exposure only), simply press the ISO button behind the top dial, you will be able to select the ISO for sure.
Update : this will work when you set the Movie exposure to Manual. When you are in video mode, go to the menu. the first selection on the left allows you to switch between Auto and manual exposure.
Dylan777 said:cliffwang said:Dylan777 said:ankorwatt said:its called resolution/sharpness and evenness from 24-70mm mk2 compared with 24-70 mk1 which are a lottery to get one good copy, I have had 4
and the (IS) in the Tamron makes my day like the IS in my 70-200MK2 = sharp pictures in situations where my own handshake puts the limit
the old 24-70 is a good lens if you get a good copy , but after a while its starts to loose up in the front lens package and lens must be tighten up , today there are better lenses=as the Tamron with (IS)
You have any photos taken with Tammy @ f2.8, shutter speed 1/30 or slower?
This one was taken last Christmas season @f2.8 / 0.4sec.
Were you holding the camera? It looks like the camera was sitting on the table surface.